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Objets usuels. --- Culture matérielle. --- Immigrés. --- Exil.
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Most historians rely principally on written sources. Yet there are other traces of the past available to historians: the material things that people have chosen, made, and used. This book examines how material culture can enhance historians' understanding of the past, both worldwide and across time. The successful use of material culture in history depends on treating material things of many kinds not as illustrations, but as primary evidence. Each kind of material thing-and there are many-requires the application of interpretive skills appropriate to it. These skills overlap with those acquired by scholars in disciplines that may abut history but are often relatively unfamiliar to historians, including anthropology, archaeology, and art history. Creative historians can adapt and apply the same skills they honed while studying more traditional text-based documents even as they borrow methods from these fields. They can think through familiar historical problems in new ways. They can also deploy material culture to discover the pasts of constituencies who have left few or no traces in written records. The authors of this volume contribute case studies arranged thematically in six sections that respectively address the relationship of history and material culture to cognition, technology, the symbolic, social distinction, and memory. They range across time and space, from Paleolithic to Punk.
Material culture. --- Historiography. --- Culture matérielle --- Historiographie --- Material culture --- Historiography --- Culture --- Folklore --- Technology --- Historical criticism --- History --- Authorship --- Criticism --- Culture matérielle. --- material culture (discipline). --- Culture matérielle
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Cet ouvrage collectif se propose d’interroger les circulations des objets et des pratiques artistiques à travers différents espaces géographiques, cadres culturels, milieux sociaux et médiums. Il s’agit de mener une réflexion sur les enjeux de ces mobilités dans une perspective pluridisciplinaire (histoire de l’art, du cinéma, de l’architecture, sociologie des institutions culturelles, du théâtre, material studies, etc.). La première partie, Jeux d’échelles et mécanismes de la mobilité artistique, questionne la circulation à travers ses différentes échelles ainsi que les agents impliqués dans les échanges, qu’ils soient institutionnels, humains ou matériels. Les articles mettent en lumière par l’étude de situations propres à un contexte socio-culturel précis, la complexité des mécanismes de déplacement des artistes et de diffusion des formes et des discours. Le seconde partie, Imaginaires et sociétés, est consacrée aux deuxièmes vies des productions artistiques ou plus généralement culturelles. Elles voyagent, sont redécouvertes, recréées, réinventées, bricolées, revendiquées voire détournées. Artistes, médiateurs et publics s’en emparent et les font résonner dans des contextes parfois éloignés de celui de leur création.
Art --- History --- invention et circulation des modèles --- culture matérielle --- imaginaire --- cinéma --- avant-garde théâtrale --- pratique artistique
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"Saviez-vous que le hamac, d'origine amérindienne, avait été mis au service de la conquête de l'espace ? Que le surf fut d'abord une pratique politique et religieuse ? Que le shampoing adopté par les Britanniques provient du sous-continent indien ? Que la boîte de conserve a initié le développement spectaculaire de Kuala Lumpur ? Que la passion du piano a accéléré l'extermination des éléphants des savanes africaines ? Que de petits coquillages des Maldives permettaient d'acheter des captifs destinés aux plantations outre-Atlantique ? A l'invitation de Pierre Singaravélou et Sylvain Venayre, près de quatre-vingt-dix historiennes et historiens ont accepté de relever le défi, savant et ludique, d'une histoire du monde par les objets. De la tong au sari, du gilet jaune à la bouteille en plastique, en passant par le sex-toy et la chicotte, ces objets tour à tour triviaux et extraordinaires éclairent nos pratiques les plus intimes tout en nous invitant à comprendre autrement la mondialisation et ses limites. Un voyage insolite et passionnant dans le grand magasin du monde."
Material culture --- Culture and globalization --- Culture matérielle --- Culture et mondialisation --- History --- Histoire --- Objets usuels --- Culture matérielle. --- Mondialisation. --- Histoire économique. --- Histoire moderne et contemporaine. --- History, Modern --- Implements, utensils, etc. --- Histoire. --- History. --- Culture matérielle. --- Histoire économique. --- Material culture - History --- Culture matérielle - Histoire
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Design theory is used to investigate Roman artefacts in a new way, making a significant contribution to both Roman social history, and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behaviour, and experience. The concept of 'affordances'-features of an artefact that make possible, and incline users towards, particular uses for functional artefacts-is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use-wear, archaeological context, the end-products resulting from artefact use, and experimental reconstruction. Artefact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behaviour and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artefact design. The relationship between production and users of artefacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.
Sachkultur. --- Gesellschaft. --- Römisches Reich. --- Arts décoratifs antiques --- Culture matérielle --- Aspect social --- Rome --- Moeurs et coutumes --- Social life and customs. --- Antiquities. --- Moeurs et coutumes. --- Material culture --- Culture --- Folklore --- Technology
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Material Methods brings together resources for researchers investigating both the material, as well as the social world through material objects we design, buy, make, exchange and collect. It covers the whole research process, from theoretical underpinnings, selection of methods and their possible uses, as well as representing and analysing data. It introduces students and researchers to the wide range of cross-disciplinary methods which help us to approach and interpret material culture and materials. The book also provides students and researchers with the tools to critically reflect upon pre-existing methods to see their limitations as well as possibilities, and apply them to their own research practice.
