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Shipwreck Narratives: Out of Our Depth studies both the representation of shipwreck and the ways in which shipwrecks are used in creative, philosophical, and political works. The first part of the book examines historical shipwreck narratives published over a period of two centuries and their legacies. Michael Titlestad points to a range of narrative conventions, literary tropes and questions concerning representation and its limits in narratives about these historic shipwrecks. The second part engages novels, poems, films, artwork, and musical composition that grapple with shipwreck. Collectively the chapters suggest the spectacular productivity of shipwreck narrative; the multiple ways in which its concerns and logic have inspired anxious creativity in the last century. Titlestad recognizes in weaving in his personal experience that shipwreck—the destruction of form and the advent of disorder—could be seen not only as a corollary for his own neurological disorder, but also an abiding principle in tropology. This book describes how shipwreck has figured in texts (from historical narratives to fiction, film and music) as an analogue for emotional, psychological, and physical fragmentation. Michael Titlestad is Personal Professor in the Department of English, University of the Witwatersrand, South Africa. He has published widely in the fields of South African literature, apocalypticism, whiteness and jazz. He is the author of Making the Changes: Jazz in South African Literature and Reportage and is the co-editor (with David Watson) of The Ongoing End: The Limits of Apocalyptic Narrative. He is also the editor of English Studies in Africa, the most widely read literary studies journal in South Africa. .
Philosophy --- Linguistics --- Fiction --- Literature --- World history --- geletterdheid --- filosofie --- literatuur --- fantasie (verbeelding) --- Fiction. --- Ecocriticism. --- Human ecology --- Military history. --- Underwater archaeology. --- Fiction Literature. --- Literary Theory. --- Environmental History. --- Military History. --- Maritime Archaeology. --- Philosophy. --- History.
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This book explores the narratives of girlhood in contemporary YA vampire fiction, bringing into the spotlight the genre’s radical, ambivalent, and contradictory visions of young femininity. Agnieszka Stasiewicz-Bieńkowska considers less-explored popular vampire series for girls, particularly those by P.C. and Kristin Cast and Richelle Mead, tracing the ways in which they engage in larger cultural conversations on girlhood in the Western world. Mapping the interactions between girl and vampire corporealities, delving into the unconventional tales of vampire romance and girl sexual expressions, examining the narratives of women and violence, and venturing into the uncanny vampire classroom to unmask its critique of present-day schooling, the volume offers a new perspective on the vampire genre and an engaging insight into the complexities of growing up a girl.
Girls in literature. --- Vampires in literature. --- Young adult fiction. --- Fiction --- Young adult literature --- Fiction. --- Children's literature. --- Goth culture (Subculture). --- Literature, Modern --- Youth --- Fiction Literature. --- Children's Literature. --- Gothic Studies. --- Contemporary Literature. --- Youth Culture. --- Literature --- Juvenile literature --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- Gothic culture (Subculture) --- Subculture --- 20th century. --- 21st century. --- Social life and customs. --- Philosophy
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“This collection accomplishes the difficult work of situating the meanings of amputation in their historical contexts, within a gendered and sexual economy organized around shifting power relations. In this way, the book brings a sophisticated analysis rooted in disability studies to the examination of amputation as a signifier and as a material reality.” —Sarah E. Chinn, Hunter College, CUNY, USA Amputation in Literature and Film: Artificial Limbs, Prosthetic Relations, and the Semiotics of “Loss” explores the many ways in which literature and film have engaged with the subject of amputation. The scholars featured in this volume draw upon a wide variety of texts, both lesser-known and canonical, across historical periods and language traditions to interrogate the intersections of disability studies with social, political, cultural, and philosophical concerns. Whether focusing on ancient texts by Zhuangzi or Ovid, renaissance drama, folktales collected by the Brothers Grimm, novels or silent film, the chapters in this volume highlight the dialectics of “loss” and “gain” in narratives of amputation to encourage critical dialogue and forge an integrated, embodied understanding of experiences of impairment in which mind and body, metaphor and materiality, theory and politics are considered as interrelated and interacting aspects of disability and ability. Erik Grayson is Associate Professor of English at Northampton Community College, USA. Previously, he was Assistant Professor of English at Wartburg College, USA, and Visiting Assistant Professor of English at Luther College, USA. He has published essays on J.M. Coetzee, Walter M. Miller, Jr., Don DeLillo, and Jamaica Kincaid, among others. Maren Scheurer is Researcher and Lecturer in the Department of Comparative Literature at Goethe University Frankfurt am Main, Germany. She is the author of Transferences: The Aesthetics and Poetics of the Therapeutic Relationship (2019) and co-editor, with Susan Bainbrigge, of Narratives of the Therapeutic Encounter: Psychoanalysis, Talking Therapies and Creative Practice (2020). With Aimee Pozorski, she serves as executive co-editor of Philip Roth Studies.
