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Early 21st century media arts are addressing the anxieties of an age shadowed by ubiquitous surveillance, big data profiling, and globalised translocations of people. Altogether, they tap the overwhelming changes in our lived experience of self, body, and intersubjective relations. Shifting Interfaces addresses current exciting exchanges between art, science, and emerging technologies, highlighting a range of concerns that currently prevail in the field of media arts. This book provides an up-to-date perspective on the field, with a considerable representation of art-based research gaining salience in media art studies. The collection attends to art projects interrogating the destabilisation of identity and the breaching of individual privacy, the rekindled interest in phenomenology and in the neurocognitive workings of empathy, and the routes of interconnectivity beyond the human in the age of the Internet of Things. Offering a diversity of perspectives, ranging from purely theoretical to art-based research, and from aesthetics to social and cultural critique, this volume will be of great value for readers interested in contemporary art, art-science-technology interfaces, visual culture, and cultural studies.

#SBIB:316.7C210 --- #SBIB:39A5 --- #SBIB:303H12 --- 316.37 --- 316.37 Identiteit. Individu en maatschappij. Persoonlijkheid --- Identiteit. Individu en maatschappij. Persoonlijkheid --- Cultuursociologie: kunst: algemeen --- Kunst, habitat, materiële cultuur en ontspanning --- Methoden en technieken: sociale wetenschappen --- Multimedia (Art) --- Art --- science [modern discipline] --- technology [general associated concept] --- privacy --- identity --- Internet --- globalization --- new media art --- surveillance --- anno 2000-2009 --- anno 2010-2019 --- anno 2020-2029

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Ce volume monumental, tiré d'une exposition du Centre d'art et des médias du ZKM en 2020, décrit la désorientation de la vie dans un monde confronté au changement climatique. Il retrace cette désorientation à la déconnexion entre deux définitions différentes de la terre sur laquelle vivent les hommes en voie de modernisation : la nation souveraine dont ils tirent leurs droits, et une autre, cachée, dont ils tirent leurs richesses : la terre sur laquelle ils vivent, et la terre dont ils vivent. En traçant la carte de la terre qu'ils vont habiter, ils ne trouvent pas un globe, ni le fameux "marbre bleu", mais une série de zones critiques - inégales, hétérogènes, discontinues. Avec de courtes pièces, des essais plus longs et plus de 500 illustrations, les contributeurs explorent le nouveau paysage sur lequel il est possible pour l'homme d'habiter - ce que signifie être "sur Terre", que ce soit la zone critique, le Gaia ou le terrestre. Ils examinent les conflits géopolitiques et les outils repensés pour la nouvelle "géopolitique des formes de vie". L'"exposition de pensée" décrite dans ce livre peut ouvrir un espace fictif pour explorer le nouveau régime climatique ; le reste de l'histoire est inconnu Parmi les contributeurs, on compte Dipesh Chakrabarty, Pierre Charbonnier, Emanuele Coccia, Vinciane Despret, Jérôme Gaillarde, Donna Haraway, Joseph Leo Koerner, Timothy Lenton, Richard Powers, Simon Schaffer, Isabelle Stengers, Bronislaw Szerszynski, Jan A. Zalasiewicz, Siegfried Zielinski. "Artists and writers portray the disorientation of a world facing climate change.This monumental volume, drawn from a 2020 exhibition at the ZKM Center for Art and Media, portrays the disorientation of life in world facing climate change. It traces this disorientation to the disconnection between two different definitions of the land on which modernizing humans live: the sovereign nation from which they derive their rights, and another one, hidden, from which they gain their wealth--the land they live on, and the land they live from. Charting the land they will inhabit, they find not a globe, not the iconic "blue marble," but a series of critical zones--patchy, heterogenous, discontinuous. With short pieces, longer essays, and more than 500 illustrations, the contributors explore the new landscape on which it may be possible for humans to land--what it means to be "on Earth," whether the critical zone, the Gaia, or the terrestrial. They consider geopolitical conflicts and tools redesigned for the new "geopolitics of life forms." The "thought exhibition" described in this book can opens a fictional space to explore the new climate regime; the rest of the story is unknown. Contributors include: Dipesh Chakrabarty, Pierre Charbonnier, Emanuele Coccia, Vinciane Despret, Jerome Gaillarde, Donna Haraway, Joseph Leo Koerner, Timothy Lenton, Richard Powers, Simon Schaffer, Isabelle Stengers, Bronislaw Szerszynski, Jan A. Zalasiewicz, Siegfried Zielinski.

Kritik. --- Kunst. --- Philosophie. --- Politik. --- Umweltkrise. --- Wissenschaft. --- Ökologie. --- #SBIB:316.7C210 --- #SBIB:316.23H1 --- #SBIB:39A3 --- #SBIB:39A5 --- Cultuursociologie: kunst: algemeen --- Kennissociologie --- Antropologie: geschiedenis, theorie, wetenschap (incl. grondleggers van de antropologie als wetenschap) --- Kunst, habitat, materiële cultuur en ontspanning --- Art --- climate change --- maatschappijkritiek --- klimaatverandering --- Ecology in art --- Climatic changes in art --- Climatic changes --- Climatic changes in art. --- Ecology in art. --- Philosophy. --- Écologie marine tropicale des océans Pacifique et Indien. --- Exhibitions. --- Écologie --- Climat --- Dans l'art. --- Changements --- cultuurfilosofie --- eenentwintigste eeuw --- 130.2 --- ecologie --- kunsttheorie --- kunst --- sociologie --- filosofie --- Exhibitions --- Changement climatique --- Cartographie --- Politique de l'environnement