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"Diseases of the Head is an anthology of essays from contemporary philosophers, artists, and writers working at the crossroads of speculative philosophy and speculative horror. At once a compendium of multivocal endeavors, a breviary of supposedly illicit ponderings, and a travelogue of philosophical exploration, this collection centers itself on the place at which philosophy and horror meet. Employing rigorous analysis, incisive experimentation, and novel invention, this anthology asks about the use that speculation can make of horror and horror of speculation, about whether philosophy is fictional or fiction philosophical, and about the relationship between horror, the exigencies of our world and time, and the future developments that may await us in philosophy itself. From philosophers working on horrific themes, to horror writers influenced by heresies in the wake of post-Kantianism, to artists engaged in projects that address monstrosity and alienation, Diseases of the Head aims at nothing less than a speculative coup d'état.Refusing both total negation and absolute affirmation, refusing to deny everything or account for everything, refusing the posture of critique and the posture of all-encompassing unification, this collection of essays aims at exposition and construction, analysis and creation – it desires to fight for some thing, but not everything, and not nothing. And it desires, most of all, to speak from the position of its own insufficiency, its own partiality, its own under-determinacy, which is always indicative of the practice of thinking, of speculation. Considering themes of anonymity, otherness and alterity, the gothic, extinction and the world without us, the end times, the apocalypse, the ancient and the world before us, and the uncanny or unheimlich, among other motifs, this anthology seeks to articulate the cutting edge which can be found at the intersection of speculative philosophy and speculative horror."
Literature --- Horror tales --- Speculative fiction --- H.P. Lovecraft --- speculative philosophy --- object-oriented ontology --- necropolitics --- literary studies --- weird realism --- posthumanism --- Philosophy. --- History and criticism.
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"Diseases of the Head is an anthology of essays from contemporary philosophers, artists, and writers working at the crossroads of speculative philosophy and speculative horror. At once a compendium of multivocal endeavors, a breviary of supposedly illicit ponderings, and a travelogue of philosophical exploration, this collection centers itself on the place at which philosophy and horror meet. Employing rigorous analysis, incisive experimentation, and novel invention, this anthology asks about the use that speculation can make of horror and horror of speculation, about whether philosophy is fictional or fiction philosophical, and about the relationship between horror, the exigencies of our world and time, and the future developments that may await us in philosophy itself. From philosophers working on horrific themes, to horror writers influenced by heresies in the wake of post-Kantianism, to artists engaged in projects that address monstrosity and alienation, Diseases of the Head aims at nothing less than a speculative coup d'état.Refusing both total negation and absolute affirmation, refusing to deny everything or account for everything, refusing the posture of critique and the posture of all-encompassing unification, this collection of essays aims at exposition and construction, analysis and creation – it desires to fight for some thing, but not everything, and not nothing. And it desires, most of all, to speak from the position of its own insufficiency, its own partiality, its own under-determinacy, which is always indicative of the practice of thinking, of speculation. Considering themes of anonymity, otherness and alterity, the gothic, extinction and the world without us, the end times, the apocalypse, the ancient and the world before us, and the uncanny or unheimlich, among other motifs, this anthology seeks to articulate the cutting edge which can be found at the intersection of speculative philosophy and speculative horror."
