Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Applying a social-constructivist approach to her richly detailed case history, Audie Jeanne Klotz demonstrates that normative standards such as racial equality can serve as much more than a weak constraint on fundamental strategic concerns. Norms can play a crucial role in the formation of global policy. After forty years of protest against apartheid, the world celebrated Nelson Mandela's inauguration as South Africa's first democratically elected president. Klotz considers why racial discrimination in South Africa became a global concern and why-in a remarkable change of practice-nations and international organizations adopted sanctions against the Pretoria regime. By explaining how the world community actively came to condemn apartheid, Norms in International Relations contributes to broader debates on the role of norms in global politics. Klotz rehearses a fascinating history, combining the power politics of economic sanctions and the normative politics of racial equality. She reenacts the events that resulted in the United Nations decision to oppose apartheid. The author also analyzes anti-apartheid activism in the British Commonwealth and in the Organization of African Unity, and she documents changing attitudes toward South African racial separateness in the United States, Britain, and Zimbabwe.

Apartheid --- South Africa --- Relations.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

As a result of Pretoria's 1976 imposition of independence on the "black homeland" of Transkei, its capital city, Umtata, became one of the first communities in South Africa to experience fundamental changes in the apartheid. This timely book discusses those relationships that remained unchanged, as well as the important race and class realignments that accompanied apartheid's dismantling.Walton R. Johnson shows that although the universal franchise radically altered municipal government and desegregation changed access to some public and private amenities, transformation of the basic patterns of dominance and subordinance occurred slowly. He describes how the established dominant group perpetuated key parts of the old order by guiding and manipulating a pliable new African middle class. For the mass of Africans the facade was new, he makes clear, but the underlying structures were the same: effective social and political control stayed for a long while in the hands of the white elite and few new economic opportunities opened for Africans. His chapter on personal ideologies shows how deeply cultural much of this behavior was.Providing an informed account of change and continuity in one town, Dismantling Apartheid is a compelling preview of future social relations in South Africa.

Apartheid --- Umtata (South Africa) --- History.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Post-apartheid era --- Economic aspects --- South Africa --- Economic policy.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Post-apartheid era in mass media --- Documentary mass media --- Post-apartheid era --- History --- South Africa --- South Africa --- In mass media. --- Politics and government

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Under apartheid, black South Africans experienced severe material and social disadvantages occasioned by the government's policies, and they had limited time for entertainment. Still, they closely engaged with an array of textual and visual cultures in ways that shaped their responses to this period of ethical crisis. Marshaling forms of historical evidence that include passbooks, memoirs, American "B" movies, literary and genre fiction, magazines, and photocomics, Black Cultural Life in South Africa considers the importance of popular genres and audiences in the relationship between ethical consciousness and aesthetic engagement. This study provocatively posits that states of oppression, including colonial and postcolonial rule, can elicit ethical responses to imaginative identification through encounters with popular culture, and it asks whether and how they carry over into ethical action. Its consideration of how globalized popular culture "travels" not just in material form, but also through the circuits of the imaginary, opens a new window for exploring the ethical and liberatory stakes of popular culture. Each chapter focuses on a separate genre, yet the overall interdisciplinary approach to the study of genre and argument for an expansion of ethical theory that draws on texts beyond the Western canon speak to growing concerns about studying genres and disciplines in isolation. Freed from oversimplified treatments of popular forms-common to cultural studies and ethical theory alike-this book demonstrates that people can do things with mass culture that reinvigorate ethical life. Lily Saint's new volume will interest Africanists across the humanities and the social sciences, and scholars of Anglophone literary, globalization, and cultural studies; race; ethical theories and philosophies; film studies; book history and material cultures; and the burgeoning field of comics and graphic novels.

Blacks --- Popular culture --- Apartheid --- Social conditions --- Moral and ethical aspects --- Black people