Market research --- Material culture --- Materials --- Research --- #SBIB:303H12 --- Materials research --- Culture --- Folklore --- Technology --- Research&delete& --- Methodology --- Methoden en technieken: sociale wetenschappen --- Methodology. --- Culture matérielle --- Matériaux --- Recherche --- Méthodologie
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"This book investigates the selection process of heritagisation to understand what specific pasts are being selected or rejected for representation, who is selecting them, how and to whom they are being represented and why they are being presented, or dismissed, in the ways that they are. Some aspects of our pasts are venerated and memorialised for a variety of reasons, while others are forgotten or even hidden. This volume, thus, provides examples from across a spectrum. Some phenomena are well-suited to heritagisation, such as animals memorialised for their bravery, long past agricultural techniques and implements, and impressive landscapes. However, this book also deals with products (e.g. tobacco), historical periods (e.g. the Third Reich), and scientific techniques (e.g. genetic modification) with negative connotations that extend beyond their heritage attributes. This volume considers how the actors in the heritage industry admit, valorise, prioritise, and rationalise historic resources as heritage products. These findings provide practical examples of how heritage institutions privilege, frame and/or exclude a wide range of heritage items. They also contrast the invocations of sectional (local, national or class based) and more cosmopolitan heritages and consider the extent to which innovation and change are or can be acknowledged within the heritage discourse"--
Biens culturels --- Évaluation --- Culture matérielle --- Historien --- Conservateur de musée --- Archéologues --- Préservation historique --- Mémoire collective --- Attitude --- Cultural property --- Material culture --- Historians --- Museum curators --- Archaeologists --- Historic preservation --- Collective memory
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Introduction : emotions and materiality in theory and method / Ruth E. Toulson and Zahra Newby -- Dead people's clothes : materialising mourning and memory in Ancient Rome / Valerie M. Hope -- Remembering Roland Leighton : uniforms as the materials of memory in World War I / Emily Brayshaw -- Destroying objects, keeping memories / Eric Venbrux -- The Grottarossa doll and her mistress : hope and consolation in a Roman tomb / Zahra Newby -- Talking with a cold grey stone : the life and death of gravestones in contemporary Denmark / Anne Kjaesgaard -- The face of the deceased : portrait busts in Roman tombs / Helen I. Ackers -- Enduring grief : images of mourning from the ancient classical world to eighteenth-century Britain / Kate A. Beats -- The "worth" of grief and the "value" of bodies : managing the civilian corpse in Second World War Britain / Lucy Noakes -- Fragments of bone and chips of stone : materiality and mourning in a Chinese society / Ruth E. Toulson -- Sacred rituals of the security state : reclaiming bodies and making relics from Ground Zero / Charlotte Heath-Kelly -- Why materiality in mourning matters / Michael Brennan -- The death turn : interdisciplinarity, mourning and material culture / Douglas J. Davies.
Bereavement --- Bereavement --- Culture matérielle --- Deuil --- Deuil --- Interdisziplinäre Forschung. --- Material culture --- Material culture. --- Mourning customs --- Mourning customs. --- Sachkultur. --- Trauerarbeit. --- Social aspects --- Social aspects. --- Aspect social --- Coutumes
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Trente ans après le premier congrès de la Société d'archéologie médiévale (SAM) sur la céramique du Ve au XIXe siècle, le XIe congrès international de la Société d'archéologie médiévale, moderne et contemporaine (SAMMC), qui s'est déroulé à Bayeux en mai 2015, avait pour ambition de remettre l'objet au coeur du débat historique. Les actes de ce colloque réunissent une trentaine de contributions que l'on doit à une soixantaine de spécialistes, permettant de dresser un état de la recherche n'excluant aucune catégorie de mobilier (céramique, métal, matériaux organiques, verre).Cette approche de l'une des principales composantes de la culture matérielle est envisagée selon quatre angles thématiques (la fabrication, les échanges, la consommation et le recyclage) qui font chacun l'objet d'une section alimentée par des présentations de synthèse ou des études de cas.
Moyen âge. --- Archéologie médiévale. --- Culture matérielle. --- Ateliers. --- Circuits de distribution --- Consommation. --- Recyclage. --- Droit. --- Histoire moderne et contemporaine. --- Archaeology, Medieval --- Material culture --- Economic history --- Congresses --- Congresses. --- Commerce --- Archéologie médiévale. --- Culture matérielle. --- Consommation --- Recyclage --- Conferences - Meetings
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La signification que les individus donnent aux choses repose nécessairement sur les transactions et les motivations humaines, et plus particulièrement sur la façon dont ces choses circulent et dont on en fait usage. Grâce aux essais de spécialistes en anthropologie sociale et d'historiens, ce livre construit un pont entre l'histoire sociale, l'anthropologie culturelle et l'économie et marque une étape majeure dans notre compréhension des fondements culturels de la vie économique et de la sociologie de la culture. Il trouvera un écho chez les anthropologues, les historiens des sociétés, les économistes, les archéologues et les historiens de l'art.
Implements, utensils, etc. --- Consumer goods --- Social values --- Instruments, ustensiles, etc. --- Biens de consommation --- Valeurs sociales --- Marketing. --- Social aspects. --- Commercialisation --- Aspect social --- Culture matérielle --- Industrie et commerce --- Sémiologie --- Sociologie de la culture --- Anthropologie --- Economie --- Consommation --- Biens de consommation - Aspect social --- Instruments, ustensiles, etc. - Industrie et commerce --- Commerce --- Economic anthropology
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