Literature --- Horror tales --- Speculative fiction --- Philosophy. --- History and criticism. --- H.P. Lovecraft --- speculative philosophy --- object-oriented ontology --- necropolitics --- literary studies --- weird realism --- posthumanism
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"Diseases of the Head is an anthology of essays from contemporary philosophers, artists, and writers working at the crossroads of speculative philosophy and speculative horror. At once a compendium of multivocal endeavors, a breviary of supposedly illicit ponderings, and a travelogue of philosophical exploration, this collection centers itself on the place at which philosophy and horror meet. Employing rigorous analysis, incisive experimentation, and novel invention, this anthology asks about the use that speculation can make of horror and horror of speculation, about whether philosophy is fictional or fiction philosophical, and about the relationship between horror, the exigencies of our world and time, and the future developments that may await us in philosophy itself. From philosophers working on horrific themes, to horror writers influenced by heresies in the wake of post-Kantianism, to artists engaged in projects that address monstrosity and alienation, Diseases of the Head aims at nothing less than a speculative coup d'état.Refusing both total negation and absolute affirmation, refusing to deny everything or account for everything, refusing the posture of critique and the posture of all-encompassing unification, this collection of essays aims at exposition and construction, analysis and creation – it desires to fight for some thing, but not everything, and not nothing. And it desires, most of all, to speak from the position of its own insufficiency, its own partiality, its own under-determinacy, which is always indicative of the practice of thinking, of speculation. Considering themes of anonymity, otherness and alterity, the gothic, extinction and the world without us, the end times, the apocalypse, the ancient and the world before us, and the uncanny or unheimlich, among other motifs, this anthology seeks to articulate the cutting edge which can be found at the intersection of speculative philosophy and speculative horror."
Literature --- Horror tales --- Speculative fiction --- Philosophy. --- History and criticism. --- H.P. Lovecraft --- speculative philosophy --- object-oriented ontology --- necropolitics --- literary studies --- weird realism --- posthumanism
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In der gegenwärtigen gesellschaftlichen und ökologischen Krisensituation ist nichts dringender gefragt als eine Vorstellung davon, wie eine Zeit nach dem Neoliberalismus aussehen kann. Das zweite konvivialistische Manifest stellt eine politische Philosophie vor, die konsequent relational und pluriversal angelegt ist, die das Zusammenleben der Menschen untereinander und das Verhältnis zur Natur auf neue, glaubwürdige und überzeugende Grundlagen stellt. Ein zentraler Aspekt ist dabei die Überwindung aller Formen menschlicher Hybris. Nach einer intensiven Diskussion haben fast 300 Wissenschaftler*innen, Intellektuelle und Aktivist*innen aus 33 Ländern dieses Manifest unterzeichnet. O-Ton: »Denkbar, eine post-neoliberale Welt?« - Frank Adloff im Gespräch im Podcast Sinneswandel am 04.02.2021. O-Ton: »2050 - 30 Jahre Wandel und doch kein Neuanfang« - Frank Adloff bei theorieblog.de am 03.12.2020. O-Ton: »Gut leben, aber nicht auf Kosten anderer« - Sergio Costa im Gespräch bei Bayern 2 kulturWelt (ab Minute 9:20) am 18.11.2020. O-Ton: »Wir hängen alle voneinander ab« - Frank Adloff im Interview beim philosophie Magazin am 20.10.2020. »[Das Buch ist] wertvoll und wichtig zugleich und es gibt auch und gerade während der Corona-Pandemie genügend Gründe, es zu lesen.« Thomas Feltes, https://polizei-newsletter.de, 14.09.2020 Besprochen in: www.werner-raetz.de, 10 (2020), Werner Rätz Rundbrief Begegnungszentrum für aktive Gewaltlosigkeit, 170/3 (2020)
PHILOSOPHY / Political. --- Philosophy. --- Neoliberalism. --- Community. --- Crisis. --- Economy. --- Hybris. --- Manifesto. --- Political Philosophy. --- Political Science. --- Political Theory. --- Politics. --- Posthumanism. --- Society. --- Solidarity. --- Konvivialismus; Konvivialität; Neoliberalismus; Politische Philosophie; Manifest; Hybris; Krise; Posthumanismus; Gemeinschaft; Solidarität; Gesellschaft; Politik; Wirtschaft; Politische Theorie; Politikwissenschaft; Philosophie; Convivialism; Neoliberalism; Political Philosophy; Manifesto; Crisis; Posthumanism; Community; Solidarity; Society; Politics; Economy; Political Theory; Political Science; Philosophy
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As the biodiversity crisis deepens, Anna Wienhues sets out radical environmental thinking and action to respond to the threat of mass species extinction. The book conceptualises large-scale injustice endangering non-humans, and signposts new approaches to the conservation of a shared planet. Developing principles of distributive ecological justice, it builds towards a bold vision of just conservation that can inform the work of policy makers and activists. This is a timely, original and compelling investigation into ethics in the natural world during the Anthropocene, and a call for biocentric ecological justice before it is too late.
