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"From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed-from interwar-era consumerism to war-time mobilization to Mao-style propaganda-the art form adapted to stay on the cutting edge of both politics and style"--

Caricature --- Caricatures and cartoons --- Caricature --- Communism and culture --- Political culture --- History --- History --- Political aspects --- History --- History

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En France, les élections présidentielles sont sans aucun doute l’événement le plus important de la vie politique. Lors des campagnes électorales pour les présidentielles, les interventions et les images des candidats inondent les médias français. Cette présence dans les médias se retrouve également dans la presse étrangère, et notamment en Belgique francophone. Pour nous rendre compte de la façon dont sont représentées les élections présidentielles françaises en Belgique, nous avons choisi d’observer une source particulière, les caricatures. Souvent délaissés au profit du texte, les dessins de presse sont un indicateur de la portée d’un événement. Les élections présidentielles françaises de 1981 et 1988, toutes deux remportées par François Mitterrand, se prêtent particulièrement bien à ce type d’observation en raison de la durée importante des campagnes électorales qui les précèdent. Observer les caricatures parues dans la presse belge, qui comportent par définition une grande part de subjectivité, nous permet donc de voir le regard porté par la presse belge sur les présidentielles françaises et comment ce regard peut varier d’un journal à un autre.

élections présidentielles françaises --- caricature --- presse belge --- Arts & sciences humaines > Histoire

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In this study the extent to which Wieland contributed to the literary genre of the travesty is established, the poet's approach to his sources as well as the nature and duality of his innovations are investigated, and the level and distribution of his travesties in relationship to the sum total of his literary work in general is appraised.

Parody. --- Wieland, Christoph Martin, --- Criticism and interpretation. --- Comic literature --- Literature, Comic --- Travesty --- Satire --- Burlesque (Literature) --- Caricature

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A free open access ebook is available upon publication. Learn more at www.luminosoa.org. From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China’s modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.

Caricature --- Caricatures and cartoons --- Communism and culture --- Political culture --- Political aspects --- History --- Social Science --- Media Studies --- Art --- Asian --- Chinese --- Performing Arts --- Film --- History & Criticism

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A free open access ebook is available upon publication. Learn more at www.luminosoa.org. From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China’s modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.

Caricature --- Caricatures and cartoons --- Communism and culture --- Political culture --- PERFORMING ARTS / Film & Video / History & Criticism. --- Social Science --- Media Studies --- Art --- Asian --- Chinese --- Performing Arts --- Film --- History & Criticism --- Political aspects --- History