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Authors, Peruvian --- Latin American literature --- Peruvian writers --- Chronicles. --- Ortega, Julio,
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In the Andes, indigenous knowledge systems based on the relationships between different beings, both earthly and heavenly, animal and plant, have been central to the organization of knowledge since precolonial times. The legacies of colonialism and the continuance of indigenous cultures makes the Andes a unique place from which to think about art and social change as ongoing, and as encompassing more than an exclusively human perspective. Beyond Human revises established readings of the avant-gardes in Peru and Bolivia as humanizing and historical. By presenting fresh readings of canonical authors like César Vallejo, José María Arguedas, and Magda Portal and through analysis of newer artist-activists like Julieta Paredes, Mujeres Creando Comunidad, and Alejandra Dorado, Daly argues instead that avant-gardes complicate questions of agency and contribute to theoretical discussions on vital materialisms: the idea that life happens between animate and inanimate beingshuman and non-humanand is made sensible through art.
Literature, Experimental --- Avant-Garde (Aesthetics) --- Latin American Literature --- Literary Criticism --- Philosophy --- Literature, experimental --- Avant-garde (aesthetics) --- Latin american literature --- Literary criticism
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Latin American literature --- Caribbean literature --- Old age in literature. --- History and criticism.
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"Hispanic Ecocriticism finds a rich soil in the main topics of environmental concern in the literature of Latin America and Spain, not only as a source for renewing critical analysis and hermeneutics, but also for the benefit of global environmental awareness. In a renewed exchange of transatlantic relationships, Hispanic Ecocriticism intermingles Latin American ecocritical issues of interest - the oil industry; contamination of forests and rivers; urban ecologies; African, Andean, and Amazonian biocultural ecosystems - with those of interest in Spain - animal rights and the ecological footprints of human activity in contemporary narratives of eco-science fiction, in dystopias, and in literature inspired by natural or rural landscapes that conceal ways of life and cultures in peril of extinction"--
Ecocriticism --- Ecocriticism. --- Ecology in literature. --- Environment in literature. --- Human ecology in literature. --- Latin American literature --- Latin American literature. --- Spanish literature --- Spanish literature. --- History and criticism. --- Latin America. --- Spain. --- Ecological literary criticism --- Environmental literary criticism --- Criticism --- History and criticism
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Die vorliegende Arbeit untersucht erstmals systematisch das Gesamtwerk Roberto Bolaños mit Blick auf die vielfältigen intertextuellen Bezüge des chilenischen Autors. Posthum vor allem wegen seines Romans 2666 von der globalen Literaturkritik zum ersten Klassiker der Weltliteratur des 21. Jahrhunderts stilisiert, fungieren in Bolaños Texten intertextuelle Verweise als ein zentrales Formverfahren, das bislang von der Kritik kaum eingehender untersucht worden ist. Die Werk-Studie situiert Bolaño dabei nicht nur dezidiert innerhalb einer lateinamerikanischen Genealogie eines «wilden Lesens», sondern legt über eine Lektüre, die zugleich philologisch-detailliert und panoramatisch-ideengeschichtlich operiert, die Auseinandersetzungen von Bolaños Texten über die gescheiterten Revolutionen in Lateinamerika oder die Verheerungen des globalen Kapitalismus mit dem literarischen Kanon der (Post-)Moderne frei. Diese umfassen neben der lateinamerikanischen Literatur um Autoren wie Neruda, Borges und Parra insbesondere Bezüge auf die spanische und französische Literatur von Góngora und Pascal über Baudelaire bis zu Perec sowie auf weitere Klassiker der Moderne in Gestalt von Schriftstellern wie Ernst Jünger oder William Carlos Williams. Roberto Bolaño is generally regarded as the first classic of 21st-century world literature. His work pursues a radical intertextual poetics. This book studies the aesthetic and political dimensions of that work and of the numerous references to Latin American, Spanish, French, German, and English-language literature, thereby opening up a new perspective on the complexity of Bolaño's writing.
Bolaño, Roberto. --- Intertextualität. --- Lateinamerikanische Literatur. --- Latin American literature. --- Roberto Bolaño. --- Weltliteratur. --- intertextuality. --- world literature. --- Bolaño, Roberto, --- Criticism and interpretation.
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Writing Grandmothers, Africa Vs Latin America Vol 2 is a continuation of the cross-continental anthologies series, particularly focussing on African and Latin American writers. It continues on from where Experimental Writing, Africa Vs Latin America, Vol 1. The anthology has 6 nonfiction pieces, 10 fiction pieces, and 67 poems and translations of poems in the two dominant languages of the two continents, English and Spanish. There is work from poets and writers from Honduras, Mexico, USA, UK, Cuba, Costa Rica, El Salvador, Peru, Argentina, Brazil, Chile Puerto Rico, Spain, Nigeria, South Africa, Malawi, Zimbabwe, Kenya, Equatorial Guinea, and Ghana all collaborating on the theme of using the folktale or oral African story telling traditions and finding solutions to problems bedeviling the two continents, which were felt as a result of colonialism and or post colonialism.
