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"This book combines material history with literary interpretation in a richly theoretical work of cultural history. The author examines the global textile trade alongside early Atlantic printing and papermaking and considers how these two related media were fundamental to the social fabrication of Atlantic subjects and Creole societies"--
Textile industry --- Paper industry --- Material culture --- History.
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"The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--
Printing --- Papermaking --- Paper industry --- Books --- American literature --- Paper in literature. --- Social aspects --- History. --- History and criticism.
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A history of the book in the Americas, across deep time, would reveal the origins of a literary tradition woven rather than written. It is in what Danielle Skeehan calls material texts that a people's history and culture is preserved, in their embroidery, their needlework, and their woven cloth. In defining textiles as a form of cultural writing, The Fabric of Empire challenges long-held ideas about authorship, textuality, and the making of books.It is impossible to separate text from textiles in the early modern Atlantic: novels, newspapers, broadsides, and pamphlets were printed on paper made from household rags. Yet the untethering of text from textile served a colonial agenda to define authorship as reflected in ink and paper and the pen as an instrument wielded by learned men and women. Skeehan explains that the colonial definition of the book, and what constituted writing and authorship, left officials blind to non-alphabetic forms of media that preserved cultural knowledge, history, and lived experience. This book shifts how we look at cultural objects such as books and fabric and provides a material and literary history of resistance among the globally dispossessed.Each chapter examines the manufacture and global circulation of a particular type of cloth alongside the complex print networks that ensured the circulation of these textiles, promoted their production, petitioned for or served to protract the rights of textile workers, facilitated the exchange of textiles for human lives, and were, in turn, printed and written on surfaces manufactured from broken-down linen and cotton fibers. Bringing together methods and materials traditionally belonging to literary studies, book history, and material culture studies, The Fabric of Empire provides a new model for thinking about the different media, languages, literacies, and textualities in the early Atlantic world.
Textile industry --- Paper industry --- Material culture --- History. --- History.
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Dyes --- Graphic arts --- letters [correspondence] --- mulberry paper --- ink wash [technique]
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"This book is about the chaotic world of money in the pre-Civil War United States (from the Revolutionary War to the 1860s). There were various kinds of currency, with different values and different discounts and various restrictions on where it could be used. This book investigates how everyday people gained and used financial knowledge in this complex currency environment"--
Paper money --- Paper money --- History --- History --- United States --- United States --- Economic conditions --- History --- American History. --- American Studies.
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"In this absorbing narrative, Barry E.C. Boothman traces the history of Abitibi Power and Paper Limited alongside the rise and fall of the newsprint industry and the advent of Canadian corporate capitalism. In the first half of the twentieth century, Abitibi was Canada's biggest manufacturer--an apparent success story after the Wall Street crash of 1929 and a company deemed "too big to fail"--but the company eventually ended up at the centre of the longest and most controversial bankruptcy in Canadian history. Moving from the frontier areas of northern Ontario to the heart of the continental economy, Corporate Cataclysm shows how competitive strategies, industrial organization, corporate finance, and law combined with the empire-building dreams of entrepreneurs and the concerns of politicians to generate an economic disaster. It then chronicles the disputes and intense strife that plagued Abitibi's fourteen-year receivership."--
Newsprint industry --- History --- Abitibi Power & Paper Company --- 1900-1999 --- Canada. --- Abitibi Power and Paper Limited. --- Canadian business history. --- bankruptcy. --- business and government. --- corporate failure. --- corporate reorganization. --- forestry. --- insolvency. --- newsprint. --- pulp and paper. --- receivership.
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"Broadcast News and Writing Stylebook is the go-to resource for writing broadcast news, offering readers the know-how to write excellent stories for television, radio, podcasts, and online media. Through clear and concise chapters, this text provides the fundamental rules of broadcast news writing, teaching readers how to craft stories on government, crime, weather, education, health, sports, and more. It covers the necessary mechanics news writers needs to know, including the nuances of reporting, grammar, style, and usage. This new seventh edition is updated with the latest on how stations incorporate online and social media strategies, as well as insights into the directions local news is headed. Author Robert Papper has over a quarter century of broadcast news and industry research experience and once again updates this vital text with the information necessary for being a successful news writer today. Also available for this edition is an Instructor's Guide, found on the book's webpage. Whether you're a student seeking to learn the mechanics of successful broadcast news writing or a working professional looking for a definitive reference for your desk, Broadcast News and Writing Stylebook offers a comprehensive guide to writing for television, audio, and beyond"--
Broadcast journalism --- Journalism --- Report writing. --- Authorship. --- Research paper writing --- Research report writing --- Term paper writing --- Authorship --- Newspaper style manuals --- Style books (Journalism) --- Style manuals (Journalism) --- Stylebooks (Journalism)
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COVID-19 (Disease) --- COVID-19 Pandemic, 2020 --- -Commercial paper issues --- Corporations --- Securities --- Economic aspects --- Finance.
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