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This book offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, Sympathetic Perpetrators and their Audiences on Italian Television examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences.

Antiheroes on television. --- Television --- Motion pictures and television. --- Ethnology-Europe. --- Screen Studies. --- European Culture. --- Moving-pictures and television --- Television and motion pictures --- Ethnology—Europe.

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This book examines queer characters in popular American television, demonstrating how entertainment can educate audiences about LGBT identities and social issues like homophobia and transphobia. Through case studies of musical soap operas (Glee and Empire), reality shows (RuPaul’s Drag Race, The Prancing Elites Project and I Am Cait) and “quality” dramas (Looking, Transparent and Sense8), it argues that entertainment elements such as music, humour, storytelling and melodrama function as pedagogical tools, inviting viewers to empathise with and understand queer characters. Each chapter focuses on a particular programme, looking at what it teaches—its representation of queerness—and how it teaches this—its pedagogy. Situating the programmes in their broader historical context, this study also shows how these televisual texts exemplify a specific moment in American television.

Homosexuality and television. --- Television and homosexuality --- Television --- Motion pictures and television. --- Queer theory. --- United States—Study and teaching. --- Screen Studies. --- Queer Theory. --- American Culture. --- Gender identity --- Moving-pictures and television --- Television and motion pictures

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This book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational nature of television has been obscured by a reliance on institutional historical sources. This has, in turn, muted the diversity of audience experiences in terms of class, gender and geography. By shifting the focus away from the default national lens and instead turning to audience memories as a key source, A Post-Nationalist History of Television in Ireland defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television. Turning to people’s memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where the domestic and the intimate became increasingly fused with the global. .

Motion pictures and television. --- Great Britain-History. --- Historiography. --- Screen Studies. --- History of Britain and Ireland. --- Memory Studies. --- Historical criticism --- History --- Authorship --- Moving-pictures and television --- Television and motion pictures --- Television --- Criticism --- Historiography --- Great Britain—History.

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“The Legacy of Mad Men adds significant new perspectives to the legacy of Mad Men scholarship. The authors apply theoretical perspectives that have been understudied in previous Mad Men work, chart new connections with previous media, and examine overlooked aspects of Men Men’s sound design. A concluding chapter insightfully considers how the election of Donald Trump has signaled a resurgence in the sexism, antisemitism, and racism critiqued in Mad Men.” - - Dr Jeremy Butler, Professor of Communication and Culture, University of Alabama For seven seasons, viewers worldwide watched as ad man Don Draper moved from adultery to self-discovery, secretary Peggy Olson became a take-no-prisoners businesswoman, object-of-the-gaze Joan Holloway developed a feminist consciousness, executive Roger Sterling tripped on LSD, and smarmy Pete Campbell became a surprisingly nice guy. Mad Men defined a pivotal moment for television, earning an enduring place in the medium’s history. This edited collection examines the enduringly popular television series as Mad Men still captivates audiences and scholars in its nuanced depiction of a complex decade. This is the first book to offer an analysis of Mad Men in its entirety, exploring the cyclical and episodic structure of the long form series and investigating issues of representation, power and social change. The collection establishes the show’s legacy in televisual terms, and brings it up to date through an examination of its cultural importance in the Trump era. Aimed at scholars and interested general readers, the book illustrates the ways in which Mad Men has become a cultural marker for reflecting upon contemporary television and politics. .

Mad men (Television program) --- Motion pictures and television. --- Popular Culture. --- Screen Studies. --- Popular Culture . --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Moving-pictures and television --- Television and motion pictures --- Television

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This book offers a long overdue, extensive study of one of the most beloved television shows: Friends. Why has this sitcom become the seminal success that it is? And how does it continue to engage viewers around the world a quarter century after its first broadcast? Featuring original interviews with key creative personnel (including co-creator Marta Kauffman and executive producer Kevin S. Bright), the book provides answers by identifying a strategy of intimacy that informs Friends’ use of humour, performance, style and set design. The authors provide fascinating analyses of some of the most well-remembered scenes—the one where Ross can’t get his leather pants back on, and Ross and Rachel’s break-up, to name just a couple—and reflect on how and why A-list guest performances often fell short of the standards set by the ensemble cast. Also considered are the iconic look of Monica’s apartment as well as the programme’s much discussed politics of representation and the critical backlash it has received in recent years. An exploration of Joey, the infamous spin-off, and several attempts to adapt Friends’ successful formula across the globe, round out the discussion, with insights into mistranslated jokes and much more. For students, scholars, creative industry practitioners and fans alike, this is a compelling read that lets us glimpse behind the scenes of what has become a cultural phenomenon and semi-permanent fixture in many of our homes.

Culture—Study and teaching. --- Motion pictures and television. --- Popular Culture. --- United States—Study and teaching. --- Popular Science in Cultural and Media Studies. --- Screen Studies. --- Popular Culture . --- American Culture. --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Moving-pictures and television --- Television and motion pictures --- Television --- Friends (Television program) --- Popular culture. --- Cultural studies --- Study and teaching. --- Popular works --- Motion pictures and television --- Popular culture