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2021 (2)

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Book
TraumA : Triënnale Brugge 2021
Authors: --- --- --- --- --- et al.
ISBN: 9789058566638 9058566633 Year: 2021 Publisher: Oostkamp : Stichting Kunstboek,

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Abstract

Met 'TraumA' duikt Triënnale Brugge in de 'uncanny' geschiedenis en realiteit van Brugge. Historische lagen worden blootgelegd, vergeten of verborgen verhaallijnen besproken. Deze editie verkent de dunne lijn tussen droom en trauma, tussen paradijs en hel. Ze speelt in op de verbeelding, op de pracht en de praal, maar ook op het 'unheimliche' dat er ondergronds aanwezig is. Want hoewel Brugge voor velen een droombestemming lijkt, sluimert er in deze picture-perfect-wereld ook armoede, eenzaamheid, vervuiling of angst. 0'Triënnale Brugge 2021: TraumA' brengt aan de hand van artistieke en architecturale ingrepen ook de minder fraaie aspecten naar boven en laat ze deel worden van de beeldvorming van de stad. 'Triënnale Brugge 2021: TraumA' balanceert tussen het aanwezige en het verborgene. Met een parcours van sculpturale, architecturale en organische creaties komt het tegemoet aan een viering van de veelzijdigheid en beweeglijkheid van de stad. Tussen privé en publiek. Tussen droom en nachtmerrie.


Book
Don't follow the wind
Authors: ---
ISBN: 3956795687 9783956795688 Year: 2021 Publisher: Berlin : Sternberg Press,

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The twelfth volume of the Critical Spatial Practice series focuses on “Don’t Follow the Wind,” the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone. The book explores the long-term environmental crisis in the coastal Japanese region through this ongoing, inaccessible exhibition, which maintains traces of human presence amid the fallout of the March 2011 nuclear reactor meltdown that displaced entire towns. What can art do in a continuing catastrophe when destruction and contamination have made living impossible? The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public—the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades—a period that could extend beyond our lifetime. While nuclear contamination has displaced and ruptured communities, new temporary and translocal formations have emerged among the residents who have lent their sites, other former residents collaborating on the project, and the artists, curators, and cultural workers.

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