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Le double regard is een reeks portretten van elf jonge vrouwen geboren uit ouders met verschillende etnische achtergronden. Zij hebben meer dan één wereld in zich, kijken vanuit een dubbel perspectief naar de wereld. Hun blik, open en strak in de lens, maakt het onduidelijk wie wie aankijkt. Als ‘tussenin’-wezens gidsen zij het grijs in deze wereld, al te vaak in zwart-wit gedacht. Vanuit de marge bruisen in dit ‘dubbelbloed’ de vragen zonder definitief antwoord. Daarbij wijzen ze alvast iedere herleiding tot een stereotype af.
Photography --- commercial portraiture --- women [female humans] --- Swinnen, Malou
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Bilder und Skulpturen mit der Darstellung einer Frau gehören zu den berühmtesten Werken der Kunst ? die Büste der Nofretete, die Venus von Milo, der 'Frühling' von Botticelli, die Mona Lisa von Leonardo. Das Buch stellt die Bandbreite der Motive vor, in denen die Frau als Bildmotiv auftritt, angefangen von den Darstellungen antiker Göttinnen und Frauen aus der Mythologie und der Bibel bis hin zu den ?Ikonen? der Film- und Musikbranche der heutigen Zeit. Darüber hinaus finden Selbstbildnisse von Künstlerinnen, Alltagsszenen, in denen zumeist die kluge, belesene sowie elegante Frau das Thema bildet, und die bezaubernden Damenporträts des 19. und früheren 20. Jahrhunderts Berücksichtigung.0Das Buch dokumentiert so die Kulturgeschichte der Frau anhand attraktiver Gemälde und Skulpturen, die die Schönheit und Klugheit der Frauen einfangen.
Art --- History of civilization --- iconography --- women [female humans] --- cultuurgeschiedenis
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painting [image-making] --- women [female humans] --- anno 1600-1699 --- France
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imago --- portraits --- women [female humans] --- anno 1500-1799
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Sculpture --- sculpture [visual works] --- portraits --- women [female humans] --- Canova, Antonio
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Art --- fine arts [discipline] --- photography [process] --- portraits --- women [female humans]
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Manufacturing technologies --- Iconography --- veils [headcloths] --- iconography --- costume [mode of fashion] --- women [female humans]
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Art --- gender issues --- photo archives --- advertising photographs --- women [female humans] --- Tan, Fiona
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Art --- art [discipline] --- defacement --- kunstroof --- forgeries [derivative objects] --- women [female humans]
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Sixty-seven female artists and their work from the sixteenth century to the present demonstrate the evolution of art through a female-empowered lens. The history of art has been forever considered, written, published, and taught by men, primarily for a male audience. For women, the mere possibility of becoming an artist - to have access to the necessary materials, to produce, exhibit, and, against all odds, succeed and sustain the activity - has been an incessant, dangerous, and exhausting fight--physically, mentally, and psychologically. The time has come to reframe the history of art in the context of the brave women who had the courage to defy all rules in order to pursue their vocation and carve out their place in the art world. This book draws the portraits of sixty-seven fascinating women and their significant artistic achievements, from groundbreaking Renaissance painter Artemisia Gentileschi to the photography of Nan Goldin today. Tracing the painters, sculptors, photographers, and performance artists who shaped modern art, readers discover key figures and their signature works, including Mary Cassatt, Sonia Delaunay, Georgia O'Keeffe, Tamara de Lempicka, Frida Kahlo, Dorothea Tanning, Leonora Carrington, Yoko Ono, Eva Hesse, Marina Abramovic;, Carrie Mae Weems, and Cindy Sherman. Exploring the codes and archetypes of art history, this celebration of women in art analyzes their slow but steady achievement of artistic independence and the hard-won recognition for their creative work in a domain historically reserved for men.
Art --- art history --- women [female humans] --- vrouw in de kunst --- #breakthecanon --- kunstgeschiedenis
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