Philosophy --- History of human medicine --- Human medicine --- Telecommunication services --- Film --- Fiction --- Comparative literature --- TV (televisie) --- film --- filosofie --- geneeskunde --- literatuur --- fantasie (verbeelding) --- Amputation --- Disabilities in literature. --- Disabilities in motion pictures. --- Amputees --- Social aspects. --- Social conditions. --- Comparative literature. --- Fiction. --- Medicine and the humanities. --- Motion pictures. --- Medicine --- Comparative Literature. --- Fiction Literature. --- Medical Humanities. --- Global Film and TV. --- Philosophy of Medicine. --- Philosophy.
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Nurse Memoirs from the Great War in Britain, France, and Germany examines an understudied corpus of memoirs in English, French, and German stemming from the unprecedented involvement of women in the war effort. Jerry Palmer considers the memoirs in relationship to public opinion, collective memory and other women’s writing about the war. Through close-readings of the memoirs and their contexts, the book identifies themes present in the texts and considers the nurse memoir as rhetoric—examining to what extent the texts are promoting or countering arguments in the public sphere about their involvement or more widely about women’s position in society. Palmer explores the multiple contexts related to the nurse memoirs, including public response to volunteer wartime nursing, the organisation of the military health services of the three nations and their conduct in the war, and changes in the post-war organization of public health services and the professionalization of nursing.
History of human medicine --- Literature --- World history --- geneeskunde --- geschiedenis --- literatuur --- anno 1900-1999 --- Europe --- Literature, Modern --- Creative nonfiction. --- European literature. --- Medicine and the humanities. --- Medicine --- Military history. --- Twentieth-Century Literature. --- Non-Fiction Literature. --- European Literature. --- Medical Humanities. --- History of Medicine. --- Military History. --- 20th century. --- History.
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This book undertakes the first large-scale analysis of women’s agency in Frank Herbert’s six-book science fiction Dune series. Kara Kennedy explores how female characters in the Bene Gesserit Sisterhood—from Jessica to Darwi Odrade—secure control and influence through five avenues of embodied agency: mind-body synergy, reproduction and motherhood, voices, education and memory, and sexuality. She also discusses constraints on their agency, tensions between individual and collective action, and comparisons with other characters including the Mentats, Bene Tleilaxu, and Honored Matres. The book engages with second-wave feminist theories and historical issues to highlight how the series anticipated and paralleled developments in the women’s liberation movement. In this context, it addresses issues regarding sexual difference and solidarity, as well as women’s demand to have control over their bodies. Kennedy concludes that the series should be acknowledged as a significant contribution to the genre as part of both New Wave and feminist science fiction. Kara Kennedy is a researcher, writer, and educator in the areas of science fiction, digital literacy, and writing. She is an avid scholar of Dune who has lectured and published on various topics including world-building. She posts literary analyses of Dune for a mainstream audience on her blog DuneScholar.com.
Philosophy --- Sociology of culture --- Sociology of the family. Sociology of sexuality --- Fiction --- American literature --- Literature --- populaire cultuur --- filosofie --- literatuur --- gender --- fantasie (verbeelding) --- America --- Fiction. --- Feminism and literature. --- Popular Culture. --- Women --- Sex. --- Fiction Literature. --- Feminist Literary Theory. --- North American Literature. --- Women's History / History of Gender. --- Gender Studies. --- Philosophy. --- Literatures. --- History.
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Ernest Hemingway: A Literary Life includes new research on the best-known of the posthumous publications: A Moveable Feast, 1964 (and the 2009 A Moveable Feast: The Restored Edition); Islands in the Stream, 1970; and The Garden of Eden, 1986. Linda Wagner-Martin provides background and intertextual readings—particularly of the way Hemingway’s unpublished stories (“Phillip Haines was a writer”) and his fiction from Men Without Women and Winner Take Nothing interface with the memoir. The revised edition also highlights and provides background on Hemingway’s treatment of F. Scott Fitzgerald and Gertrude Stein, his life in Paris in the 1920s, and his connection to the poetry scene there—putting this in conversation with Mary Hemingway’s edits of A Moveable Feast. The new chapters also illuminate the reception of Islands in the Stream and a new way of understanding the role of gender and androgyny in The Garden of Eden. On a whole, the book draws from extensive archival research, particularly correspondence of all four of Hemingway’s wives.
