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The 1830s to the 1930s saw the rise of large-scale industrial mining in the British imperial world. Elizabeth Carolyn Miller examines how literature of this era reckoned with a new vision of civilization where humans are dependent on finite, nonrenewable stores of earthly resources, and traces how the threatening horizon of resource exhaustion worked its way into narrative form. Britain was the first nation to transition to industry based on fossil fuels, which put its novelists and other writers in the remarkable position of mediating the emergence of extraction-based life. Miller looks at works like 'Hard Times', 'The Mill on the Floss', and 'Sons and Lovers', showing how the provincial realist novel's longstanding reliance on marriage and inheritance plots transforms against the backdrop of exhaustion to withhold the promise of reproductive futurity.
Industrialization in literature. --- Mines and mineral resources in literature. --- English fiction --- History and criticism. --- Mines and mineral resources in literature --- English fiction - 19th century - History and criticism --- English fiction - 20th century - History and criticism --- Industrialization in literature --- Allan Quatermain. --- Arthur Rimbaud. --- Author. --- Barbarism (linguistics). --- Bildungsroman. --- Bloemfontein. --- Boiler. --- Book review. --- British Coal. --- Capitalism. --- Case study. --- Climate change. --- Coal mining. --- Coal. --- Commodity. --- Consolidated Mines. --- Crainquebille. --- D. H. Lawrence. --- Death drive. --- Dividend. --- DuPont. --- Ecocriticism. --- Ecological imperialism. --- Ecology. --- Energy crisis. --- Environmental politics. --- Environmentalism. --- Exhaustion. --- Externality. --- Fertilizer. --- Filth (novel). --- Finance capitalism. --- Fossil fuel. --- Fuel. --- Genre. --- Geologist. --- Geopolitics. --- George Eliot. --- H. G. Wells. --- H. Rider Haggard. --- Hartley Colliery disaster. --- Historical fiction. --- Historicism. --- Imagines (work by Philostratus). --- Imperialism. --- Inception. --- Industrial ecology. --- Industrial society. --- International Commission on Stratigraphy. --- Joseph Conrad. --- King Solomon's Mines. --- Labor theory of value. --- Latin America. --- Lecture. --- Literary realism. --- Literature. --- Lord Jim. --- Marriage plot. --- Medieval literature. --- Memoir. --- Meta-analysis. --- Metallurgy. --- Mineral Revolution. --- Mining (military). --- Mining accident. --- Mining. --- Moidore. --- Montezuma's Daughter. --- Montezuma's treasure. --- Narrative. --- National Policy. --- News from Nowhere. --- Nostromo. --- Ontology. --- Ornithology. --- Ownership (psychology). --- Patriarchy. --- Poetry. --- Slavery. --- Smelting. --- Sons and Lovers. --- Speculative fiction. --- Steam engine. --- Subject (philosophy). --- Subsurface (software). --- Sultana's Dream. --- Surplus value. --- The Bottoms (novel). --- The Coal Question. --- The Mining Journal (trade magazine). --- The Mining Journal. --- Thomas Newcomen. --- Timescape. --- Tono-Bungay. --- Torture chamber. --- V. --- Vril. --- Wealth. --- World War I. --- Worldbuilding.
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"Northern Arts is a provocative exploration of Scandinavian literature and art. With intellectual power and deep emotional insights, writer and critic Arnold Weinstein guides us through the most startling works created by the writers and artists of Scandinavia over the past two centuries ... Weinstein uses the concept of "breakthrough"--Boundary smashing, restlessness, and the exploding of traditional forms and values-- as a thematic lens through which to expose the rolling energies and violence that courses through Scandinavian literature and art. Defying preconceptions of Scandinavian culture as depressive or brooding, Weinstein invites us to imagine anew this transformative and innovative tradition of art that continually challenges ideas about the sacred and the profane, family and marriage, children, patriarchy, and personal identity."--Back cover.
