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Book
Philosophy, poetry, and power in Aristophanes' Birds
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ISBN: 9781498590761 9781498590778 Year: 2019 Publisher: Lanham Lexington Books

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Aristophanes was clearly anxious about the role of the sophists and the “new” education in Athens. After the perceived failure of Clouds in 423 and its subsequent, unperformed revision, Aristophanes, this book argues, returned in 414 with Birds, a continuation and deepening of his critique found in Clouds. Peisetaerus or “persuader of his comrades,” the protagonist of Birds, though an old man, is clearly a student of Socrates’ phrontisterion. Unlike Socrates, however, he is political and ambitious and he understands the whole of human nature, both rational and irrational. Peisetaerus employs the various deconstructive techniques of Socrates and his allies (which is summed up on the comic sage in the image of “father-beating”) to overturn not just human society, but, with the help of his new allies, the divine and musical birds, the cosmos. After his new gods and bird city, Cloudcuckooland, are actually established, however, the hero re-introduces the “old” ways - justice, moderation, and obedience to law – but now under his personal authority, and thereby becomes “the highest of the gods.” Thus, the author postulates, in 414 Aristophanes has come to acknowledge the potency of the apparent civic-minded turn (or element) of the sophists, while aware of the self-aggrandizing nature of their ambition. Peisetaerus, unlike Socrates, is successful: he is establishing a just polis and cosmos and, therefore, must be victorious. But the consequence or cost of this success is illustrated through the Bird Chorus. After the polis is founded, the birds never again sing of their musical reciprocity with the Muses, the source of melodies for men. The birds are now political and the policemen of human beings. The sophist-run cosmos has lost its music. The new Zeus is an ugly bird-mutant. The gods and all nomoi have lost their beauty, honor, and reverential nature. Birds, in its finale, hilariously, but boldly illuminates the inherent tension between philosophy (reason) and poetry (divinely-inspired tradition).

Keywords

Aristophanes.


Book
Handlungsverlauf und Komik in den frühen Komödien des Aristophanes
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ISBN: 3110859629 Year: 2019 Publisher: Berlin ; Boston : De Gruyter,

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Book
Aristophanes' Wasps
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ISBN: 9780190639716 9780190907402 0190907401 0190639717 Year: 2019 Publisher: New York, NY : Oxford University Press,


Book
Aristophanes. Peace
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ISBN: 9781350020221 9781350020214 9781350020245 9781350020238 1350020214 1350020222 1350020230 1350020249 Year: 2019 Publisher: London Bloomsbury Academic

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"This is the first volume dedicated to Aristophanes' comedy Peace that analyses the play for a student audience and assumes no knowledge of Greek. It launches a much-needed new series of books each discussing a comedy that survives from the ancient world. Six chapters highlight the play's context, themes, staging and legacy including its response to contemporary wartime politics and the possible staging options for flying. It is ideal for students, but helpful also for scholars wanting a quick introduction to the play.Peace was first performed in 421 BC, perhaps only days before the signing of a peace treaty that ended ten years of fighting between Athens and Sparta (the Archidamian War). Aristophanes celebrates this prospect with an imaginative fantasy involving his hero's flight on a gigantic dung-beetle to Olympus, the rescue of the goddess Peace from her imprisonment in a cave, and her return to a Greece weary of ten years of war. Like most of the poet's comedies, this play is heavy on fantasy and imagination, light on formal structure, being an exuberant farce that champions the opponents of War and celebrates the delights of the return to country life with its smells, food and drink, its many pleasures and none of the complications that war brings in its wake."-- Back cover.


Book
The Mask of Comedy : Aristophanes and the Intertextual Parabasis
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ISBN: 0801466911 Year: 2019 Publisher: Ithaca, NY : Cornell University Press,

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A choral interlude distinctive to Greek Old Comedy, the parabasis treats a variety of literary and political topics that critics have generally considered tangential to the themes of the play in which it appears. Reading closely each of Aristophanes' comedies, Thomas K. Hubbard here demonstrates that, far from being a digression or a relic of long-forgotten rituals, the parabasis provides a critical link between the identities of the poet, chorus, and protagonist, and between the play and its audience.The parabasis, according to Hubbard, offers an interesting theoretical problem: the seeming intrusion of autobiographical allusion and literary dogma into the poetic text. He argues that the parabasis is not in fact intrusive, but presents the poet's role and identity as a paradigm for the satirical concerns of the play. After a review of ancient theories of the comic and their modern counterparts, Hubbard examines the parabasis within the framework of Greek traditions of poetic self-awareness and self-citation.He shows that the function of the parabasis is primarily "intertextual," echoing not only other poets but also the comic poet himself. Hubbard maintains that the parabases of Aristophanes' plays, taken together, form an important autobiographical subtext, which allows readers to trace the poet's career as he wished it to be seen. The poet, in his various struggles with Athenian society, is himself revealed to be a comic hero on a par with many of his protagonists. Analyzing Aristophanes' plays sequentially through the lens of the parabasis, The Mask of Comedy gives us a new perspective on the significance of his entire dramatic corpus. It will be welcomed by classicists and by comparatists and literary theorists interested in the development of comedy.


