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Paris has about 600 impasses, cités, villas and squares: streets that come to a dead end. Cul-de-sacs, as they used to be called in French and are still called in English. Within the Périphérique, Paris is the most densely populated city in Europe, with more than 20,000 inhabitants per square kilometre. This book depicts about 200 cul-de-sacs from the 1st to the 20th arrondissement for the first time. The photographs offer a glimpse of part of Paris that usually goes unnoticed.
Photography --- documentary photography --- dead-end streets --- Borghouts, Karin --- Paris --- Architectural photography --- 77.092.07 --- 71(44) --- 77.04:72 --- Borghouts, Karin °1959 (°Kapellen, België) --- Vrouwelijke kunstenaars --- Belgische kunstenaars --- Parijs ; binnenpleinen ; binnenplaatsen ; doodlopende straten --- Photography, Architectural --- Photography of architecture --- Photography of buildings --- Fotografen A - Z --- Stedenbouw. Ruimtelijke ordening ; Frankrijk --- Fotografie ; artistieke fotografie ; architectuur --- Borghouts, Karin. --- Paris (France)
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"Conceived and designed by Wolfgang Tillmans, and published in association with the exhibitions "Rebuilding the Future" at IMMA, Dublin and "Today Is The First Day", at WIELS, Brussels, this richly illustrated artist's book explores the latest developments in Tillmans's work over the last three years. "Today Is The First Day" spans the artist's multifaceted approach to image-making, video, performance, music and political activities, presenting newly commissioned texts from contributors including novelist Olivia Laing, historian Brian Dillon, curator Catherine Wood, and geologist David Chew, each of whom illuminate a different aspect of Tillmans's work. The scope of the book includes over 30 pages featuring his set design for the English National Opera's production of War Requiem, recent portraits, and detailed installation views that allow to see in depth Tillmans's installation practices in venues as far afield as Kinshasa and Goslar, Hong Kong and Johannesburg."--
kunst --- fotografie --- twintigste eeuw --- eenentwintigste eeuw --- Tillmans Wolfgang --- kunst en activisme --- kunst en politiek --- portretfotografie --- experimentele fotografie --- video --- videokunst --- 77.071 TILLMANS --- (Produktform)Paperback / softback --- (VLB-WN)1583: Hardcover, Softcover / Kunst/Bildende Kunst --- Tillmans, Wolfgang --- Photography, Artistic --- Tillmans, Wolfgang, --- 77.092.07 --- Tillmans, Wolfgang °1968 (°Remscheid, Duitsland) --- Fotografie ; 21ste eeuw ; W. Tillmans --- Fotografen A - Z --- 761.2 fotografen afzonderlijk --- photography --- Photography, Artistic - Exhibitions. --- Tillmans, Wolfgang, - 1968- - Exhibitions. --- Tillmans, Wolfgang, - 1968- - Photographs. - Selections. --- Tillmans, Wolfgang, - 1968 --- -Tillmans, Wolfgang, - 1968- - Photographs. - Selections.
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Dertig jaar later trekt de Magnumfotograaf opnieuw naar de Amerikaanse Bible Belt én een heleboel andere staten, maar met een hernieuwde focus: hoe religieuze groeperingen het moderne leven en de nieuwste technologieën omarmen in hun zoektocht naar nieuwe zieltjes. Bron: https://www.lannoo.be/nl/god-inc-i-ii
fotografie --- documentaire fotografie --- Verenigde Staten --- religie --- twintigste eeuw --- eenentwintigste eeuw --- De Keyzer Carl --- 77.071 DE KEYZER --- Exhibitions --- De Keyzer, Carl --- Geloofsleven --- Fotografen --- 77.092.07 --- De Keyzer, Carl °1958 (°Kortrijk, België) --- Belgische kunstenaars --- Documentaire fotografie ; Verenigde Staten --- Fotografen ; Magnum --- Fotografen A - Z --- Religious studies --- United States --- Photography --- photography [process] --- Keyzer, de, Carl --- Fotografie --- Religieuze genootschappen --- Technologie en maatschappij --- Fotograaf --- Technologie --- Maatschappij --- Samenleving --- Geloofsopvoeding --- United States of America
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Published on the occasion of a major solo exhibition of Thomas Demand's work at Belgium Museum M Leuven in October 2020, this book focuses on Demand's relationship to architecture and his engagement with architects over almost fifteen years. The starting point is his ongoing series "Model Studies", in which the concept of the model itself is key, and includes rarely shown projects such as 'Black Label' (2009), 'Embassy' (2007), and 'Nagelhaus' (2008). The book is accompanied by essays from Adam Caruso (Architect and Professor of Architecture and Construction at the ETH Zurich), Maristella Casciato (Curator of Architecture, Getty Research Institute, Los Angeles) and Emily Pugh (Architectural historian, Getty Research Institute, Los Angeles), Aude-Line Dulière (Architect and Professor at the Architectural Association, London), Karen Van Godtsenhoven (Associate curator at the Fashion Institute, Metropolitan Museum, New York), and Valerie Verhack (Curator at M Leuven). With contributions by Arno Brandlhuber and Rirkrit Tiravanija.
