Listing 1 - 7 of 7 |
Sort by
|
Choose an application
Comment le cubisme et Dada ont radicalement réinventé la nature sociale du langage, suivant la vision poétique utopique de Stéphane Mallarmé. Au début du XXe siècle, la langue est devenue un médium visuel et un problème philosophique pour les artistes européens d’avant-garde. Dans Total Expansion of the Letter, l’historien de l’art Trevor Stark propose une histoire provocatrice de ce « tournant linguistique », centrée sur le doute radical sur la fonction sociale du langage qui a défini les mouvements d’avant-garde. Les principaux cubistes et dadaïstes - y compris Pablo Picasso, Marcel Duchamp et Tristan Tzara - se sont appropriés la paperasse bureaucratique, les journaux, les chansons populaires et les publicités, seulement pour les rendre dysfonctionnels et incommunicatifs. Ce faisant, affirme Stark, ces figures ont combattu la vision utopique du poète de la fin du XIXe siècle Stéphane Mallarmé, qui a promis une « expansion totale de la lettre ». Dans ses poèmes, Mallarmé affirmait que « l’acte d’écrire était scruté jusqu’à ses origines ». Cet examen minutieux, cependant, a livré son travail dans une zone indéterminée entre les médiums, les pratiques sociales et les temporalités - un paradoxe qui se répercute à travers les vastes études de cas de Stark dans l’histoire de l’avant-garde. Stark examine les œuvres presque abstraites de Picasso de 1910, qui promettaient d’unir la peinture et l’écriture au bord de l’illisibilité; « l’espoir d’un art anonyme » des cubistes, exprimé dans des collages de journaux et des couleurs industrielles ; l’invention collaborative et cacophonique de « poèmes simultanés » par les dadaïstes à Zurich pendant la Première Guerre mondiale; et l’exploration artistique du hasard dans le jeu et la finance de Duchamp. Chacun de ces cas reflétait la rencontre transformatrice de l’avant-garde avec la prémisse de la poétique de Mallarmé : cette langue – le moyen même de la communication humaine et de la communauté – est perpétuellement en mouvement et hantée par le vide.
kunstkritiek --- avant-garde --- dadaïsme --- abstracte kunst --- taal --- Mallarmé, Stéphane --- Picasso, Pablo --- Duchamp, Marcel --- Cubisme --- Dadaïsme --- Langage --- Littérature --- kunstkritiek. --- avant-garde. --- dadaïsme. --- abstracte kunst. --- taal. --- Mallarmé, Stéphane. --- Picasso, Pablo. --- Duchamp, Marcel.
Choose an application
Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, François Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.
Dadaism --- Arts, Modern --- Arts and history. --- History and the arts --- History --- Dada --- Tabu-Dadaism --- Arts, Modern. --- Dadaism. --- 1900 - 1999 --- Germany --- Dadaïsme --- Arts --- Arts et histoire
Choose an application
Posters --- Posters, Soviet --- Posters, Polish --- Posters, German --- Photomontage --- verzameling Merrill C. Berman (New York) --- affiche --- toegepaste kunsten --- typografie --- sociale kunst --- propaganda --- Russische revolutie --- avant-garde --- dadaïsme --- modernisme --- interbellum --- Berman, Merrill C. --- 1918 - 1939 --- 20ste eeuw --- Rusland --- Europa --- sociaal realisme --- verzameling Merrill C Berman (New York). --- affiche. --- typografie. --- sociaal realisme. --- propaganda. --- Russische revolutie. --- avant-garde. --- dadaïsme. --- modernisme. --- interbellum. --- 1918 - 1939. --- 20ste eeuw. --- Rusland. --- Europa.
Choose an application
Gianni Rodari and Bruno Munari have always paid great attention to the world of children, sharing the purpose of setting images and words free, and making us discover the pleasure of invention, imagination and creativity. Bringing together seemingly distant or even opposite elements, and coming up with unexpected solutions and combinations, they gave new meanings to letters and signs. Their creative paths run parallel to each other for years, and found their meeting point in many books such as Filastrocche in cielo e in terra (“Nursery rhymes up in the sky and down on earth”), La torta in cielo (“The cake in the sky”), Il libro degli errori (“The book of mistakes”), Il pianeta degli alberi di Natale (“The planet of Christmas trees”). In his illustrations for Rodari’s works, Bruno Munari uses his distinctive lightness and essential stroke to recreate all the poetry of Rodari’s stories and rhymes, elevating their imaginative side and their ability to amaze us. The book features a large selection of Munari’s drawings, accompanied by quotes from Rodari’s books, a comment by Antonio Faeti and unpublished essays by Riccardo Falcinelli and Marco Belpoliti, which set Munari’s drawings in the wider context of the history of children’s books illustration, examining the first reception and the qualities of Munari’s “scribbles”. A book to read and to look at, to complete with one’s own “skewed marks and scribbles” or, on the contrary, to use as a starting point to invent new stories, drawing inspiration from Munari’s images.
