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DigiCat Editore presenta "La legge Oppia: commedia togata in tre atti" di Anton Giulio Barrili in edizione speciale. DigiCat Editore considera ogni opera letteraria come una preziosa eredità dell'umanità. Ogni libro DigiCat è stato accuratamente rieditato e adattato per la ripubblicazione in un nuovo formato moderno. Le nostre pubblicazioni sono disponibili come libri cartacei e versioni digitali. DigiCat spera possiate leggere quest'opera con il riconoscimento e la passione che merita in quanto classico della letteratura mondiale.

Drama.

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"Maria Stuart, described as Schiller's most perfect play, is a finely balanced, inventive account of the last day of the captive Queen of Scotland, caught up in a great contest for the throne of England after the death of Henry VIII and over the question of England's religious confession. Hope for and doubt about Mary's deliverance grow in the first two acts, given to the Scottish and the English queen respectively, reach crisis at the center of the play, where the two queens meet in a famous scene in a castle park, and die away in acts four and five, as the action advances to its inevitable end. The play is at once classical tragedy of great fineness, costume drama of the highest order--a spectacle on the stage--and one of the great moments in the long tradition of classical rhetoric, as Elizabeth's ministers argue for and against execution of a royal prisoner. Flora Kimmich's new translation carefully preserves the spirit of the original: the pathos and passion of Mary in captivity, the high seriousness of Elizabeth's ministers in council, and the robust comedy of that queen's untidy private life. Notes to the text identify the many historical figures who appear in the text, describe the political setting of the action, and draw attention to the structure of the play. Roger Paulin's introduction discusses the many threads of the conflict in Maria Stuart and enriches our understanding of this much-loved, much-produced play. Maria Stuart is the last of a series of five new translations of Schiller's major plays, accompanied by notes to the text and an authoritative introduction.".

Drama. --- Mary,

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Juan Villoro domina todos los generos. Le acompana una extraordinaria reputacion como novelista, cuentista, ensayista y, desde luego, cronista. Sin embargo, hasta ahora su teatro era poco conocido, sobre todo, para el publico espanol. En las seis piezas y dos «escaramuzas» --obras cortas reunidas por primera vez--, encontramos personajes complejos que, mediante dialogos que transitan por lo familiar, literario y filosofico, construyen mundos heterogeneos y remotos con los que, sin embargo, el lector o espectador se siente muy familiarizado. Y es que los temas de estas obras dramaticas, a pesar de desarrollarse en espacios y epocas tan diferentes, son universales, pues atraviesan los sentidos del ser humano: la muerte del padre (Cremacion), las imposturas intelectuales (El filosofo declara), el futbol (El lamento del cancerbero), los vestigios de una guerra (La guerra fria), entre otros. Asimismo, su monologo Conferencia sobre la lluvia ha tenido montajes en Italia, Japon, Chile, Colombia, Argentina, Espana y Mexico

Mexican drama

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French drama

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"Maria Stuart, described as Schiller's most perfect play, is a finely balanced, inventive account of the last day of the captive Queen of Scotland, caught up in a great contest for the throne of England after the death of Henry VIII and over the question of England's religious confession. Hope for and doubt about Mary's deliverance grow in the first two acts, given to the Scottish and the English queen respectively, reach crisis at the center of the play, where the two queens meet in a famous scene in a castle park, and die away in acts four and five, as the action advances to its inevitable end. The play is at once classical tragedy of great fineness, costume drama of the highest order--a spectacle on the stage--and one of the great moments in the long tradition of classical rhetoric, as Elizabeth's ministers argue for and against execution of a royal prisoner. Flora Kimmich's new translation carefully preserves the spirit of the original: the pathos and passion of Mary in captivity, the high seriousness of Elizabeth's ministers in council, and the robust comedy of that queen's untidy private life. Notes to the text identify the many historical figures who appear in the text, describe the political setting of the action, and draw attention to the structure of the play. Roger Paulin's introduction discusses the many threads of the conflict in Maria Stuart and enriches our understanding of this much-loved, much-produced play. Maria Stuart is the last of a series of five new translations of Schiller's major plays, accompanied by notes to the text and an authoritative introduction.".

Drama. --- Mary,