Environmental ethics. --- Environmental policy. --- Environment and state --- Environmental control --- Environmental management --- Environmental protection --- Environmental quality --- State and environment --- Environmental auditing --- Human ecology --- Ethics --- Government policy --- Moral and ethical aspects --- biocentric; Conservation; Environmental ethics; Global justice; Posthumanism
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»Da muss ich noch an mir arbeiten!« Doch an was genau arbeiten wir eigentlich, wenn wir solche Vorsätze postulieren? Eva Georg liefert hierzu eine Analyse der Konstitution des (neo-)liberalen Subjekts im Kontext einer »Therapeutisierung der Gesellschaft«. Unter Bezugnahme auf Michel Foucault, die Quantenphysikerin Karen Barad und die buddhistische Philosophie nimmt sie eine Neuverhandlung der Frage nach der »Arbeit am Selbst« vor. Dabei adressiert sie ethische Debatten um die Relationalität von Subjektivität ebenso wie eine post-/koloniale Perspektivierung westlicher Buddhismus-Rezeptionen - und liefert einen innovativen Beitrag für das noch junge Feld der Beratungswissenschaften sowie die Praxis von Psychotherapie, Beratung und Coaching. »Georg widmet sich einem bislang nicht erforschten Verfahren und gelangt bei der Untersuchung der philosophischen Prämissen zu interessanten Befunden. Auch die postkoloniale Perspektive auf die Buddhismus-Rezeption weiß zu überzeugen.« Jens Elberfeld, Soziopolis, 24.11.2020 Besprochen in: www.socialnet.de, 25.11.2020, Christel Hafke
Subjektivierung; Psychotherapie; Beratungswissenschaften; Selbstsorge; Posthumanismus; Neuer Materialismus; Beratung; Coaching; Michel Foucault; Karen Barad; Buddhismus; Selbst; Subjekt; Neoliberalismus; Postkolonialismus; Arbeit; Ethik; Freiheit; Sorge; Handlungsfähigkeit; Bildungstheorie; Körper; Kultursoziologie; Gender Studies; Soziologie; Subjectivation; Psychotherapy; Posthumanism; New Materialism; Counseling; Buddhism; Self; Subject; Neoliberalism; Postcolonialism; Work; Ethics; Liberty; Care; Agency; Theory of Education; Body; Sociology of Culture; Sociology; --- Agency. --- Body. --- Buddhism. --- Care. --- Coaching. --- Counseling. --- Ethics. --- Gender Studies. --- Karen Barad. --- Liberty. --- Lifestyle. --- Michel Foucault. --- Neoliberalism. --- New Materialism. --- Postcolonialism. --- Posthumanism. --- Psychotherapy. --- Self. --- Sociology of Culture. --- Sociology. --- Subject. --- Work.
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An inquiry into what we can know in an age of surveillance and algorithms Knitting together contemporary technologies of datafication to reveal a broader, underlying shift in what counts as knowledge, 'Technologies of Speculation' reframes today's major moral and political controversies around algorithms and artificial intelligence.