fotografie --- kunst --- installaties --- maquettes --- eenentwintigste eeuw --- Demand Thomas --- papier --- 77.071 DEMAND --- 77.092.07 --- Demand, Thomas °1964 (°Munchen, Duitsland) --- Modellen ; maquettes --- Sculpturale objecten ; installaties ; gemaakt van papier --- Tentoonstellingscatalogi ; Leuven ; museum M --- Fotografen A - Z --- Exhibitions --- Paper sculpture --- Staged photography --- Architectural models --- Thomas Demand --- Exhibitions. --- Art and architecture --- Demand, Thomas, --- Demand, Thomas --- Architectuurtheorie --- Art --- Architecture --- maquettes [sculptures] --- photography [process] --- design drawings --- architecture [object genre] --- cardboard --- Boyce, Martin --- Tiravanija, Rirkrit --- Brandlhuber, Arno --- Caruso St John Architects [London] --- Demand, Thomas.
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Since the 1980s, the artist Carrie Mae Weems has challenged the status of the black female body within the complex social fabric of American society. Her photographic work probes various spaces from the American kitchen table, to the historical archives of the Hampton School, to the ancient landscapes of Rome. Tugging at established roots of power that perpetuate violence and injustice, Weems's photographic portraits of her muse have not only become iconic, but she has become a rallying voice for change through her engaged performances, video work, and convenings. This October Files volume brings together critical essays and interviews that explore Weems's work, shedding light on her interventions in the fields of photography, African American art, and the institutions that shape the field of art history at large.
Photographic criticism --- twintigste eeuw --- eenentwintigste eeuw --- fotografie --- kunst --- film --- installaties --- Verenigde Staten --- Afro-Amerikanen --- vrouwen --- gender studies --- lichamelijkheid --- 7.071 WEEMS --- Photography --- Photography criticism --- Criticism --- Weems, Carrie Mae, --- Criticism and interpretation. --- Art --- photography [process] --- video art --- performance art --- bodies [animal components] --- African American --- women [female humans] --- Weems, Carrie Mae --- Photographie --- Thema's in de kunst ; rassenpolitiek ; Afro-Amerikaanse problematiek --- Fotografie ; 2de helft 20ste eeuw ; Verenigde Staten --- Thema's in de fotografie ; de vrouw --- Weems, Carrie Mae °1953 (°Portland, Oregon) --- 77.092.07 --- 7.07 --- Fotografen A-Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z
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"Roni Horn (b. 1955) is a prominent contemporary artist known for her sculptures, photography, and installations inspired by landscape and the natural world, and especially the isolated landscapes of Iceland, where she has travelled and lived for substantial periods of time since the early 1970s. Horn's work explores geology and climate; the interplay of nature, art, and place; and the relationships between words, appearance, androgyny, and the self. Horn is author of more than twenty books and artist's books, and is herself the subject of more than thirty books and exhibition catalogs, including a survey published by Phaidon and many by Steidl. Examples of her work include You Are the Weather (1994-96), a series of photographs of a young woman bathing in Icelandic hot springs; Pair Objects (1988), identical metal sculptures placed in two different locations; and the installation Library of Water (2007) in Iceland, with columns that enclose water from melting glaciers. Horn is arguably the most important visual chronicler of the landscape of Iceland. Upon graduating from her MFA program at Yale, she traveled to Iceland, journeying across its interior on a motorcycle. Over thirty years, she has continually returned to Iceland to explore and record the astonishing beauty of its geology, climate, and culture. This book will contain a range of texts, from evocative vignettes to illustrated essays written for Iceland's most widely-read newspaper. A combination of artists' writings and travelogue, the texts reveal Iceland as one of Horne's most important influences and inspirations, and record a unique and beautiful environment undergoing climate change"--
