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"Malgré sa réputation d' 'ermite', Flaubert a fait de nombreux voyages, observant lieux et moeurs, prenant des notes sur les paysages, les us et coutumes des pays parcourus, les odeurs, les couleurs, la faune et la flore; ces voyages formateurs ont un rapport étroit avec son oeuvre. De plus, sa vie durant, pour rédiger ses textes, Flaubert fait aussi des voyages documentaires, au cours desquels il prend des notes dans ses carnets. Les voyages sont essentiels pour Flaubert, même s'il n'aime pas vraiment voyager: ils informent l'oeuvre et lui permettent même d'être écrite. Cet ouvrage revient sur l'importance des récits ou notes de voyages chez Flaubert, et la diversité des approches choisies par les auteurs en montre l'étonnante richesse."--Back cover. Summary: Despite his reputation as a "hermit", Flaubert has made many trips, which are closely related to his work, even though he does not really like to travel. This book reviews the importance of travel for Flaubert, the diversity of approaches chosen by the authors showing great wealth.
Flaubert, Gustave, --- Flaubert, Gustave, --- Travel. --- Criticism and interpretation.
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A few years before his death, Gustave Flaubert finally returned to the adaptation of a legend that had fascinated him since adolescence. The result was The Legend of Saint Julian the Hospitaler, one of his celebrated Three Tales. According to tradition, Julian was a nobleman who turned to a life of self-denial after unwittingly fulfilling a prophecy that he would kill his parents. In Flaubert's hands the legend takes on astonishing complexity and depth. He portrays Julian as a man bound, like Oedipus, by an inexorable fate; a man capable of great cruelty and great piety who both dreads and desires that fate.In Saint/Oedipus, three practitioners of psychocriticism take a close look at Flaubert's powerful and problematic story. Focusing on recurrent patterns of the text, their essays not only shed light on the work itself but constitute an expert introduction to the methods of psychoanalytic criticism. Each contributor approaches The Legend of Saint Julian from a different perspective, drawing on the systems of Freud, Jung, Sartre, and the Chicago school of psychoanalysis. The book includes William Berg's translation of an essay on Saint Julian by Sartre-drawn from his biography of Flaubert, L'Idiot de la famille-which offers compelling insights into the psychological makeup of Flaubert. Two noteworthy features of the book are a fluent and faithful new translation of Saint Julian by Michel Grimaud, and a comprehensive reader's guide to the literature treating psychoanalytic theory and its application to literary texts.
Art History. --- Psychology & Psychiatry. --- Flaubert, Gustave,
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Droit et littérature --- Roman --- Ressentiment --- Thèmes, motifs. --- Dans la littérature. --- Dostoevskij, Fedor Mihailovič --- Flaubert, Gustave --- Camus, Albert --- Melville, Herman --- Et le droit.
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Originally published in 1979. Adultery is a dominant feature in chivalric literature; it becomes a major concern in Shakespeare's last plays; and it forms the central plot of novels from Anna Karenina to Couples. Tony Tanner proposes that transgressions of the marriage contract take on a special significance in the "bourgeois novels" of the eighteenth and nineteenth centuries. His interpretation begins with the general topic of adultery in literature and then zeroes in on three works—Rousseau's La Nouvelle Héloïse, Goethe's Die Wahlverwandtschaften, and Flaubert's Madame Bovary. His interpretation encompasses the role of women, the structure of the family, social mores, and the history of sexuality.
Fiction. --- Adultery in literature. --- Fiction --- History and criticism. --- Rousseau, Jean-Jacques, --- Goethe, Johann Wolfgang von, --- Flaubert, Gustave, --- 1700-1899 --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Philosophy --- Sex & sexuality, social aspects
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« Depuis le commencement du monde, elles sont faites pour combattre l’idéal, humilier l’homme et perdre les empires » (Le sexe faible). « Théorie du gant. Il idéalise la main, en la privant de sa couleur, comme fait la poudre de riz pour le visage. Rien n’est plus troublant qu’une main gantée » (Carnets et projets). « Un rien, un pli de sa robe, un sourire, son pied, m’impressionnaient comme des choses surnaturelles, et j’avais pour tout un jour à en rêver » (Mémoires d’un fou).
Thematology --- Sociology of literature --- Political philosophy. Social philosophy --- Flaubert, Gustave --- Women in literature --- Sex role in literature --- Characters --- Women --- 840 "18" --- 396:840"18" --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Franse literatuur--19e eeuw. Periode 1800-1899 --- Feminisme. Vrouwenbeweging. Vrouw en maatschappij-:-Franse literatuur--19e eeuw. Periode 1800-1899 --- -Characters --- -Women --- Sex role in literature. --- Women in literature. --- 396:840"18" Feminisme. Vrouwenbeweging. Vrouw en maatschappij-:-Franse literatuur--19e eeuw. Periode 1800-1899 --- 840 "18" Franse literatuur--19e eeuw. Periode 1800-1899 --- Flaubert, Gustave, --- Women. --- Flaubert, Gustaw, --- Flober, Gi︠u︡stav, --- Fu-lou-pai, --- Fu, Lou-pai, --- Fu-lou-pai, Chü-ssu-tʻa fu, --- Fuloubai, --- Phlōmper, Gkystav, --- Phlōmper, Goustauos, --- Флобер, Гюстав, --- פלאבער, ג. --- פלאבער, גוסטאוו, --- פלובר, גוסטאב --- 福樓拜, --- Flūbir, Gūstāv, --- Flūbir, Gūstāw, --- فلوبر، گوستاو --- Flaubert, Gustave, - 1821-1880 - Characters - Women --- analyse littéraire --- roman --- littérature --- corps féminin --- femme --- foyer --- mythe de la femme --- stéréotype --- mariage --- adultère --- romancier --- éducation --- féminisme --- mère --- condition féminine --- Flaubert, Gustave, - 1821-1880
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