Book
El juego de la ley : la poética cómica del derecho en las obras tempranas de Aristófanes (427-414 a.C)
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ISBN: 8413243092 8413242029 Year: 2019 Publisher: Universidad Carlos III de Madrid. Figuerola Institute of Social Science History

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Mediante un análisis de las representaciones humorísticas de la justicia ateniense en la comedia antigua, este libro se ocupa de relevar y analizar los modos en que el derecho es revelado, imitado, privatizado, suspendido, enseñado o proyectado en el corpus aristofánico. A través de una verdadera poética cómica de la justicia, las distintas estrategias empleadas por Aristófanes en las primeras seis obras de su producción literaria se canalizan hacia la explotación estética del nómos como un recurso primordial de la composición cómica. Sobre la escena, la destreza del dramaturgo se vale de los mecanismos de hiperbolización, distorsión y transcontextualización para refractar la excesiva litigiosidad ateniense y burlarse de la centralidad del universo forense frente a sus espectadores. Este volumen, que constituye el primer estudio acerca de los cruces entre la dimensión normativa y la comediografía política griega, procura ilustrar la importancia del género como fuente para una mejor comprensión del orden legal de la Atenas de fines del siglo V a.C. y, al mismo tiempo, rescatar la utilidad de lo jurídico para una mejor interpretación de las piezas conservadas a partir de un examen de los dispositivos regulatorios en juego.


Book
Lysistrate
Authors: ---
ISBN: 9783110238907 311023890X 3110238918 311023890X Year: 2019 Publisher: Berlin : De Gruyter,

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Aristophanes' Lysistrata is one of the greatest political comedies of world literature. First presented in Athens in 411 BCE, during the war between Athens and Sparta, it can be considered a plea for peace. Since their husbands are not able to conclude peace, Athenian and Spartan women, guided by Lysistrata, force it by organizing a sex strike. The combination of serious topics with lascivious comic scenes is characteristic of this comedy. Die Lysistrate des Aristophanes gehört zu den großen politischen Komödien der Weltliteratur. Aufgeführt wurde sie in Athen 411 v. Chr. an einem Dionysosfest während des Peloponnesischen Krieges zwischen Athen und Sparta als ein Plädoyer für den Frieden. Da die Männer friedensunfähig sind, übernehmen die Frauen in einer revolutionären Aktion unter Führung der Lysistrate die Initiative zum Frieden, denn auch Frauen haben "Verstand" und "Einsicht". Indem die alten Frauen den Männern die Kontrolle über die Staats- und Kriegskasse nehmen und die jungen Frauen zusammen mit den Spartanerinnen in einen Liebesstreik treten, erzwingen sie gemeinsam im Spiel den Frieden und damit die Rettung Griechenlands. Das Ineinander von ernstem Thema und lasziver komischer Handlung ist ein konstitutives Merkmal der attischen Komödie der Klassik, das in der dionysischen Festkultur seine Wurzeln hat. Es hat die Rezeption der Lysistrate bis weit ins 20. Jh. massiv behindert und ist erst in der Moderne als Element einer karnevalesken Komik anerkannt worden. Die Edition des Stückes mit präziser Übersetzung und einem differenzierten Kommentar soll helfen, der Komödie ihren Platz im kulturellen Gedächtnis der Gegenwart zu sichern.


Book
Rewriting Humour in Comic Books : Cultural Transfer and Translation of Aristophanic Adaptations
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ISBN: 9783030195267 9783030195274 Year: 2019 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Pivot,

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This book examines comic book adaptations of Aristophanes’ plays in order to shed light on how and why humour travels across cultures and time. Forging links between modern languages, translation and the study of comics, it analyses the Greek originals and their English translations and offers a unique, language-led research agenda for cultural flows, and the systematic analysis of textual norms in a multimodal environment. It will appeal to students and scholars of Modern Languages, Translation Studies, Comics Studies, Cultural Studies and Comparative Literature. Dimitris Asimakoulas is a Lecturer in Translation Studies at the University of Surrey, UK. His research focuses on humour, minority identities in literature and film, and translation history. .

Keywords

Pragmatics --- Translation science --- English language --- Theory of literary translation --- Classical Greek literature --- Aristophanes [Comicus] --- Translating and interpreting. --- Literature-Translations. --- Greek philology. --- Discourse analysis. --- English language. --- Corpora (Linguistics). --- Translation. --- Translation Studies. --- Greek. --- Discourse Analysis. --- English. --- Corpus Linguistics. --- Corpus-based analysis (Linguistics) --- Corpus linguistics --- Linguistic analysis (Linguistics) --- Germanic languages --- Discourse grammar --- Text grammar --- Semantics --- Semiotics --- Classical philology --- Greek language --- Greek literature --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Literature --- Translation and interpretation --- Translators --- Translating --- Translation and interpretation. --- Literature—Translations. --- Greek language. --- Classical languages --- Indo-European languages --- Greek philology --- Aristophanes --- Adaptations. --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- Aristophanes Comicus --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης --- Comparative literature. --- Linguistics --- Germanic languages. --- Computational linguistics. --- Language Translation. --- Comparative Literature. --- Research Methods in Language and Linguistics. --- Germanic Languages. --- Computational Linguistics. --- Automatic language processing --- Language data processing --- Natural language processing (Linguistics) --- Applied linguistics --- Cross-language information retrieval --- Mathematical linguistics --- Multilingual computing --- Teutonic languages --- Comparative literature --- Literature, Comparative --- Philology --- Methodology. --- Data processing --- History and criticism

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