Technology --- Artificial intelligence --- Algorithms --- Social aspects --- Philosophy and psychology of culture --- Artificial intelligence. Robotics. Simulation. Graphics --- Artificial intelligence. --- Algorithms. --- Algorism --- Algebra --- Arithmetic --- AI (Artificial intelligence) --- Artificial thinking --- Electronic brains --- Intellectronics --- Intelligence, Artificial --- Intelligent machines --- Machine intelligence --- Thinking, Artificial --- Bionics --- Cognitive science --- Digital computer simulation --- Electronic data processing --- Logic machines --- Machine theory --- Self-organizing systems --- Simulation methods --- Fifth generation computers --- Neural computers --- Social aspects. --- Foundations --- Care of the self. --- Data sense. --- Futures. --- Internet of Things. --- Interpassivity. --- Lone Wolf. --- Machine learning. --- Media phenomenology. --- NSA. --- Nonconscious. --- Paranoia. --- Philosophy of technology. --- Posthumanism. --- Purity. --- Raw data. --- Risk. --- Smart machine. --- Snowden. --- Speculation. --- Sting operation. --- Subjunctivity. --- Surveillance capitalism. --- Technology criticism. --- Technology ethics. --- Technoscience. --- Transparency. --- War on terror. --- Zero tolerance. --- big data. --- knowledge. --- objectivity. --- quantified self. --- self-tracking. --- smart machines. --- surveillance. --- technological fantasy. --- Technology - Social aspects
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"Becoming Human" explores matter and meaning in an antiblack world"--
Literature --- African diaspora in literature --- Black people in literature --- Africans in literature --- Black people --- Humanism in literature --- Identity (Psychology) in literature --- Black authors&delete& --- History and criticism --- Race identity --- Black identity --- Blackness (Race identity) --- Negritude --- Race identity of Black people --- Racial identity of Black people --- Ethnicity --- Race awareness --- Blacks in literature --- Negroes in literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- #SBIB:316.7C213 --- #SBIB:309H515 --- #SBIB:39A5 --- #SBIB:39A6 --- #SBIB:1H30 --- Cultuursociologie: letterkunde, literatuur --- Literatuurwetenschap, literatuursociologie --- Kunst, habitat, materiële cultuur en ontspanning --- Etniciteit / Migratiebeleid en -problemen --- Filosofie van de mens, wijsgerige antropologie --- Black authors --- African diaspora in literature. --- Africans in literature. --- Blacks in literature. --- Blacks --- Humanism in literature. --- Identity (Psychology) in literature. --- LITERARY CRITICISM / American / African-American. --- Race identity. --- History and criticism. --- Black authors. --- COLONIAL MYTHS OF RACIAL HIERARCHY -- 325 --- Sociology of minorities --- Black people in literature. --- Blacks as literary characters --- Black literature --- Negro literature --- Africans as literary characters --- Black persons --- Negroes --- Ethnology --- Achille Mbembe. --- Animality. --- Audre Lorde. --- Biomedicine. --- Biopolitics. --- Blackness. --- Catherine Malabou. --- Collage. --- Denise Ferriera da Silva. --- Ecology. --- Empiricism. --- Epigenetics. --- Ernst Haeckel. --- Evolution. --- Female Body. --- Frederick Douglass. --- Gender. --- Gynecology. --- Humanism. --- Insect Poetics. --- John Locke. --- Martin Heidegger. --- Masculinity. --- Materiality. --- Metaphysics. --- Nalo Hopkinson. --- Necropolitics. --- Nonhuman. --- Octavia Butler. --- Photography. --- Plasticity. --- Posthumanism. --- Race. --- Reproductive Justice. --- Sexuality. --- Slave Narrative. --- Slavery. --- Symbiosis. --- Wangechi Mutu. --- Worlding. --- History --- Colonialism --- Art --- Racism --- Theory --- Blackness --- Book --- Animals --- Imaging
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Animal Narratology interrogates what it means to narrate, to speak—speak for, on behalf of—and to voice, or represent life beyond the human, which is in itself as different as insects, bears, and dogs are from each other, and yet more, as individual as a single mouse, horse, or puma. The varied contributions to this interdisciplinary Special Issue highlight assumptions about the human perception of, attitude toward, and responsibility for the animals that are read and written about, thus demonstrating that just as “the animal” does not exist, neither does “the human”. In their zoopoetic focus, the analyses are aware that animal narratology ultimately always contains an approximation of an animal perspective in human terms and terminology, yet they make clear that what matters is how the animal is approximated and that there is an effort to approach and encounter the non-human in the first place. Many of the analyses come to the conclusion that literary animals give readers the opportunity to expand their own points of view both on themselves and others by adopting another’s perspective to the degree that such an endeavor is possible. Ultimately, the contributions call for a recognition of the many spaces, moments, and modes in which human lives are entangled with those of animals—one of which is located within the creative bounds of storytelling.
