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The Flemish painter Jean Brusselmans (1884-1953) was a contemporary of artists such as Constant Permeke and Gustave De Smet. He began his artistic career at the height of Flemish Expressionism, but he was far more than a pure Expressionist. His ultimate goal was to reveal the harmonic order of things in his paintings. Brusselmans's oeuvre cannot easily be pigeonholed into one category or another. He was always searching for a refined, authentic art, for the correct proportions and for the perfect balance between figuration and abstraction. This catalogue is published to coincide with a major exhibition by Jean Brusselmans. The exhibition focuses on the period 1931-1949, in which Brusselmans developed a highly personal style and idiom. Exhibition: Gemeentemuseum Den Haag, The Netherlands (17.02.-10.06.2018).

Brusselmans, Jean --- 75.07 --- Schilderkunst ; schilders --- Brusselmans, Jean, --- Brusselmans, Jean-Baptiste, --- Exhibitions --- 75.037(493) --- Schilderkunst ; eerste helft 20ste eeuw ; Jean Brusselmans --- Schilderkunst ; tussen Vlaams Expressionisme en avant-garde --- Brusselmans, Jean 1884-1953 (°Brussel, België) --- Belgische kunstenaars --- Tentoonstellingscatalogi ; Den Haag ; Gemeentemuseum --- Schilderkunst ; 1900 - 1950 ; België --- Painting --- 20.70 European art. --- 21.02 history of painting. --- Malerei. --- Brusselmans, Jean-Baptiste --- Expressionist [style] --- anno 1930-1939 --- anno 1940-1949 --- Brusselmans, Jean.

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Pierre-Louis Flouquet, Lajos Kassák and Jos Léonard were three visual artists and graphic designers who shaped the interwar years by harnessing the endless possibilities of the line and the plane, and the circle, triangle and square.They shared the conviction that geometric abstraction could be a blueprint for a renewed society after the First World War. It was a message that was advanced through the international avant-garde network of magazines that included, amongst others, Kassák's MA, the Brussels-based 7 Arts with Flouquet as artistic director and Het Overzicht run by Jozef Peeters and Michel Seuphor in Antwerp, with Léonard as an occasional contributor. For Constructivist artists there was no clear distinction between West and East, or centre and periphery. 'Connection' was the keyword, for example between the Belgian and Hungarian avant-garde movements in Antwerp, Brussels, Budapest and Vienna. Exhibition: Kunstmuseum aan Zee MuZEE, Oostende, Belgium (17.06.-04.11.2018).

modern Belgian styles and movements --- interbellum --- Art --- Kassák, Lajos --- Leonard, Jos --- Flouquet, Pierre-Louis --- anno 1910-1919 --- anno 1930-1939 --- anno 1920-1929 --- 7.037 --- Kunstgeschiedenis ; 1900 - 1950 --- Exhibitions --- 766.037 --- 75.037 --- Beeldende kunst ; 1ste helft 20ste eeuw ; interbellum --- Avant-garde --- Modernisme --- Flouquet, Pierre-Louis 1900-1967 (°Parijs, Frankrijk ; sterft te Brussel, België) --- Kassák, Lajos 1887-1967 (°Nové Zamky, huidige Slovenië) --- Léonard, Jos 1872-1957 (°Antwerpen, België) --- Gebruiksgrafiek ; 1900 - 1950 --- Schilderkunst ; 1900 - 1950 --- Flouquet, Pierr-Louis; Kassak, Lajos ; Léonard, Jos --- Kunst --- moderne Belgische stijlen en stromingen --- grafische kunst --- kunstenaars 20ste eeuw --- Flouquet, Pierre Louis --- Léonard, Jos --- tentoonstellingscatalogus --- MAD-faculty 19 --- 7 Arts (1922 – 1928) --- Het Overzicht (1921-1925) --- Ma (1920-1925) --- avant-garde --- modernisme --- 1919 - 1939 --- 20ste eeuw --- 7 Arts (1922-1928) --- interbellum. --- modernisme. --- avant-garde. --- 7 Arts (1922-1928). --- Het Overzicht (1921-1925). --- Ma (1920-1925). --- Flouquet, Pierre-Louis. --- Kassák, Lajos. --- Léonard, Jos. --- 1919 - 1939. --- 20ste eeuw.