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Sanzo Wada 1883-1967 was an artist, teacher, costume and kimono designer during a turbulent time in avant-garde Japanese art and cinema. Wada was ahead of his time in developing traditional and Western influenced colour combinations, helping to lay the foundations for contemporary colour research. Based on his original 6-volume work from the 1930s, this book offers 348 color combinations, as attractive and sensuous as the books own design.Bron : https://www.copyrightbookshop.be/shop/a-dictionary-of-color-combinations-vol-1-back-in-stock/
Wada, Sanzo --- Kleurenleer ; kleurencombinaties ; kleurengidsen --- Natuurkunde ; kleurenleer --- kunst --- twintigste eeuw --- Japan --- kleurenleer --- kleur --- 535.6 --- kleuren --- Color guides. --- Color in art. --- Color in design. --- Color. --- Kleur (kleur) --- Kleurengebruik --- Kleurenreproductie
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"Charts color exploration and expression from the 1600s to the present day through painters' tools, art, ephemera, and literature"--
Color --- Colors --- Color in art --- 535.6 --- Kleurenleer ; evolutie --- Colors in art --- Art --- Monochrome art --- Colours --- Chromatics --- Colour --- Chemistry --- Light --- Optics --- Thermochromism --- History --- Natuurkunde ; kleurenleer --- Optics. Quantum optics --- Aesthetics of art --- art history --- colors [hues or tints] --- kleuren --- kleurenleer
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How the perception of shadows, studied by vision scientists and visual artists, reveals the inner workings of the visual system. In The Visual World of Shadows , Roberto Casati and Patrick Cavanagh examine how the perception of shadows, as studied by vision scientists and visual artists, reveals the inner workings of the visual system. Shadows are at once a massive problem for vision--which must distinguish them from objects or material features of objects--and a resource, signaling the presence, location, shape, and size of objects. Casati and Cavanagh draw up an inventory of information retrievable from shadows, showing their amazing variety. They present an overview of the visual system, distinguishing between measurement and inference. They discuss the shadow mission , the work done by the visual brain to parse, and perhaps discard, the information from shadows; shadow ownership , the association of a shadow with the object that casts it; shadow labeling , the visual system's ability to tell shadows from nonshadows; and the shadow concept , our knowledge about shadows as a category. Casati and Cavanagh then apply the theoretical apparatus they have developed for shadows to other phenomena: illumination, reflection, and transparency. Finally, they examine the art of the shadow, paying tribute to artists' exploration of shadow, analyzing a series of artworks (reproduced in color) from this rich and fascinating art historical corpus.
Visualization. --- Shades and shadows. --- Light and shade --- Shade --- Shadows --- Geometry, Descriptive --- Perspective --- Visualisation --- Imagination --- Visual perception --- Imagery (Psychology) --- Licht en materie --- Visuele presentatie ; materiële objecten en ruimtelijke installaties --- Schaduwen --- Kunst ; optische effecten --- 535.311 --- Rechtlijnige voortplanting van het licht ; schaduw --- Optical illusions --- Illusions, Optical --- Hallucinations and illusions --- Physiological optics --- 7.048.3 --- Iconografie ; versieringen ; arabesken, lijnen --- Visual perception. --- Light. --- Electromagnetic waves --- Light sources --- Spectrum analysis --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Psychological aspects --- Visualization --- Shades and shadows --- Ombres
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