Research & information: general --- Biology, life sciences --- Animals & society --- animal narrators --- anthropocentrism --- cultural ontologies --- discourse analysis --- fiction–nonfiction distinction --- framing and footing --- life writing --- narratology --- politeness --- self-narratives --- animal studies --- human-animal studies --- speaking animals --- Tolstoy --- Bulgakov --- trauma theory --- Russian literature --- allegory --- humanism --- literary theory --- film studies --- George Orwell --- Animal Farm --- Chicken Run --- Uwe Timm --- ‘Morenga’ --- African history --- colonialism --- postcolonial German literature --- animal narratology --- multi-perspective narration --- animal agency --- The Plague Dogs --- Richard Adams --- unreliability --- talking animal stories --- non-human focalizer --- Pincher Martin --- non-human narrators --- intradiegetic narration --- Gerard Genette --- anthropomorphism --- Eric Linklater --- The Wind on the Moon --- direct speech --- characterization --- posthumanism --- inter-species comprehension --- Hindi cinema --- Bollywood --- animal narrator --- world literature --- empathy --- Cartesian dualism --- Maurice Merleau-Ponty --- animal poetry --- ‘Inventing a Horse --- ‘Spermaceti’ --- eco-humanities --- eco-criticism --- eco-philosophy --- Industrial Farm Animal Production --- narrative --- plot --- conflict --- environmental crisis --- catastrophe --- play theory --- Franz Kafka --- manuscripts --- speaking-for --- narrative representation --- literary representation --- animal autobiography --- fictional autobiography --- meta-autobiography --- contextualist narratology --- cultural and literary animal studies --- poetics of knowledge --- zoology --- natural history --- equine autozoography --- horse-science --- narrative voice --- inoperativity --- singing mice --- zoopoetics --- anthropological machine --- community --- music --- Cervantes --- Novelas ejemplares --- El coloquio de los perros --- Novela del casamiento engañoso --- Siglo de Oro --- Early Modern Age --- cynicism --- Diogenes of Sinope --- Montaigne --- Derrida --- Animal Studies --- rhetoric --- animal narration --- fable --- Aesopic fables --- Greek fable --- antagonistic fables --- comics --- animals --- cinema --- sound effects --- science fiction --- Achilles --- Archilochus --- fox --- Gryllus --- Hesiod --- Homer --- Lucian --- pig --- Plutarch --- Pythagoras --- rooster --- Xanthus --- talking dogs --- agency --- animal --- dystopia --- Marie Darrieussecq --- human --- non-human --- Truismes --- Kafka studies --- adaptation studies --- intertextuality --- intermediality --- mimesis --- emulation --- imitation --- repetition --- parody --- autobiography --- genre --- entanglement --- Cixous --- dogs --- earth --- worldviews --- indigenous wisdom traditions --- relationality --- ecology --- language --- more-than-human geography --- multispecies ethnography --- ecopsychology --- anthropology --- environmental philosophy --- decolonization --- intuition --- instinct --- myth --- non-verbal communication --- IK --- TEK --- animality --- film --- White God --- filmic representation of animals --- material ecocriticism --- Moby-Dick --- Werner Herzog --- Hans Sahl --- lyric poetry --- mole --- space --- time --- species --- metamorphosis --- transformation --- exile --- n/a --- fiction-nonfiction distinction --- 'Morenga' --- 'Inventing a Horse --- 'Spermaceti' --- Novela del casamiento engañoso
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Animal Narratology interrogates what it means to narrate, to speak—speak for, on behalf of—and to voice, or represent life beyond the human, which is in itself as different as insects, bears, and dogs are from each other, and yet more, as individual as a single mouse, horse, or puma. The varied contributions to this interdisciplinary Special Issue highlight assumptions about the human perception of, attitude toward, and responsibility for the animals that are read and written about, thus demonstrating that just as “the animal” does not exist, neither does “the human”. In their zoopoetic focus, the analyses are aware that animal narratology ultimately always contains an approximation of an animal perspective in human terms and terminology, yet they make clear that what matters is how the animal is approximated and that there is an effort to approach and encounter the non-human in the first place. Many of the analyses come to the conclusion that literary animals give readers the opportunity to expand their own points of view both on themselves and others by adopting another’s perspective to the degree that such an endeavor is possible. Ultimately, the contributions call for a recognition of the many spaces, moments, and modes in which human lives are entangled with those of animals—one of which is located within the creative bounds of storytelling.