Oral tradition in literature. --- Folklore in literature. --- Latin American poetry. --- African poetry. --- African literature --- Latin American literature --- Black literature (African) --- Authors, African --- Black poetry (African)
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This book follows the renunciation story in Borges and beyond, arguing for its centrality as a Borgesian compositional trope and as a Borgesian prism for reading a global constellation of texts. The renunciation story at the heart of Buddhism, that of a king who leaves his palace to become an ascetic, fascinated Borges because of its cross-cultural adaptability and metamorphic nature, and because it resonated so powerfully across philosophy, politics and aesthetics. From the story and its many variants, Borges’s essays formulated a 'morphological' conception of literature (borrowing the idea from Goethe), whereby a potentially infinite number of stories were generated by transformation of a finite number of 'archetypes'. The king-and-ascetic encounter also tells a powerful political story, setting up a confrontation between power and authority; Borges’s own political predicament is explored against the rich background of truth-telling renouncers. In its poetic variant, the renunciation archetype morphs into stories about art and artists, with renunciation a key requirement of the creative process: the discussion weaves in and out of Borges to highlight modern writers’ debt to asceticism. Ultimately, the enigmatic appeal of the renunciation story aligns it with the open-endedness of modern parables.
Latin American literature. --- Comparative literature. --- Literature, Modern-20th century. --- Latin American/Caribbean Literature. --- Comparative Literature. --- Twentieth-Century Literature. --- Comparative literature --- Literature, Comparative --- Philology --- History and criticism --- Literature, Modern—20th century. --- Literature, Modern --- Literature --- 20th century.
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This book discusses new developments of plant studies and plant theory in the humanities and compares them to the exceptionally robust knowledge about plant life in indigenous traditions practiced to this day in the Amazonian region. Amazonian thinking, in dialogue with the thought of Eduardo Viveiros de Castro, Emanuele Coccia and others, can serve to bring plant theory in the humanities beyond its current focus on how the organic existence of plants is projected into culture. Contemporary Amazonian indigenous literature takes us beyond conventional theory and into the unsuspected reaches of vegetal networks. It shows that what matters about plants are not just their strictly biological and ecological projections, but the manner in which they interact with multiple species and cultural actors in continuously shifting bodies and points of view, by becoming-other, and fashioning a natural and social diplomacy in which humans participate along with non-humans.
Ethnology-Latin America. --- Latin American literature. --- Culture-Study and teaching. --- Literature, Modern-20th century. --- Latin American Culture. --- Latin American/Caribbean Literature. --- Cultural Theory. --- Contemporary Literature. --- Ethnology—Latin America. --- Culture—Study and teaching. --- Literature, Modern—20th century. --- Literature, Modern—21st century.
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Caught between the well-worn grooves the Boom and the Gen-X have left on the Latin American literary canon, the writing intellectuals that comprise what the Generation of '72 have not enjoyed the same editorial acclaim or philological framing as the literary cohorts that bookend them. In sociopolitical terms, they neither fed into the Cold War-inflected literary prizes that sustained the Boom nor the surge in cultural capital in Latin American cities from which the writers associated with the Crack and McOndo have tended to write. This book seeks to approach the Generation of '72 from the perspective of cosmopolitanism and global citizenship, a theoretical framework that lends a fresh and critical architecture to the unique experiences and formal responses of a group of intellectuals that wrote alongside globalization's first wave.
Cosmopolitanism in literature. --- Politics and literature --- Literature and globalization --- Authors, Latin American --- Latin American literature --- Latin American authors --- Globalization and literature --- Globalization --- Literature --- Literature and politics --- History --- Political and social views. --- History and criticism. --- Political aspects
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The introduction and eight chapters in English and Spanish that make up "Teorizando las literaturas indigenas contemporaneas" examine the textual production of indigenous authorship. The authors start from the nineties and problematize the relationship between Indigenous People and nation-state in Guatemala, Colombia, Peru, Chile, Ecuador, Mexico, and Brazil. It is one of the book's suggestions that current indigenous movements and their demands can be best understood through a critique of textual production of its organic intellectuals. While much has been written about the activities of the social movements and current indigenous textual production, there is still the need for a book that contextualizes what has enabled the emergence of a contemporary indigenous literary canon and its relationship to those social movements. This book aims to fill some of these gaps.
Latin American literature --- Indian literature --- Indian literature (American Indian) --- Literature --- Indian authors --- History and criticism. --- Latin America. --- Asociación Latinoamericana de Libre Comercio countries --- Neotropical region --- Neotropics --- New World tropics --- Spanish America
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