drawings [visual works] --- Munari, Bruno --- Rodari, Gianni --- 737.9 --- constructivisme --- dadaïsme --- surrealisme --- typografie --- creativitei --- schetsen --- schilder- en tekenkunst, 21e eeuw, overige landen, kunstenaars afzonderlijk --- Munari, Bruno. --- Rodari, Gianni. --- Rodari, Džanni --- Rodari, Dzhanni --- Rodari, Xhani --- Родари, Джанни --- רודארי, ג'אני --- רודארי, ג'יאני --- רודרי, ג'ני --- creativiteit
Choose an application
La première étude des aspects musicaux (et politiques) du mouvement artistique le plus subversif des années 1960, à l'origine de la musique expérimentale, des arts sonores et de nombreuses pratiques performatives actuelles.
Art --- Art et musique --- Musique --- Musique experimentale --- Fluxus (Groupe d'artistes) --- Musique expérimentale --- Fluxus --- Neo dadaisme --- rero --- Histoire et critique --- Influence --- Paik, Nam June --- Kaprow, Allan --- Cage, John, 1912-1992 --- Art and music --- Art - Fluxus - rero --- Musique - 20e siecle - Histoire et critique --- Fluxus (Groupe d'artistes) - Influence
Choose an application
This volume for the first time examines the women in and around Duchamp's life and work, focusing on contacts and convergences from Duchamp's youth up until his death in 1968. Some of the women gathered here were central figures in early twenty-century modernism, while others were part of fascinating intellectual and artistc networks that were, until now, in need of discovery. "Duchamp and the Women" introduces readers to the cultural circles and artistic movements in which the women presented were active and played a formative role. In addition to chronologically-grouped short biographies, comprehensive essays by Renate Wiehager and Katharina Neuburger—supplemented by a guest contribution from the literary scholar Sandro Zanetti—trace the paths of these protagonists as leading figures of early modernism and spokeswomen of a qualitatively new feminism. These essays deal with: Louise Arensberg (1879–1953), Gabrielle Buffet-Picabia (1881–1985) Katherine S. Dreier (1877–1952), Suzanne Duchamp (1889–1963), Elsa von Freytag-Loringhoven (1874–1927), Peggy Guggenheim (1898–1979), Mina Loy (1882–1966), Maria Martins (1894–1973), Mary Reynolds (1891–1950), Rrose Sélavy (“created” in 1920), Gertrude Stein (1874–1946), Carrie, Ettie, and Florine Stettheimer (1870–1944), and Beatrice Wood (1893–1998). Original texts by and about the women, some of which appear here for the first time in German and English, broaden the scope of the book by incorporating contemporary historical voices. A comprehensive bibliography also provides researchers from various fields with an important basis for further investigations into the lives and works of the people gathered in Duchamp and the Women—including Duchamp himself.
Women in art --- Women artists --- Women authors --- Art, Modern --- Intellectual life --- Biography --- History --- Duchamp, Marcel, --- Friends and associates. --- Art --- art [fine art] --- women [female humans] --- Arensberg, Louise --- Duchamp, Marcel --- Martins, Maria --- Reynolds, Mary --- Freytag-Loringhoven, von, Elsa --- Stein, Gertrude --- Stettheimer, Ettie --- Stettheimer, Carrie --- Guggenheim, Peggy --- Loy, Mina --- Wood, Beatrice --- Duchamp, Suzanne --- Dreier, Katherine Sophie --- Stettheimer, Florine --- Buffet-Picabia, Gabrielle --- kunst --- 7.071 DUCHAMP --- Duchamp Marcel --- conceptuele kunst --- dadaïsme --- futurisme --- kubisme --- concept art --- feminisme --- gender studies --- twintigste eeuw --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Friends and associates --- Relations with women --- Exhibitions --- Frau. --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- art [discipline]
Choose an application
Published by the CAPC musée d’art contemporain de Bordeaux in collaboration with BOM DIA BOA TARDE BOA NOITE, this reference book surveys the history of the independent publishing house Beau Geste Press (BGP) through the publications of its founding members Felipe Ehrenberg, Martha Hellion, David Mayor and Chris Welch, and of the numerous visitors to its rural outpost – visual poets, neo-Dadaists and artists affiliated with the Fluxus movement – from 1971 to 1976. A ‘catalogue dé-raisonné’ of all the printed matter produced by BGP, it is complemented by critical essays and first-hand texts that explore the working methods (economy and autonomy of production, distribution of books via post) and document the international influence of this short-lived ‘community of duplicators, printers, and artisans’.