Research & information: general --- Biology, life sciences --- Animals & society --- animal narrators --- anthropocentrism --- cultural ontologies --- discourse analysis --- fiction–nonfiction distinction --- framing and footing --- life writing --- narratology --- politeness --- self-narratives --- animal studies --- human-animal studies --- speaking animals --- Tolstoy --- Bulgakov --- trauma theory --- Russian literature --- allegory --- humanism --- literary theory --- film studies --- George Orwell --- Animal Farm --- Chicken Run --- Uwe Timm --- ‘Morenga’ --- African history --- colonialism --- postcolonial German literature --- animal narratology --- multi-perspective narration --- animal agency --- The Plague Dogs --- Richard Adams --- unreliability --- talking animal stories --- non-human focalizer --- Pincher Martin --- non-human narrators --- intradiegetic narration --- Gerard Genette --- anthropomorphism --- Eric Linklater --- The Wind on the Moon --- direct speech --- characterization --- posthumanism --- inter-species comprehension --- Hindi cinema --- Bollywood --- animal narrator --- world literature --- empathy --- Cartesian dualism --- Maurice Merleau-Ponty --- animal poetry --- ‘Inventing a Horse --- ‘Spermaceti’ --- eco-humanities --- eco-criticism --- eco-philosophy --- Industrial Farm Animal Production --- narrative --- plot --- conflict --- environmental crisis --- catastrophe --- play theory --- Franz Kafka --- manuscripts --- speaking-for --- narrative representation --- literary representation --- animal autobiography --- fictional autobiography --- meta-autobiography --- contextualist narratology --- cultural and literary animal studies --- poetics of knowledge --- zoology --- natural history --- equine autozoography --- horse-science --- narrative voice --- inoperativity --- singing mice --- zoopoetics --- anthropological machine --- community --- music --- Cervantes --- Novelas ejemplares --- El coloquio de los perros --- Novela del casamiento engañoso --- Siglo de Oro --- Early Modern Age --- cynicism --- Diogenes of Sinope --- Montaigne --- Derrida --- Animal Studies --- rhetoric --- animal narration --- fable --- Aesopic fables --- Greek fable --- antagonistic fables --- comics --- animals --- cinema --- sound effects --- science fiction --- Achilles --- Archilochus --- fox --- Gryllus --- Hesiod --- Homer --- Lucian --- pig --- Plutarch --- Pythagoras --- rooster --- Xanthus --- talking dogs --- agency --- animal --- dystopia --- Marie Darrieussecq --- human --- non-human --- Truismes --- Kafka studies --- adaptation studies --- intertextuality --- intermediality --- mimesis --- emulation --- imitation --- repetition --- parody --- autobiography --- genre --- entanglement --- Cixous --- dogs --- earth --- worldviews --- indigenous wisdom traditions --- relationality --- ecology --- language --- more-than-human geography --- multispecies ethnography --- ecopsychology --- anthropology --- environmental philosophy --- decolonization --- intuition --- instinct --- myth --- non-verbal communication --- IK --- TEK --- animality --- film --- White God --- filmic representation of animals --- material ecocriticism --- Moby-Dick --- Werner Herzog --- Hans Sahl --- lyric poetry --- mole --- space --- time --- species --- metamorphosis --- transformation --- exile --- n/a --- fiction-nonfiction distinction --- 'Morenga' --- 'Inventing a Horse --- 'Spermaceti' --- Novela del casamiento engañoso
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