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American fiction --- American fiction --- Art, Classical, in literature. --- Classical influences. --- History and criticism
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Explores the importance and complexity of classical allusiveness in the modern American novelExplores both the sheer extent and the ideologically-invested nature of classical allusiveness in the modern American novelSheds significant new light on canonical and often-taught major American novelistsSynthesizes and builds on existing research to demonstrate how a proper understanding of each writer’s classical allusiveness contributes to broad debates about modernism and postmodernism, intertextuality and the history and categorization of the American novelDraws on the methodologies and insights of Classical Reception studies as well as American studies, and makes an invaluable contribution to both fieldsIncludes a user-friendly glossary that explains all the classical names, concepts and wordsWatch Tessa Roynon discuss the book at a launch event organised by the Rothermere American Institute This book is an invaluable survey of the allusions to ancient Greek and Roman culture in the work of seven major modern American novelists: Willa Cather, F. Scott Fitzgerald, William Faulkner, Ralph Ellison, Toni Morrison, Philip Roth and Marilynne Robinson. Making the classical world accessible to all readers, it combines new close readings of three key texts by each author with overviews of the essential prior scholarship in the field. It also builds on archival research in documenting the nature and extent of each author’s own familiarity with classical literature and languages."
American fiction --- Art, Classical, in literature. --- History and criticism. --- Classical influences.
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Le présent volume s’inscrit dans le paysage aux contours depuis longtemps bien dessinés et, d’aucuns diront, aux sentiers très fréquentés de l’angélologie. Les anges sont inépuisables ; aussi n’avons-nous pas cherché à produire une « somme théologique » à leur propos. Notre but est de proposer un parcours, tout au long de ces siècles qui mènent de l’Antiquité à Byzance, afin de capter, au moment où la figure de l’ange émerge et s’affirme, les multiples facettes qui contribueront à fixer son identité. L’idée de l’ange est tout sauf univoque. Sa représentation également. En complément du duo associant « conception » et « représentation », il nous a semblé intéressant de mettre l’accent sur un troisième terme : la « perception ». L’approche du phénomène angélique ne saurait en effet s’en tenir au rationnel, tel que le revendique l’exégèse de la pensée ou de l’image. D’autres voies cognitives plus souples, plus imaginatives, s’ouvrent grâce à l’attention portée à une réalité riche de nuances et de significations. C’est bien d’une invention au sens plein du terme dont il s’agit. L’ange ne peut s’expliquer sur le seul mode du syncrétisme. Il ne suffit pas de retracer, dans les textes, les monuments et l’iconographie, les modalités selon lesquelles les anges bibliques – vétéro- et néotestamentaires –, au contact de leurs homologues issus de la culture gréco-romaine et des autres civilisations du pourtour méditerranéen, se seraient pour ainsi dire fondus en eux, produisant une sorte de créature kaléidoscopique, daimôn aux ailes teintées de judaïsme, de gnose et de manichéisme, féru de néoplatonisme, ou, cédant à des tentations exotiques, allant jusqu’à s’aventurer du côté du mazdéisme et plus loin encore. L’ange chrétien est hybride ; mais il acquiert une personnalité unique, dont la force se mesure à l’aune de sa postérité.
Angels in art --- Angels in literature. --- Art, Classical --- Classical literature --- Art, Byzantine --- Byzantine antiquities --- Themes, motives --- Byzantine Empire --- Religion. --- Anges --- Anges dans la liturgie --- Littérature antique. --- Dans la littérature. --- Byzance. --- Empire byzantin --- Histoire.
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Poggio Civitate in Murlo, Tuscany, is home to one of the best-preserved Etruscan communities of the eighth through the sixth centuries BCE. In this book, Anthony Tuck, the director of excavations, provides a broad synthesis of decades of data from the site. The results of many years of excavation at Poggio Civitate tell a story of growth, urbanization, ancient industrialization, and dissolution. The site preserves traces of aristocratic domestic buildings, including some of the most evocative and enigmatic architectural sculpture in the region, along with remnants of non-elite domestic spaces, enabling illuminating comparisons across social strata. The settlement also features evidence of large-scale production systems, including tools and other objects that reflect the daily experiences of laborers. Finally, the site contains the story of its own destruction. Tuck finds in the data clear indications that Poggio Civitate was methodically dismantled, and he posits hypotheses concerning the circumstances around this violent social and political act.
Architecture, Domestic --- Architecture, Domestic--Italy--Poggio Civitate Site. --- Decoration and ornament, Architectural --- Decoration and ornament, Architectural--Italy--Poggio Civitate Site. --- Industries --- Industries--Italy--Poggio Civitate Site. --- Etruscan, Etruscan archaeology, ancient Rome, classical art, classical architecture.
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"An examination of the combined subjects of ancient Greek art and religion, dealing with festivals, performance, rites of passage, and the archaeology of death, to name a few examples, to explore the visual, material, and textual dimensions of ancient Greek religion"--
Art, Greek --- Religion in art --- Art and religion --- Art, Ancient --- Art, Classical --- Classical art --- Classical antiquities --- Art --- Arts in the church --- Religion and art --- Religion --- Greek art --- Art, Aegean --- Art, Greco-Bactrian --- Religious aspects --- Greece --- Religion. --- Religious life and customs. --- Social life and customs. --- Antiquities. --- Art, Greek. --- Religion in art. --- 7.032.6 --- 246 <495> --- 7.032.6 Kunst van het Oude Griekenland (tot 323) --- Kunst van het Oude Griekenland (tot 323) --- 246 <495> Art et symbolisme chretiens--Griekenland --- 246 <495> Christelijke kunst en symbolisme--Griekenland --- Art et symbolisme chretiens--Griekenland --- Christelijke kunst en symbolisme--Griekenland --- Religious life and customs --- Social life and customs --- Antiquities
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"This publication was prepared to accompany the exhibition Rubens: Picturing Antiquity, scheduled to open at the J. Paul Getty Museum at the Getty Villa, Malibu, in 2021. The catalogue addresses the impact of Peter Paul Rubens's knowledge of the art and literature of antiquity on his work and life."--
Art, Baroque --- Art, Classical --- Classical antiquities in art --- Classical influences --- Rubens, Peter Paul, --- Sources --- Drawing --- Painting --- drawings [visual works] --- Antique, the --- easel paintings [paintings by form] --- antiquities [object genre] --- Rubens, Peter Paul --- Exhibitions --- Baroque art --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Art baroque --- Antiquités --- Influence classique. --- Dans l'art. --- Rubens, Petrus Paulus --- Sources. --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- Romeinse kunst --- invloed van antieke kunst --- Romeinse kunst. --- Rubens, Peter Paul.
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