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Engeland --- Poster --- Affichekunst --- Vormgeving --- Propaganda --- Vietnam --- Noord-Ierland --- Huisvesting --- Revolutie

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655.41 <41> OXFORD UNIVERSITY PRESS --- 094.1 <41 OXFORD> --- 094.1 <41 OXFORD> Oude drukken: bibliografie----Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--OXFORD --- Oude drukken: bibliografie----Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--OXFORD --- 655.41 <41> OXFORD UNIVERSITY PRESS Publishing in general. Publishing houses. Publishers--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--OXFORD UNIVERSITY PRESS --- 655.41 <41> OXFORD UNIVERSITY PRESS Uitgeverij--algemeen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--OXFORD UNIVERSITY PRESS --- Publishing in general. Publishing houses. Publishers--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--OXFORD UNIVERSITY PRESS --- Uitgeverij--algemeen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--OXFORD UNIVERSITY PRESS --- Fell, John

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The library of Corpus Christi College is one of the most famous of all of those in Oxford and Cambridge. It is one of the few pre-1600 libraries to survive in something like its original form, and the only one still in use as a library. Its main space is still the original room built in 1517, and its furniture, if not original, is still early, most of it dating from 1604. A high proportion of its earliest book-stock, whether print or manuscript, still survives, and there is a wealth of documentation that makes it possible to chart the process of acquisition, especially the major donations of the Founder, Bishop Fox, and first President, John Claymond. And yet there is no modern, book-length study of the College Library. The present volume is intended to provide a scholarly but attractive and readable account of the Library from its conception in the mind of Richard Fox, to the appearance of its earliest surviving catalogue in 1589. It is extensively illustrated, highlighting the rarely-seen original bindings of the early books.

02 <09> <41> --- 02 <09> <41> Bibliotheekwezen:--algemene geschiedenis--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Bibliotheekwezen:--algemene geschiedenis--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Fox, Richard, --- Foxe, Richard, --- Richard, --- Library. --- Book history --- Public buildings --- Corpus Christi College [Oxford]

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Since its inception in the nineteenth century, the genre of Anglo-Saxon charms has drawn the attention of many scholars and appealed to enthusiasts of magic, paganism, and popular religion. Their Christian nature has been widely acknowledged in recent years, but their position within mainstream liturgical traditions has not yet been fully recognised. In this book, Ciaran Arthur undertakes a wide-ranging investigation of the genre to better understand how early English ecclesiastics perceived these rituals and why they included them in manuscripts were written in high-status minsters. Evidence from the entire corpus of Old English, various surviving manuscript sources, and rich Christian theological traditions suggests that contemporary scribes and compilers did not perceive "charms" as anything other than Christian rituals that belonged to diverse, mainstream liturgical practices. The book thus challenges the notion that there was any such thing as an Anglo-Saxon "charm", and offers alternative interpretations of these texts as creative para-liturgical rituals or liturgical rites, which testify to the diversity of early medieval English Christianity. When considered in their contemporary ecclesiastical and philosophical contexts, even the most enigmatic rituals, previously dismissed as mere "gibberish", begin to emerge as secret, deliberately obscured texts with hidden spiritual meaning. Ciaran Arthur is a Research Fellow at Queen's University Belfast.

Manuscripts, English (Old) --- Charms --- Liturgies --- Christianity --- Anglo-Saxon manuscripts --- English manuscripts, Old --- Manuscripts, Anglo-Saxon --- Manuscripts, Old English --- Old English manuscripts --- Religions --- Church history --- Ecclesiastical rites and ceremonies --- Liturgics --- Spells --- Demonology --- Magic --- Magical thinking --- Superstition --- Witchcraft --- Amulets --- Talismans --- 133.4 <09> --- 27 <41> "04/07" --- 27 <41> "04/07" Histoire de l'Eglise--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--?"04/07" --- 27 <41> "04/07" Kerkgeschiedenis--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--?"04/07" --- Histoire de l'Eglise--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--?"04/07" --- Kerkgeschiedenis--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--?"04/07" --- 133.4 <09> Occulte werking. Magie. Toverij--Geschiedenis van ... --- Occulte werking. Magie. Toverij--Geschiedenis van ... --- Occulte werking. Magie. Toverij--Geschiedenis van .. --- Occulte werking. Magie. Toverij--Geschiedenis van . --- Occulte werking. Magie. Toverij--Geschiedenis van --- Charms - England --- Christianity - England --- Anglo-Saxons --- Liturgie --- Charmes --- Liturgies. --- Medieval. --- Litúrgies --- lemac --- Anglo-Saxon. --- Christian rites. --- Christianity. --- Old English. --- ecclesiastical. --- manuscript. --- nineteenth century. --- paganism. --- philosophical. --- spiritual.

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In recent years Eric Ravilious has become recognized as one of the most important British artists of the 20th century, whose watercolours and wood engravings capture an essential sense of place and the spirit of mid-century England. What is less appreciated is that he did not work in isolation, but within a much wider network of artists, friends and lovers influenced by Paul Nash's teaching at the Royal College of Art - Edward Bawden, Barnett Freedman, Enid Marx, Tirzah Garwood, Percy Horton, Peggy Angus and Helen Binyon among them. The Ravilious group bridged the gap between fine art and design, and the gentle, locally rooted but spritely character of their work came to be seen as the epitome of contemporary British values.

76 <41> "19" --- 76 RAVILIOUS, ERIC --- 76 RAVILIOUS, ERIC Grafische kunsten. Grafiek. Prentkunst--RAVILIOUS, ERIC --- Grafische kunsten. Grafiek. Prentkunst--RAVILIOUS, ERIC --- 76 <41> "19" Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--20e eeuw. Periode 1900-1999 --- Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--20e eeuw. Periode 1900-1999 --- Ravilious, Eric William, --- Ravilious, Eric --- Ravilious, Eric.