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"When Mao's Cultural Revolution took hold in China in June 1966, Ange Zhang was thirteen years old. His father was a famous writer. Shortly after the revolution began, many of Ange's classmates joined the Red Guard, Mao's youth movement, and they drove their teachers out of the classrooms. But in the weeks that followed Ange discovered that his father's fame as a writer now meant that he was a target of the new regime. When his father was arrested, he began to question everything that was happening in his country. Finally, Ange was forced to join many other young urban Chinese students in the countryside for re-education where he found the emotional space to develop his own artistic talent and to find that he, like his father, was an artist -- except that Ange's talent lay in painting and drawing. This dramatic, painful autobiographical story is complemented by photographs, many drawn from Ange's personal collection, as well as non-fiction section that explains the historical period and is also illustrated with archival images."--
Zhang, Ange --- Childhood and youth. --- Cultural Revolution (China : 1966-1976) --- China --- History
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Agents of Disorder is the first book to shed a clarifying light on the pattern of rebellion and repression that swept across China during the tumultuous first years of China's Cultural Revolution. Among its novel discoveries is the crucial role played by supposed "forces of order" in the collapse of the state and the subsequent intensification of collective violence. Internal rebellions by party-state cadres were crucial in the collapse of the state in early 1967, and the intervention of army units nationwide, instead of stabilizing the situation, accelerated the slide into factional warfare. Also notable is the finding that the vast majority of the estimated 1.6 million who died during these upheavals, and the close to 25 million estimated to have directly suffered political persecution, were victims not of the violent upheavals, but of the repression that re-established political order.--
Political persecution --- History --- Cultural Revolution (China : 1966-1976) --- China --- China --- History --- Politics and government
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"Revolutionary Bodies is the first primary source-based history of concert dance in the People's Republic of China. Combining over a decade of ethnographic and archival research, it analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Emily Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China's dance field. The digital edition of this title includes nineteen embedded videos of selected dance works discussed by the author"--Provided by publisher.
Dance --- Socialism and dance --- Choreography --- History. --- Dance and socialism --- anthropology. --- artistic. --- ballet. --- book with videos. --- china. --- chinese choreographers. --- chinese dance. --- concert dance. --- cultural revolution. --- dance in the 1900s. --- evolution of dance. --- history. --- pboc. --- russian dance. --- social science. --- soviet dance.
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Klaus Mühlhahn situates modern China in the nation’s long, dynamic tradition of overcoming adversity and weakness through creative adaptation—a legacy of crisis and recovery that is apparent today in China’s triumphs but also in its most worrisome trends. Mühlhahn’s panoramic survey rewrites the history of modern China for a new generation.
Qing Dynasty (China). --- China --- History --- Beijing Student Movement. --- Chiang Kai-shek. --- Chinese Communist Party. --- Cultural Revolution. --- Deng Xiaoping. --- GMD. --- Guangzhou. --- Guomindang. --- Heavenly Kingdom. --- Jiang Zemin. --- Lin Biao. --- Manchuria. --- Mao Zedong. --- New Democracy. --- PRC. --- Qing. --- collectivization.
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