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Innovative and pioneering, French-American artist Niki de Saint Phalle (1930-2002) created an extensive and complex body of work over her five decade-long career. Her work received international recognition as early as 1961 when her work was included in the important exhibition 'The Art and Assemblage' at the Museum of Modern Art in New York. Since then Saint Phalle has been the subject of numerous exhibitions worldwide. Her bright and joyful Nana sculptures have become known as her signature artwork. The artist and her oeuvre however, can not be solely understood through this one body of work. This catalogue, accompanying the artist's first comprehensive retrospective in Belgium at Beaux-Arts Mons (BAM), explores Saint Phalle's multi-faceted practice, examining how the artist worked across a wide-range of media-painting, assemblage, sculpture, performance, public sculpture and architectural projects, film and theatre. Providing an overview of Saint Phalle's entire career, it seeks to demonstrate how the artist used her boundless imagination and unique vision of the world to transcend the space typically reserved for women to become one of the twentieth century's most important artists.

kunst --- kunst en openbare ruimte --- openbare ruimte --- twintigste eeuw --- 7.071 DE SAINT PHALLE --- gender studies --- feminisme --- Tinguely Jean --- installaties --- beeldhouwkunst --- De Saint Phalle Niki --- Frankrijk --- Verenigde Staten --- Exhibitions --- Art --- sculpture [visual works] --- outdoor sculpture --- installations [visual works] --- painting [image-making] --- color [perceived attribute] --- public art --- human figures [visual works] --- Saint-Phalle, de, Niki --- de Saint Phalle, Niki