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The analysis of scenic design in film and television is often neglected, with visual design elements relegated to part of the mise-en-scène in cinema or simply as "wallpaper" in television. Critical Approaches to TV and Film Set Design positions itself from the audience perspective to explore how we watch TV and film, and how set design enhances and influences the viewing experience.By using semiotics, history and narratology and adding concepts drawn from art, architecture and theatre, Geraint D’Arcy reworks the key concepts of set design. Looking at the impact of production design on how the viewer reads film and television, these updated theories can be applied more flexibly and extensively in academic criticism. D’Arcy creates a new theoretical approach, representing a significant expansion of the field and filling the remaining gaps.This book is ideal for anyone interested in understanding how we can read and interpret design in film and television, and should be the primary point of reference for those studying TV and film set design.

Television --- Motion pictures --- Stage-setting and scenery. --- Setting and scenery.

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The intertwining of visual and musical arts at the beginning of the 20th century led to modernism, abstraction and in music, atonality. This meeting of the arts was never so intense as on the operatic stage.

Painting the Stage first examines historic productions beginning with Schinkels iconic stage design for Mozarts Magic Flute, before exploring those of the 20th century with Diaghilev and the Ballets Russes and the implication of avant-garde artists in opera up until World War II. Directly after the armistice of 1945, famous artists such as Derain, Balthus, Dalí, Masson, and Kokoschka reopened the theaters amidst ruins, thus ushering in a new era of optimism. The event of pop art, happenings, and experimental theatre with the collaboration of artists Robert Indiana, David Hockney, Robert Wilson brought on further developments in the realm of opera. Finally, interviews with world famous artists show how their contribution to the genre is making opera today a form of total art.

Theatrical science --- theater [discipline] --- scenography [discipline] --- flats [theater elements] --- theaters [buildings] --- operas [performances] --- Opera producers and directors. --- Opera --- Performing Arts. --- Set designers --- Set designers. --- Stage-setting and scenery --- History. --- Stage-setting and scenery.

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Projected scenery. --- Projection, Scenic --- Scenic projection --- Lantern projection --- Theaters --- Stage-setting and scenery --- Project management --- Business meetings --- Planning --- E-books --- Meetings --- Industrial project management --- Management

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Dossier sur la représentation de la masculinité sur scène à l'époque moderne, son rapport aux normes sociales de son temps et sur l'évolution des marqueurs de la masculinité. ­Electre 2018

Sociology of the family. Sociology of sexuality --- Theatrical science --- Masculinity in literature --- European drama --- Masculinité --- Théâtre --- Au théâtre. --- Thèmes, motifs. --- Masculinity in literature. --- Theaters --- Themes, motives --- Stage-setting and scenery. --- Themes, motives.

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"In this innovative book, Gundula Kreuzer argues for the foundational role of technologies in the conception, production, and study of nineteenth-century opera. She shows how composers increasingly incorporated novel audiovisual effects in their works and how the uses and meanings of the required machineries consistently changed, sometimes still resonating in contemporary stagings, performance art, and popular culture. Focusing on devices (which she dubs 'Wagnerian technologies') intended to amalgamate opera's various media while veiling their mechanics, Kreuzer offers a practical counternarrative to Wagner's idealist theories of total illusionism. Curtain, Gong, Steam's multifaceted exploration of the three titular technologies repositions Wagner as catalyst more than inventor in the history of operatic production. With its broad chronological and geographical scope, the book deepens our understanding of the material and mechanical conditions of historical operatic practice as well as of individual works, both well known and obscure"--Éditeur.

Wagner, Richard --- Aesthetics. --- MUSIC / Genres & Styles / Opera. --- Opera and technology --- Opera and technology. --- Opera --- PERFORMING ARTS / Theater / General. --- History --- Production and direction --- Production and direction. --- Stage-setting and scenery --- Stage-setting and scenery. --- Wagner, Richard, --- 1800-1899. --- Technology and opera --- Technology --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- History and criticism --- MUSIC / History & Criticism. --- 1800-1899 --- 19th century art. --- 19th century music. --- 19th century opera. --- 19th century. --- 20th century. --- acoustics. --- architecture. --- art history. --- artistic. --- audiovisual. --- composer. --- composition. --- french opera. --- german opera. --- inventor. --- music history. --- musical composition. --- opera. --- performance art. --- pop culture. --- popular culture. --- popular music. --- stage crew. --- technology. --- theatre. --- wagner. --- wagnerian technology.