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Lemebel es un ícono del activismo queer en Chile y Latinoamérica, con una obra narrativa fundada en el género de la crónica en la que se conjugan la oralidad, los lenguajes e imaginarios populares, las costumbres y ritos urbanos de las clases proletarias con el juicio histórico a la dictadura militar, la pandemia del SIDA, el blanqueamiento de la memoria de los crímenes del Estado represor, los movimientos sociales y migratorios y toda forma de exterminio e inequidad. El presente volumen recoge quince ensayos en los que se revisa la obra del escritor y performer destacando sus vínculos con el cine, la música, el arte visual y performático, su trabajo en medios y, por supuesto, su producción novelística y cronística. La primera sección, "Perfiles y testigos", incluye ensayos de Fernando A. Blanco, Ignacio Echevarría, Jorge Fornet, Jovana Skármeta y Roberto Echavarren en los que se reconstruyen las múltiples identidades creativas del escritor. La segunda, "Crónicas y ficción", con contribuciones de Brad Epps, Javier Guerrero, Gilda Luongo y Cristián Montes reflexiona sobre su quehacer literario, en particular en la novela y las relaciones entre género y crónica. La tercera, "Performance, cultura radial y cine" recoge contribuciones de Dieter Ingenshay, María José Contreras, Florencia San Martín, Jorge Ruffinelli, Ángeles Mateo del Pino, Daniel Party y Luis Achondo en las que se analizan el uso de materiales, lenguajes, soportes, medios y géneros no literarios.

Lemebel, Pedro

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David Arbesu has found, translated and edited a more complete version of Gonzalo Solis de Meras's account of Pedro Menendez de Aviles's travels in Florida.

Menendez de Aviles, Pedro, --- De Avilés, Pedro Menéndez, --- Avilés, Pedro Menéndez de, --- Florida --- History --- Menéndez de Avilés, Pedro,

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Calderón de la Barca, Pedro, --- Humor.

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Examines the film aesthetics and authorship practices of Portuguese filmmaker Pedro Costa, within a production contextThe first English-language scholarly monograph dedicated to filmmaker Pedro Costa, covering all his feature and short length films, as well as video installation works to dateInvestigates the cultural, industrial and economic contexts from which Costa’s working practices emergedOffers a contextualisation of Costa’s filmmaking under different settings and practices including, among others, Portuguese national cinema and European film production, the use of digital video, the international film festival circuit, and the current synergies between cinema and art gallery production and exhibition practicesProvides a fresh critical analysis on the nuanced and multifaceted production and consumption mechanisms taking place in contemporary art cinemaThis is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa’s filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics. Considering the exhibition, circulation and reception of Costa’s creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker – as well as of the multifaceted production and consumption practices that surround contemporary art cinema.

Motion pictures --- History --- Costa, Pedro --- Costa, Pedro. --- Criticism and interpretation. --- Portugal

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Calderón de la Barca --- Pedro --- 1600-1681 --- Translations into English