Arts, Scandinavian --- Scandinavian arts --- Absurdity. --- Ad nauseam. --- Adolf. --- Allegory. --- Alterity. --- An Anthropologist on Mars. --- Astrid Lindgren. --- August Strindberg. --- Barabbas. --- Bela Lugosi. --- Castration anxiety. --- Castration. --- Central conceit. --- Child abandonment. --- Code word (figure of speech). --- Creation myth. --- Criticism. --- Cubism. --- Depiction. --- Despotism. --- Disgust. --- Echo. --- Edgar Allan Poe. --- Edvard Munch. --- Edward Albee. --- Emanuel Swedenborg. --- Enmeshment. --- Erland Josephson. --- Ernst Josephson. --- Evocation. --- Existentialism. --- Explanation. --- Fairy tale. --- Family resemblance. --- Fanny and Alexander. --- Faust. --- Frauenfrage. --- G. (novel). --- Georges Bataille. --- Good and evil. --- Hamlet's Father. --- Hatred. --- Hubris. --- Humiliation. --- I Wish (manhwa). --- Incest. --- Infanticide. --- Infatuation. --- Ingmar Bergman. --- Irony. --- Jacques Derrida. --- Jean Genet. --- Karl Jaspers. --- Knut Hamsun. --- Libido. --- Literature. --- Little Eyolf. --- Madame Bovary. --- Masturbation. --- Meanness. --- Mills of God. --- Misery (novel). --- Mom and Dad. --- Munch Museum. --- Narrative. --- Negative capability. --- On the Beach (novel). --- Orgy. --- Our Hero. --- Paul Gauguin. --- Pelle the Conqueror. --- Pippi Longstocking. --- Playwright. --- Poetry. --- Pornography. --- Predicament. --- Puffery. --- Religion. --- Ridicule. --- Ronia the Robber's Daughter. --- Rosmersholm. --- Scandinavian literature. --- Superiority (short story). --- Suspension of disbelief. --- Søren Kierkegaard. --- Taunting. --- The Dead Father. --- The Emperor's New Clothes. --- The Ghost Sonata. --- The Marriage of Heaven and Hell. --- The Ultimate Truth. --- Thomas Kuhn. --- Tragicomedy. --- Two Women. --- Vanitas. --- War. --- Warfare. --- When We Dead Awaken. --- William Shakespeare. --- Writing.
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In early 1936, a German film team arrived in Japan to participate in a film coproduction, intended to show the 'real' Japan to the world and to launch Japanese films into international markets. The two directors, one Japanese and the other German, clashed over the authenticity of the represented Japan and eventually directed two versions, The Samurai's Daughter and New Earth, based on a common script. The resulting films hold a firm place in film history as an exercise in - or reaction against - politically motivated propaganda, respectively.A Foreigner's Cinematic Dream of Japan contests the resulting oversimplification into nationalised and politicised dichotomies. Drawing on a wide range of Japanese and German original sources, as well as a comparative analysis of the 'German-Japanese version' and the elusive 'Japanese-English version', Iris Haukamp reveals the complexities of this international co-production. This exclusive research sheds light not only on the films themselves, but also on the timeframe of its production, with both countries at the brink of war.
Motion pictures --- J6839 --- J4810.80 --- J4813.51 --- History --- Japan: Media arts and entertainment -- cinema --- Japan: International politics and law -- international relations, policy and security -- Gendai (1926- ), Shōwa period, 20th century --- Japan: International politics and law -- international relations, policy and security -- Europe -- Germany (West) --- Itami, Mansaku --- Fanck, Arnold --- Fanck, A. E. --- Mansaku, Itami --- Itami, Mansaku, --- Ikeuchi, Yoshitoyo --- 伊丹万作 --- 伊丹萬作 --- Atarashiki tsuchi (Motion picture) --- Tochter des Samurai (Motion picture) --- New earth (Motion picture) --- New soil (Motion picture) --- Samurai's daughter (Motion picture) --- Japan --- Germany --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deguo --- 德国 --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- Gėrman --- German Uls --- Герман Улс --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I︠A︡ponii︠a︡ --- Japam --- Japani --- Japão --- Japon --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihon --- Nihon-koku --- Nihonkoku --- Nippon --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yapan --- Yīpun --- Zhāpān --- Япония --- اليابان --- يابان --- 日本 --- 日本国 --- Relations --- Jepun --- Yapon --- Yapon Ulus --- I︠A︡pon --- Япон --- I︠A︡pon Uls --- Япон Улс --- Fanck, Arnold,
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