Fluxus (Group of artists) --- Small presses --- Beau Geste Press --- Hellion, Martha --- Ehrenberg, Felipe --- Mayor, David --- Welch, Chris --- Gallard, Madeleine --- Private presses --- Schneemann, Carolee, --- Beau Geste Press, --- Exhibitions --- Edition --- Presse --- Poésie --- Neo dadaisme --- Fluxus --- Livre --- Private presses - England - 20th century --- Schneemann, Carolee, - 1939-2019 --- Pop art --- Artists' books --- kunst --- twintigste eeuw --- uitgevers --- kunstenaarsgeschriften --- kunstenaarsboeken --- fluxus --- kunstenaarscollectieven --- drukkerijen --- catalogue raisonné --- Groot-Brittannië --- 7.038 --- 766.036 --- grafisch ontwerp --- grafische vormgeving --- grafisch design --- Ehrenberg Felipe --- Helion Martha --- Mayor David --- Welch Chris --- Wright Terry --- neodadaïsme --- Schneemann Carolee --- Ehrenberg Yaël --- Ehrenberg Matthias --- McCall Anthony --- Cazazza Monte --- Chaimowicz Marc --- Gibbs Mick --- Kriesche Richard --- Kunz Milan --- Nations Opal L --- Gudmundsson Kristján --- Gudmundsson Sigurdur --- Fridfinsson Hrrein --- Svavarsdóttir Hlíf --- Andersen Eric --- Ay-O --- Breakwell Ian --- Brecht George --- Chiari Giuseppe --- Crozier Robin --- Diacono Mario --- Fox Terry --- Friedman Ken --- Gáyor Tibor --- Groh Klaus --- Hayashi Myor --- Hompson Davi Det --- Jones Joe --- Knížák Milan (Aktual) --- Maciunas George --- Matheuws Joan --- Moineau Jean-CLaude --- Ono Yoko --- Patterson Ben --- Saito Takako --- Sharits Paul --- Shiomi Mieko --- Tót Endre --- Vostell Wolf --- Watts Bob --- ZAJ --- Fisher Allen --- Koike Ryo --- Koike Hiroko --- Tsuchiya Yukio --- kunst en literatuur --- conceptuele kunst --- concept art --- Maurer Dóra --- Attalai Gábor --- Bak Imre --- Bálint István --- Donáth Péter --- Erdély Miklós --- Eötvös Peter --- Hap Béla --- Hay Agnes --- Hencze Tamás --- Jovánovics György --- Konkoly Guyla --- Legéndy Péter --- Lajtai Péter --- Major János --- Pauer Gyula --- Perneczky Géza --- Szentjóby Tamás --- Türk Peter --- Urbân János --- Haut Woody --- Hardin Mary --- Joris Pierre --- Jefferies Marc --- Miller Dick --- Carr-Jones Graham --- López Rafael --- Leggett Michael --- Nyman Michael --- Chadwick Helen --- Carrión Ulises --- Rook GJ de --- Bertoni Claudio --- Vicuña Cecilia --- Maya Pepe --- Hendrix Jan --- Knížák Milan --- Korejs Milan --- Mach Jan Maria --- Patočka Jan --- Pospíšilová Helena --- Tichy Pavel --- Švecová Sona --- Wittmann Robert --- Žižkova Zdenka --- Marroquin Raùl --- Burwell Paul --- Murgrave Victor --- Naylor Colin --- Robertson Clive --- Woodrow Paul --- Landau Myra --- Albrecht Dietrich --- Bulkowski Hansjürgen --- Feelisch Wolfang --- Gosewitz Ludwig --- Gramse Tom --- Hagenberg Helfried --- Hein Birgit --- Hein Wilhelm --- Iannone Dorothy --- C.O. Paeffgen --- Voss Jan --- Wewerka Stefan --- Agullo Thierry --- Alocca Marcel --- Anseeuw Alin --- Boltanski Christian --- Borgeaud Bernard --- Broodthaers Marcel --- Cazes Liu --- Chopin Henri --- Dolla Noël --- Dotremont Christian --- Filliou Robert --- Fleisher Alain --- Flexner Roland --- Galli Emilio --- Gerz Jochen --- Gette Paul-Armand --- Jassaud Gervais-Bernard --- Le Gac Jean --- Lemaître Maurice --- Moineau Jean-Claude --- Vautier Ben --- Würz Hervé --- Yoshida Hideki --- Fujiwara K --- Hayashi M --- Kaneko S --- Kobayashi K --- Kuriyama K --- Lee U-Fan --- Matsuzawa Y --- Nakajima Y --- Saito T --- Sekido R --- Shiomi M --- Art, Modern --- Presses, Private --- Printing --- Publishers and publishing --- Ehrenberg, Felipe. --- Erember, Felipe --- Beau Geste Press. --- Exhibitions. --- Art, Pop --- Neo-Dadaism --- New super-realism --- Dadaism --- Surrealism
Listing 1 - 7 of 7 |
Sort by
|