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Book
Concerning the Spiritual—and the Concrete—in Kandinsky’s Art
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ISBN: 9780804784832 9780804784849 9780804789233 0804784841 0804784833 0804789231 Year: 2020 Publisher: Stanford, CA : Stanford University Press,

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Abstract

This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to "spirit" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spirit (or Geist, in German). In addition to close readings of Kandinsky's writings, the book also includes a discussion of a 1936 essay on the artist's paintings written by his own nephew, philosopher Alexandre Kojève, the foremost Hegel scholar in France at that time. It also provides detailed analyses of individual paintings by Kandinsky, demonstrating how the development of his oeuvre challenges Hegel's views on modern art, yet operates in much the same manner as does Hegel's philosophical system. Through the work of a single, crucial artist, Florman presents a radical new account of why painting turned to abstraction in the early years of the twentieth century.

Keywords

Aesthetics --- Kandinsky, Vasili Vassileevich --- Aesthetics. --- Art --- Painting, Modern --- Painting, Abstract. --- Esthétique --- Peinture --- Peinture abstraite --- Philosophy. --- Philosophie --- Hegel, Georg Wilhelm Friedrich, --- Kandinsky, Wassily, --- Painting, Abstract --- Groupe Mémoires (Group of artists) --- Abstract painting --- Non-objective painting --- Painting, Non-objective --- Beautiful, The --- Beauty --- Art and philosophy --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Analysis, interpretation, appreciation --- Psychology --- Kandinski, Vasilij, --- Kandinskiĭ, Vasiliĭ, --- Kandinskiĭ, Vasiliĭ Vasilʹevich, --- Kandinskij, Vasilij Vasil'evič, --- Kandinsky, --- Kandinsky, Basile W., --- Kandinsky, Vasily, --- Kandinsky, Vassily, --- Kandinsky, Wassili, --- Kandinsky, Wassily Wassilyevich, --- Kʻang-ting-ssu-chi, --- Kʻang-ting-ssu-chi, Wa-hsi-li, --- Кандинский, Василий, --- Кандинский, Василий Васильевич, --- קנדינסקי, וסילי, --- Criticism and interpretation. --- Kandinskiĭ, V. V. --- Кандинский, В. В. --- Kangdingsiji, --- 康定斯基, --- Kangdingsiji,, Waxili, --- 康定斯基, 瓦西里, --- Groupe Mémoires (Group of artists) --- Kandinskiĭ, Vasiliĭ, --- Кандинский, Василий, --- Kandinskiĭ, Vasiliĭ Vasilʹevich, --- Кандинский, Василий Васильевич, --- Kandinskiĭ, V. V. --- Кандинский, В. В. --- Kandinskij, Vasilij Vasil'evič, --- Kʻang-ting-ssu-chi, --- 康定斯基, --- Kʻang-ting-ssu-chi, Wa-hsi-li, --- 康定斯基, 瓦西里, --- קנדינסקי, וסילי, --- Art -- Philosophy. --- Hegel, Georg Wilhelm Friedrich, -- 1770-1831. -- Ästhetik. --- Kandinsky, Wassily, -- 1866-1944 -- Criticism and interpretation. --- Painting, Modern -- 20th century. --- Visual Arts --- Art, Architecture & Applied Arts --- Painting --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Modern painting --- Paintings, Modern --- Art, Primitive --- Radio broadcasting Aesthetics --- Kandinsky, Wassily

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