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This book aims to expand on the notion of being, becoming, and being-becoming that manifests across the literature of liminality, crossroads and borderlands. Looking to overcome the limitations of these grounding concepts, the metaphor of the shadowlands is proposed. Moving away from dualities and binaries, challenging the spatial metaphors, which imply clear and defined boundaries and spring from an objective construction of 'reality', and coping with the idea of incompleteness, unfinishedness, are the challenges of the shadowlands. Through the prism of this newly conceptualised analytical and epistemological tool, the authors intend to grasp a fresh understanding of the processes of being, becoming and being-becoming in both their singular and multiple manifestations. As an epistemological concept, the shadowlands imply that anthropologists must not only identify these uncanny spaces of junction in their research, but also shadowlands in the ethnographic papers that they produce. In addition to a better understanding of the continuous fabrication of temporalities and being-becoming, the concept puts into perspective the discipline of anthropology itself. Throughout the chapters, the different authors permit to grasp the various applications of the shadowlands, allowing to project the concept in particular contexts and through specific angles of analysis.
Ontology. --- Becoming (Philosophy) --- Being --- Philosophy --- Metaphysics --- Necessity (Philosophy) --- Substance (Philosophy) --- Change --- Process philosophy
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Die Rezeption und Produktion von Kunst generiert sich zentral aus einem kreativen Akt der Erfahrung, der auf Momenten affektiver Performativität beruht. Doch wie lässt sich dieses Phänomen begreifen und beschreiben? Mit einem neuen kunstsoziologischen Ansatz und anhand der Konzepte und Theorien u.a. von Raymond Williams, Nicolas Bourriaud, Jacques Rancière sowie Gilles Deleuze und Félix Guattari diskutiert Andreas Hudelist die hier auftretenden Dimensionen der Beteiligung. An empirischen Beispielen und mittels qualitativer Interviews spürt er dem kreativen Akt der Erfahrung nach und macht ihn teilweise sichtbar. Dabei erarbeitet er Typologien im Kunstgefüge, die nicht nur eine unterschiedliche Qualität der Beteiligung verdeutlichen, sondern teilweise auch zu einem »poetischen Denken« führen. Besprochen in: www.fachverband-kulturmanagement.org, 1 (2021)
Film; Theater; Medien; Kultur; Cultural Studies; Kunstsoziologie; Bildungsprozesse; Affekt; Performativität; Prozessphilosophie; Ästhetik; Umberto Eco; Howard Becker; Pierre Bourdieu; Raymond Williams; Nicolas Bourriaud; Jacques Rancière; Gilles Deleuze; Félix Guattari; Kunst; Kunsttheorie; Kulturwissenschaft; Theatre; Media; Culture; Sociology of Art; Education Processes; Affect; Performativity; Process Philosophy; Aesthetics; Art; Theory of Art; --- Aesthetics. --- Affect. --- Art. --- Cultural Studies. --- Culture. --- Education Processes. --- Félix Guattari. --- Gilles Deleuze. --- Howard Becker. --- Jacques Rancière. --- Media. --- Nicolas Bourriaud. --- Performativity. --- Pierre Bourdieu. --- Process Philosophy. --- Raymond Williams. --- Sociology of Art. --- Theatre. --- Theory of Art. --- Umberto Eco.
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A common charge leveled against the autopoietic perspective is that it does not explain change or, consequently, knowledge creation. This book demonstrates that knowledge creation is not always an ongoing process, as is claimed in many process philosophy and autopoietic research works. The author introduces the idea of recursivity, which represents the explanatory potential for uninterrupted knowledge creation and paves the way for interaction between process (e.g. production) and stability (e.g. structure). The book describes the nature and role of recursivity in detail, especially in terms of how a system’s structure and production become media for one another. The book also acknowledges the value of the systems perspective on organizations in management studies, but suggests a different approach to defining systems, one that includes autopoietic elements. .
Management. --- Knowledge representation (Information theory) . --- Data mining. --- Information technology. --- Business—Data processing. --- Knowledge based Systems. --- Data Mining and Knowledge Discovery. --- IT in Business. --- IT (Information technology) --- Technology --- Telematics --- Information superhighway --- Knowledge management --- Algorithmic knowledge discovery --- Factual data analysis --- KDD (Information retrieval) --- Knowledge discovery in data --- Knowledge discovery in databases --- Mining, Data --- Database searching --- Representation of knowledge (Information theory) --- Artificial intelligence --- Information theory --- Administration --- Industrial relations --- Organization --- Knowledge, Theory of. --- Business --- Knowledge management. --- Process philosophy. --- Knowledge representation (Information theory) --- Data processing. --- Change --- Philosophy --- Management of knowledge assets --- Management --- Information technology --- Intellectual capital --- Organizational learning --- Electronic data processing --- Epistemology --- Theory of knowledge --- Psychology
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