7.07 --- Horn, Roni °1955 (°New York, Verenigde Staten) --- Vrouwelijke kunstenaars --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Horn, Roni, --- Iceland. --- Aisland --- Aisland ka Fasojamana --- Aisurando --- Cynewīse Īslandes --- Eisland --- Gweriniaeth Gwlad yr Iâ --- Gwlad yr Iâ --- Ísland --- Islanda --- Islande --- Islandi --- Islandia --- Islandii︠a︡ --- İslandiya --- Islandska --- Islandya --- Islandyi︠a︡ --- Islėnd --- Iylanda --- Lýðveldið Ísland --- Peng-tē --- Peng-tē Kiōng-hô-kok --- Republic of Iceland --- Rèpublica d'Islande --- Republica Islanda --- Republiek van Ysland --- Republik Island --- Republika Islandii︠a︡ --- Rėspublika Islandyi︠a︡ --- Tin Bikéyah --- Tin Kéyah --- Ysland --- Рэспубліка Ісландыя --- Република Исландия --- Исланд --- Исланди --- Исландия --- Ислэнд --- Ісландыя --- アイスランド --- 77.092.07 --- Fotografen A - Z --- ART / General. --- A Field Guide to Getting Lost. --- Anthropocene. --- Arctic circle. --- Eudora Welty. --- Glenn Gould. --- Icelandic. --- Jules Verne. --- Kerlingarfjoll. --- Lydia Davis. --- Morgunbladid. --- Rebecca Solnit. --- Reykjavik. --- Robert Macfarlane. --- Robert Smithson. --- The Wild Places. --- artist's books. --- artist's notebook. --- artist's writings. --- autobiography. --- climate change. --- climate. --- collected writings. --- conceptual. --- dyrholaey. --- environmental issues. --- essays. --- experiential. --- first-person narrative. --- geology. --- geothermal. --- geysers. --- glacier. --- island. --- isolation. --- landscape. --- lighthouses. --- literature. --- lyric. --- meditation. --- migration. --- motorcycles. --- pastoral. --- poetry. --- pools. --- seclusion. --- solitude. --- swimming pools. --- the elements. --- the environment. --- toilets. --- volcanoes. --- water. --- weather. --- wind. --- Art --- diaries --- art [fine art] --- photography [process] --- texts [documents] --- kunstenaarsgeschriften --- Horn, Roni --- Iceland --- ART / Individual Artists / Artists' Books. --- art [discipline]
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French photographer Jason Guilbeau has used Google Street View to virtually navigate Russia and the former USSR, searching for examples of a forgotten Soviet empire. The subjects of these unlikely photographs are incidental to the purpose of Google Street View - captured by serendipity, rather than design, they are accorded a common vernacular. Once found, he strips the images of their practical use by removing the navigational markers, transforming them to his own vision. From remote rural roadsides to densely populated cities, the photographs reveal traces of history in plain sight: a Brutalist hammer and sickle stands in a remote field; a jet fighter is anchored to the ground by its concrete exhaust plume; a skeletal tractor sits on a cast-iron platform; an village sign resembles a Constructivist sculpture. Passers by seem oblivious to these objects. Relinquished by the present they have become part of the composition of everyday life, too distant in time and too ubiquitous in nature to be recorded by anything other than an indiscriminate automaton. This collection of photographs portrays a surreal reality: it is a document of a vanishing era, captured by an omniscient technology that is continually deleting and replenishing itself - an inadvertent definition of Russia today.
Signs and symbols for travelers --- Signs and signboards --- Public art --- 77.092.07 --- 73(47) --- Beeldhouwkunst ; in en op openbare plaatsen --- Monumentale sculpturen --- Monumenten ; beelden buiten ; Oostbloklanden --- Civic art --- Art --- Travel --- Guide signs --- Guide-posts --- Guideposts --- Sign-boards --- Signage --- Signboards --- Signs --- Signs (Advertising) --- Signs and sign-boards --- Advertising --- Visual communication --- Bill-posting --- Posters --- Fotografen A - Z --- Beeldhouwkunst ; Rusland --- Former Soviet republics --- Soviet Union. --- CIS countries --- Commonwealth of Independent States countries --- Ex-Soviet republics --- Ex-Soviet states --- Former Soviet states --- New Independent States (Former Soviet republics) --- Newly Independent States (Former Soviet republics) --- NIS (Former Soviet republics) --- Советский Союз --- Ber. ha-M. --- Związek Socjalistycznych Republik Radzieckich --- ZSRR --- Związek Socjalistycznych Republik Sowieckich --- ZSRS --- Szovjetunió --- TSRS --- Tarybų Socialistinių Respublikų Sąjunga --- SRSR --- Soi︠u︡z Radi︠a︡nsʹkykh Sot︠s︡ialistychnykh Respublik --- SSSR --- Soi︠u︡z Sovetskikh Sot︠s︡ialisticheskikh Respublik --- UdSSR --- Shūravī --- Ittiḥād-i Jamāhīr-i Ishtirākīyah-i Shūrāʼīyah --- Russia (1923- U.S.S.R.) --- Sovetskiy Soyuz --- Soyuz SSR --- Sovetskiĭ Soi︠u︡z --- Soi︠u︡z SSR --- Uni Sovjet --- Union of Soviet Socialist Republics --- USSR --- SSṚM --- Sovetakan Sotsʻialistakan Ṛespublikaneri Miutʻyun --- SSHM --- Sovetakan Sotsʻialistakan Hanrapetutʻyunneri Miutʻyun --- URSS --- Unión de Repúblicas Socialistas Soviéticas --- Berit ha-Moʻatsot --- Rusyah --- Ittiḥād al-Sūfiyītī --- Rusiyah --- Rusland --- Soṿet-Rusland --- Uni Soviet --- Union soviétique --- Zȯvlȯlt Kholboot Uls --- Związek Radziecki --- ESSD --- Sahaphāp Sōwīat --- KhSHM --- SSR Kavširi --- Russland --- SNTL --- PSRS --- Su-lien --- Sobhieṭ Ẏuniẏana --- FSSR --- Unione Sovietica --- Ittiḥād-i Shūravī --- Soviyat Yūniyan --- Russian S.F.S.R. --- Regional documentation --- History of civilization --- guideposts --- public art --- markers [monuments] --- political art --- Russia
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