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Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. The Ordinary articulates a potential genealogy for this practice and for the genre of books that derived from it. Organized around conversations with the authors of three seminal texts that document the city-Rem Koolhaas on Delirious New York, Denise Scott Brown on Learning from Las Vegas, and Yoshiharu Tsukamoto on Made in Tokyo-this volume traces the history of these "books on cities" by examining the material they recorded, the findings they established, the arguments they advanced, and the projects they promoted. These conversations also question the assumptions underlying this practice and whether in its ubiquity it still remains a space of opportunity.

Architects --- Architecture --- Cities and towns --- Philosophy. --- Research. --- Koolhaas, Rem, --- Scott Brown, Denise, --- Tsukamoto, Yoshiharu, --- Architectes --- Villes --- Recherche --- Philosophie --- Research --- Philosophy --- Koolhaas, Rem --- Scott Brown, Denise --- Tsukamoto, Yoshiharu --- Brown, Denise Scott --- Interviews. --- Entretiens --- 72.01 --- 711.4 --- Municipal research --- Urban affairs research --- Urban research --- Architectuur (kritiek) --- Stedenbouw (kritiek) --- Zhongben, Youqing, --- 塚本由晴, --- Brown, Denise Scott, --- Lakofski, Denise, --- Koolhaas, Remment --- Recherche. --- Philosophie. --- Office for Metropolitan Architecture

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Plus d'un siècle sépare le geste de l'architecte néerlandais Rem Koolhaas de celui du Français Samuel Menjot de Dammartin qui, en 1891, érigea le bâtiment parisien du 9 rue du Plâtre. La proposition de Rem Koolhaas, cofondateur de l'agence OMA et lauréat du prix Pritzker 2000, se niche au creux de ce bâtiment sorti de terre en pleine révolution industrielle. Elle requalifie cet ancien entrepôt du Marais, construit pour les besoins du Bazar de l'Hôtel de Ville voisin, en machine de production et d'exposition pour Lafayette Anticipations - Fondation d'entreprise Galeries Lafayette. Des premiers échanges avec l'agence OMA et son think tank AMO en 2012 jusqu'aux dernières semaines de chantier à l'automne 2017, le livre 9 Plâtre retrace les étapes de construction d'un bâtiment-outil voué à accompagner, produire et présenter les œuvres de son époque. Rem Koolhaas évoque dans un entretien les enjeux conceptuels, artistiques, sociaux et politiques qui ont conduit l'architecture de son premier bâtiment parisien, tandis que les œuvres photographiques de Bas Princen posent un regard sensible sur les transformations successives de l'espace. Ouvrage manifeste, 9 Plâtre donne à voir les principes d'un lieu d'art ouvert sur la ville et à tous les publics. Il marque le début d'une programmation artistique dédiée à la rencontre des pratiques et des pensées.

Musées d'art --- Art museums --- Koolhaas, Rem --- Office for metropolitan architecture --- Lafayette Anticipations - Fondation d'entreprise Galeries Lafayette --- Paris (France) --- Constructions --- Buildings, structures, etc. --- Bâtiment culturel --- Réhabilitation de bâtiment --- Lafayette anticipations --- Lafayette anticipations. --- Koolhaas, Rem, --- Koolhaas, Rem, 1944 --- -Musées d'art --- Musées d'art --- -Bâtiment culturel --- -Musées d'art

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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this groundbreaking new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-garde, and its eventual embrace by the postmodernist movement. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe's spatial experiments, and Rem Koolhaas's use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city. Beautifully illustrated, this interdisciplinary book looks at architecture, photography, film, literature, and visual culture, featuring works by artists and architects including Mies, Koolhaas, Hannah Hoech, George Grosz, El Lissitzky, and Frank Lloyd Wright.

Architecture and society. --- Architecture --- Montage (Arts). --- Eisenstein, Sergei, --- Koolhaas, Rem, --- Mies van der Rohe, Ludwig, --- Modern [style or period] --- Photography --- urban planning --- photomontages --- architecture [object genre] --- Architecture, Modern --- Architecture and society --- Montage --- Space (Architecture) --- 72.049 --- 72.037 --- Architectuur en beeldende kunst --- Kunst- en architectuurtheorie ; collage ; assemblage ; montage --- Fotomontages --- Modernisme --- Architectuur ; Postmodernisme --- Architecture and space --- Space and architectural mass --- Space in architecture --- City planning --- Arts --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Modern architecture --- Architectuur ; verschillende onderwerpen --- Architectuurgeschiedenis ; 1900 - 1950 --- Composition, proportion, etc. --- Social aspects --- Human factors --- Koolhaas, Rem. --- Mies, Ludwig, --- Mis van der Roė, Li︠u︡dvig, --- Rohe, Ludwig Mies van der, --- Rohe, Mies van der, --- Van der Rohe, Ludwig Mies, --- Misi Fan De Luo, --- Koolhaas, Remment --- Eisenstein, Sergei M., --- Eisenstein, Sergej, --- Эйзенштейн, Сергей Михайлович, --- Ėĭzenshteĭn, Sergeĭ Mikhaĭlovich, --- Айзенштайн, Сергей Михайлович, --- Aĭzenshtaĭn, Sergeĭ Mikhaĭlovich, --- Ejzenštejn, --- Ejzenštejn, S. M., --- Еисенстеин, Сергей Михайлович, --- Eisenstein, Sergeĭ Mikhaĭlovich, --- Ejzenstein, --- Ejzenstein, S. M., --- Eisenstein, --- Eisenstein, Serge, --- Eisenstein, S. M., --- Ejzenštejn, Sergej, --- Eisenstein, S. --- Эйзенштейн, С. М. --- Ėĭzenshteĭn, S. M. --- Aisan̲sṭin̲, Cerji, --- Aizenshṭain, Sergai, --- איזנשטיין , סרגיי --- Eisenstein, Serguei M., --- Architecture, Modern. --- Montage. --- Photomontage --- Perception de l'espace --- Représentation de l'espace --- Rapport art-architecture --- Rapport du créateur à l'objet créé --- Rapport du spectateur à l'objet créé --- Cinéma --- Photographie --- Eizenstein, Sergei, --- Modern movement (Architecture) --- Architecture in art --- Mouvement moderne (architecture) --- Architecture dans l'art --- Architecture et société --- Montage (Arts) --- Espace (Architecture) --- Office for Metropolitan Architecture --- 72.036 --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Moderne bouwkunst. Architectuur van de 20e eeuw --- City Planning --- Art and architecture --- Negative space (Architecture) --- Eisenstein, Serge M., --- Eisenstein, Sergei --- photomontages [visual works]