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Se nommer sorcière est acte militant. Dans un système patriarcal basé sur l'accumulation des richesses, elles ont su comprendre qu'il est devenu vital de modifier le pouvoir de domination qui régit le monde. En prenant part à des mouvements d'actions directes non-violentes pour la paix, aux mouvements altermondialistes ou aux mouvements, de lutte contre le réchauffement climatique, elles honorent ce qu'elles nomment «la déesse». Elles utilisent ce symbole non pas pour ce qu'il renvoie en tant que croyance, mais pour le pouvoir qu'il procure. Jamais elles ne nous adressent une proposition de conversion. Les sorcières, en fabulant leur propre histoire, en traçant des cercles, en transformant la peur qui nous fige, ont créé cette brèche qui permet d'insuffler ces "possibles". Leur art est celui qui accepte nos émotions, notre désarroi paralysant et qui le transforme en mouvant d'action, en une puissance qui rassemble.

Féminisme

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Un pamplet où l'auteur s'interroge sur le fait qu'à travers l'histoire tant de femmes on été réduites au silence : "Il manquait à celles qui étaient douées pour affirmer leur génie de quoi vivre, du temps et une chambre à soi".

Femme, thème --- Féminisme --- Littérature

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Animating this book is a twofold question: In what ways are adult and popular educators responding to various harsh economic, political, cultural and environmental conditions? In doing so, are they planting seeds of hope for and imaginings of alternative futures which can connect individuals and communities locally and globally to achieve economic, ecological and social justice? The book illustrates how transformative politics of solidarity often involve actors across vastly different backgrounds. Solidarity is therefore a political relationship that is forged through particular struggles situated in place and time across power differentials. The authors put popular education to work by describing and analysing their strategies and approaches. They do so using accessible language and engaging styles. Popular education is a medium for dreaming, for imagining other futures. It is also essential for countering the wilful spreading of fake news and propagation of ignorance. Pedagogies of solidarity are necessary to building connections amongst people at a time when competitive individualism and alienation are rampant. Forging solidarity with and amongst communities is a means towards that end, and, indeed, an end in itself. “Corporate mines and agribusiness poison the water we drink, the air we breathe and the food we eat. Together with their political proxies they destroy the earth and her peoples – too many are killed because of their military, economic, religious and information wars. How do we stand up for ourselves and the earth that nourishes us against this global system? Forging Solidarity shares inspiring stories that feed our deep connection and power.” – Pregs Govender: Author of Love and Courage: A Story of Insubordination “Forging Solidarity is a critical and timely collective intervention that ponders, prods, pokes, and plays in the most generative ways. In so doing, it invites us to continue deepening our engagements with questions of responsibility and justice in relation to education everywhere.” – Richa Nagar, author of Muddying the Waters: Co-authoring Feminisms across Scholarship and Activism “This book inspires people to realize that not fighting against socio-economic injustices is to side with oppressors.” – Ntombi Nyathi, Programme Director of Training for Transformation.

Teaching --- feminisme --- onderwijs --- opvoeding

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‘Sarah French’s landmark book astutely frames twenty-first-century performance considered queer and feminist within an artistic category in its own right. It is very exciting to read about these theatrically accomplished but challenging innovative performances, and the complex ways in which they are meaningful. Just as these performances merit thorough investigation, this important book equally deserves the serious attention of a wide readership.’ — Peta Tait, La Trobe University, Australia ‘Sarah French’s book provides a compelling insight into ten years of vital, subversive, genre-defying Australian performance. She brings the anarchic energy of the performances alive and frames her persuasive analysis within appropriate intersectional feminist and postcolonial frameworks.’ — Sarah Gorman, University of Roehampton, UK This book examines sexuality, gender and race in Australia’s vibrant independent theatre and performance culture. It analyses selected feminist and queer performances that interrogate the cultural construction of sexuality and gender, challenge the normative trends of mainstream Australian society and culture and open up spaces for alternative representations of gender identity and sexual expression. Offering the first full-length study on sexuality and gender in Australian theatre since 2005, this book reveals a resurgence of feminist themes in independent performance and explores the intersection of feminist and queer politics. Ranging across drag, burlesque, cabaret, theatre and performance art, the book provides an accessible and engaging account of some of the most innovative, entertaining and politically subversive Australian theatrical works from the past decade.

Theatrical science --- theater --- feminisme --- gender --- Australia

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Est-il possible pour les héroïnes de Sex and the City de réconcilier féminité et féminisme ? Les déceptions amoureuses d'Ally Mc Beal traduisent-elle un modèle romantique à bout de souffle ? Reflet des évolutions de la société, la fiction américaine met en scène idéologies, fantasme de l'amour et conflits entre hommes et femmes. Passant au crible soixante années de fiction télé américaine, Céline Morin analyse les relations amoureuses et les inégalités de genre en ouvrant un dialogue avec les théories féministes et une sociologie de la conjugalité et de l'individualisme.

Television --- Sociology --- sociology --- féminisme --- genre --- héroïnes --- séries --- télévision