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Painting, Dutch

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This book offers a close look at the art of Dutch Golden Age painter Nicolaes Maes (1634-1693). One of Rembrandt's most talented students, Maes began by painting biblical scenes in the style of his famous teacher. He later produced extraordinary genre pieces, in which the closely observed actions of the main figure, often a woman, have a hushed, almost monumental character. Maes also depicted mothers with children or older women praying or sleeping; such works have placed him among the most popular painters of the Dutch Golden Age. From around 1660, Maes turned exclusively to portraiture, and his elegant style attracted wealthy and eminent clients from Dordrecht and Amsterdam. The authors - curators from the National Gallery, London, and the Mauritshuis, The Hague - bring extensive knowledge to bear for the benefit of specialists and the general public. Exhibition: Mauritshuis, The Hague, The Netherlands (17.10.2019-19.01.2020) / National Gallery, London, UK (22.02.-31.05.2020). "Nicolaes Maes (1634-1693) was one of Rembrandt's most talented pupils. Following in his teacher's footsteps, he began his career painting biblical subjects, but soon moved on to become an innovative painter of genre scenes that show witty domestic narratives drawn from everyday life. During the last decades of his life, Maes devoted himself exclusively to portraiture. His elegant and refined likenesses delighted a wide circle of clients in Dordrecht and Amsterdam, where he lived at different times, and beyond."

Painting, Dutch --- 75.07 --- 75.034(492) --- Maes, Nicolaes 1634-1693 (°Dordrecht, Nederland) --- Schilderkunst ; Nederland ; Gouden Eeuw --- Schilderkunst ; 17de eeuw --- Genreschilderkunst --- Schilderkunst ; schilders --- Schilderkunst ; Renaissance. Barok. Roccoco ; Nederland --- Maes, Nicolaes, --- Maas, Nicolaas, --- Maas, Nicolaes, --- Maes, Nic. --- Maes, Nicolaas, --- Exhibitions --- Portrait painting, Dutch --- Genre painting, Dutch --- Figurative painting, Dutch --- Painting, Dutch. --- Criticism and interpretation. --- Themes, motives. --- 1600-1699 --- Eastern and Western European Art;Western Art --- Netherlands --- Painting --- Maes, Nicolaes

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Der Horizont sinkt in der niederländischen Landschaftsmalerei zu Beginn des 17. Jahrhunderts weit nach unten, der Bildraum öffnet sich in den Panoramen eines Vroom oder van Ruisdael zu allen Seiten. Beide Neuerungen lassen sich in ihrer motivischen und strukturellen Anlage nur vor dem Hintergrund eines disziplinenübergreifenden Wissenschaftsdiskurses gewinnbringend deuten. Ausgehend von der Tatsache, dass die Entgrenzung des Bildraumes in eine Zeit fällt, in der auch die Endlichkeit des Kosmos zur Disposition steht, diskutieren Wissenschaftler aus fünf unterschiedlichen Disziplinen über den wechselseitigen Einfluss philosophischer, mathematischer, theologischer und perspektivischer Raummodelle um 1650. Mit Beiträgen von Daniel Burckhardt, Robert Felfe, Ulrike Gehring, Axel Gotthard, Ulrike Kern, Thomas Kirchner, Karin Leonhard, Tanja Michalsky, Jan Rohls, Gerhard Wiesenfeldt.

Aesthetics of art --- Painting --- space [composition concept] --- anno 1600-1699 --- Art and science --- Painting, Dutch --- Landscape painting, Dutch --- Dutch landscape painting --- Dutch painting --- Science and art --- Science --- History --- Hollandse school --- kunst en wetenschap

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"The Golden Age in Holland and Flanders saw incredible advances in the fields of commerce, science and art. Still lifes, landscapes and romantic depictions of everyday life became valued by wealthy Dutch merchants, while religious and historic paintings and portraits continued to appeal to the Flemish patronage. The Golden Age gifted the world some of the greatest masterpieces in history and this landmark volume showcases over 220 paintings reproduced to exceptional quality. The work of Rembrandt, Vermeer, Rubens and Van Dyck are considered in exacting detail. However, Norbert Wolf's fascinating narrative also explores Frans Hals' revolutionary portraiture, Jan Brueghel's velvety miniatures, Adriaen Brouwer's depictions of the working class at play and Hendrick Avercamp's lively winter landscapes. Wolf applies his vast understanding of the interplay between history, culture and art to explore the forces that led to the Golden Age in Holland and how this period influenced later generations of artist. He considers the complex political, religious, social and economic situation that led to newfound prosperity and, thus, to the enormous artistic output that we continue to enjoy today. The large format of this exceptional volume allows for the paintings to be reproduced in extraordinary detail: colours pop from the pages; landscapes sing and expressions are vivid and revealing. This new edition is presented in a slipcase illustrated with a wraparound reproduction of Vermeer's View of Delft, the most famous cityscape of the Dutch and Flemish Golden Age."--The Publisher

Painting, Flemish --- Painting, Dutch --- Painting --- golden age [mythology] --- anno 1500-1599 --- anno 1600-1699 --- Netherlands --- Flanders --- easel paintings [paintings by form] --- schilderkunst, Nederlanden --- Hollandse school --- Vlaamse school

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Les historiens de l'art ont l'habitude d'utiliser l'expression de "siècle d'or hollandais" (gouden eeuw) pour qualifier la civilisation néerlandaise du XVIIe siècle et, plus spécifiquement encore, l'art de cette période. Ce livre entend repenser cette notion en proposant d'analyser la manière dont elle a été définie, pensée et décrite au XVIIe siècle, par les Hollandais eux-mêmes, comme par leurs contemporains.

Peinture hollandaise --- --Peinture néerlandaise. --- Peinture néerlandaise. --- --Art, Dutch --- Painting, Dutch --- Art and society --- History --- Painting --- History of the Netherlands --- gouden eeuw (Holland) --- anno 1600-1699 --- Histoire de la peinture --- 17e siècle --- Pays-bas --- Pays-bas septentrionaux --- Art, Dutch --- Netherlands --- Intellectual life --- Art, Dutch - 17th century --- Painting, Dutch - 17th century --- Art and society - Netherlands - History - 17th century --- easel paintings [paintings by form] --- Hollandse school