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Every day, Americans make decisions about their privacy: what to share and when, how much to expose and to whom. Securing the boundary between one's private affairs and public identity has become a central task of citizenship. How did privacy come to loom so large in American life? Sarah Igo tracks this elusive social value across the twentieth century, as individuals questioned how they would, and should, be known by their own society. Privacy was not always a matter of public import. But beginning in the late nineteenth century, as corporate industry, social institutions, and the federal government swelled, increasing numbers of citizens believed their privacy to be endangered. Popular journalism and communication technologies, welfare bureaucracies and police tactics, market research and workplace testing, scientific inquiry and computer data banks, tell-all memoirs and social media all propelled privacy to the foreground of U.S. culture. Jurists and philosophers but also ordinary people weighed the perils, the possibilities, and the promise of being known. In the process, they redrew the borders of contemporary selfhood and citizenship. The Known Citizen reveals how privacy became the indispensable language for monitoring the ever-shifting line between our personal and social selves. Igo's sweeping history, from the era of "instantaneous photography" to the age of big data, uncovers the surprising ways that debates over what should be kept out of the public eye have shaped U.S. politics and society. It offers the first wide-angle view of privacy as it has been lived and imagined by modern Americans.--

Privacy --- Self-presentation --- History

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In the year 2013, ‘selfie’ was named word of the year by Oxford Dictionaries in recognition of dramatic changes in frequency, prominence, and register of the term. This drastic increase in selfie-taking was spurred by two factors. The first was the advent of smartphones equipped with front cameras and preview screens that made it easy to compose a photographic self-portrait by a process of deliberately exploring one’s image, choosing a pose, and finally taking the picture. The second key change contributing to the rise of the selfie age was the increasing availability of internet connections. It is estimated that about 50% of the world population has access to the internet today (2018; https://www.internetworldstats.com). At the end of the past century, this percentage was a mere 1%. The growth of the internet infrastructure simultaneously spurred the development of social network applications such as Facebook, Twitter, Snapchat, and Instagram, providing accessible media for sharing photographs including photographic self-portraits. However, despite their tremendous reach and popularity, selfies have so far received relatively little attention by the scientific community, especially within psychology. Thus, we proposed a Frontiers in Psychology Research Topic to expand empirical and theoretical work on the massively popular, yet scientifically unexplored, phenomenon of the selfie. The articles published in this eBook offer a multifaceted insight into current scholarly work on this topic.

group selfies --- self-esteem --- Human Computer Interaction (HCI) --- self-presentation --- selfie --- viewing perspective --- perception bias --- smartphones --- social media --- internet

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In the year 2013, ‘selfie’ was named word of the year by Oxford Dictionaries in recognition of dramatic changes in frequency, prominence, and register of the term. This drastic increase in selfie-taking was spurred by two factors. The first was the advent of smartphones equipped with front cameras and preview screens that made it easy to compose a photographic self-portrait by a process of deliberately exploring one’s image, choosing a pose, and finally taking the picture. The second key change contributing to the rise of the selfie age was the increasing availability of internet connections. It is estimated that about 50% of the world population has access to the internet today (2018; https://www.internetworldstats.com). At the end of the past century, this percentage was a mere 1%. The growth of the internet infrastructure simultaneously spurred the development of social network applications such as Facebook, Twitter, Snapchat, and Instagram, providing accessible media for sharing photographs including photographic self-portraits. However, despite their tremendous reach and popularity, selfies have so far received relatively little attention by the scientific community, especially within psychology. Thus, we proposed a Frontiers in Psychology Research Topic to expand empirical and theoretical work on the massively popular, yet scientifically unexplored, phenomenon of the selfie. The articles published in this eBook offer a multifaceted insight into current scholarly work on this topic.

group selfies --- self-esteem --- Human Computer Interaction (HCI) --- self-presentation --- selfie --- viewing perspective --- perception bias --- smartphones --- social media --- internet

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This book investigates the relationship between the self and screen in the digital age, and examines how the notion of the self is re-negotiated and curated online. The chapters examine the production of the self in postmodernity through digital platforms by employing key concepts of ubiquity, the everyday, disembodiment and mortality. It locates self-production through ubiquitous imaging of the self and our environments with and through mobile technologies and in terms of its ‘embeddedness’ in our everyday lives. In this innovative text, Yasmin Ibrahim explores technology’s co-location on our corporeal body, our notions of domesticity and banality, our renewed relationship with the screen and our enterprise with capital as well as the role of desire in the formation of the self. The result is a richly interdisciplinary volume that seeks to examine the formation of the self online, through its renewed negotiations with personalised technologies and with the emergence of social networking sites.

Self-presentation in mass media. --- Self-presentation --- Technological innovations. --- Outer self --- Presentation of self --- Projection of self --- Public self --- Self, Outer --- Self, Public --- Self-monitoring (Self-presentation) --- Self-projection --- Social interaction --- Mass media --- Social media. --- Digital media. --- Humanities-Digital libraries. --- Culture. --- Social Media. --- Digital/New Media. --- Digital Humanities. --- Global/International Culture. --- User-generated media --- Communication --- User-generated content --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Electronic media --- New media (Digital media) --- Digital communications --- Online journalism --- Social aspects --- Humanities—Digital libraries.

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"Visual culture was an essential part of ancient social, religious, and political life. Societies were to a high degree based on civic presence in which appearance and experience of beings and things was of paramount importance. In Visual Power in Ancient Greece and Rome, Tonio Hölscher explores the fundamental phenomena of Greek and Roman visual culture and their enormous impact on the ancient world, considering memory over time, personal appearance, conceptualization of reality, and presentation as fundamental categories of art in social practice. With an emphasis on public spaces, Hölscher investigates the ways these spaces were viewed and experienced, the importance of decoration, and the statements they made about the people and their times."--Provided by publisher.

Visual perception --- Vision --- Social aspects --- History. --- Greece --- Rome --- Social life and customs. --- Visual communication --- Self-presentation --- Perception visuelle --- Communicaqtion visuelle --- Communication visuelle --- Perception de soi --- Aspect social --- Grèce --- Moeurs et coutumes --- History