Authors, American. --- Hemingway, Ernest, --- American authors --- Hemingway, Ernest --- Kheminguėĭ, Ėrnest --- Hai-ming-wei, --- Hemingvej, Ernest --- Hemingwei --- Hīminjwāy, Arnist --- Ḣeminguei̐, E. --- Ḣeminguei̐, Ernest --- Heminguej, Ernest --- Heminguej, E. --- Hemingṿey, Ernesṭ --- Haminghwāy, Arnist --- Hayminghwāy, Arnis, --- Himinghwāy, Arnist --- Himinghwāy, --- Hemingvejs, Ernests --- Hemingṿe, Ernesṭ --- Chemingouaiē, Ernest --- Heminguwei, Ānesuto --- Haimingwei, Eneisite --- Haimingwei, Ouneisite --- Haimingwei, Ennasite --- Hemingwei, Ŏnesŭtʻŭ --- Хемингуэй, Эрнест --- Хемингуэй, Э. М. --- המינגווי, ארנסט --- המינגווי, ארנסט, --- המינגוי, ארנסט --- המינגוי, ארנסט, --- העמינגוועי, ערנעסט --- 海明威, --- E. ヘミングウェイ, --- همنغواي، ارنست --- همينگوى، ارنست --- ヘミングウェイ, アーネスト, --- 헤밍웨이, 어네스트, --- 海明威, 欧内斯特, --- Chaiminkouaiē, Ernest --- Literature, Modern --- America --- Fiction. --- Creative nonfiction. --- Literature --- Twentieth-Century Literature. --- North American Literature. --- Fiction Literature. --- Non-Fiction Literature. --- Literary History. --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Fourth genre (Creative nonfiction) --- Literary nonfiction --- Narrative nonfiction --- Nonfiction, Creative --- Nonfiction, Literary --- Nonfiction, Narrative --- Prose literature --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- 20th century. --- Literatures. --- History and criticism. --- Appraisal --- Evaluation --- Philosophy
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“Through a synthesis of biographical research and textual analysis Joseph Darlington's monograph grounds Brooke-Rose’s fascinating novels in a new way, showing how they were responses to the circumstances of the author’s eventful life and concerns at the time of writing. In so doing, it links the array of disciplinary fields Brooke-Rose was significant in and allows the reader to see her contribution as a sum of its many parts.” —Glyn White, Senior Lecturer in Twentieth Century Literature and Culture, University of Salford, UK This book utilizes archive research, interviews and historical analysis to present a comprehensive overview of the works of Christine Brooke-Rose. A writer well-known for her idiosyncratic and experimental approaches to the novel form; this work traces her development from her early years as a social satirist, through her space-aged experimentalism in the 1960s, to her later poststructuralism and interest in digital computing and genetics. The book gives an overview of her writing and intellectual career with new archival research that places Brooke-Rose’s work in the context of the historically important events in which she was a participant: Bletchley Park codebreaking in the Second World War, the events in Paris during May 1968, the dawning of the internet and the rise of poststructuralism. Joseph Darlington begins with Brooke-Rose’s first novels written in the late 1950s of social satire, studies her experimental phase of writing and finally illuminates her unique approach to autobiography, arguing for reevaluating this interdisciplinary author and her contribution to poststructuralism, life writing and post-war literature. Joseph Darlington is a writer and academic from Manchester, UK. He is programme leader for the animation degree at Futureworks Media School, and is the author of British Terrorist Novels of the 1970s (Palgrave Macmillan 2018) and co-editor of the Manchester Review of Books. He was awarded a Harry Ransom Fellowship for his work on Brooke-Rose in 2012, and has published a number of research papers exploring her work.
English fiction --- History and criticism. --- Brooke-Rose, Christine, --- Criticism and interpretation. --- Influence. --- Brooke-Rose, Christine --- Rose, Christine Brooke-, --- Literature, Modern --- Poststructuralism. --- Fiction. --- Language and languages --- Postmodernism. --- World history. --- Twentieth-Century Literature. --- Fiction Literature. --- Philosophy of Language. --- Post-Modern Philosophy. --- World History, Global and Transnational History. --- Universal history --- History --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Post-structuralism --- Structuralism --- 20th century. --- Philosophy. --- Philosophy
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“Foregrounding some of the most canonical and widely studied Gothic and Romantic texts, offering readings that are at once vibrant and new while still somehow familiar in the best possible way, Edelman makes it clear just how fundamental a concern with generation is to any understanding of the period. This work is deeply learned and wonderfully accessible—and profoundly urgent.” —James Robert Allard, Brock University, Canada, and author of Romanticism, Medicine, and the Poet’s Body (2007) “Edelman argues that contemporary theories of embryology (not yet an empirical science) debate often contradictory concerns about origins, identity, hybridity, and the potential for an infinite number of forms. Gothic narratives express similar anxieties, adapting to popular and high art, changing historical circumstances, and media unimaginable at their birth. Reading the evolution of Gothic in the context of inherently contradictory theories of embryology illuminates the literature’s own contradictions. (Is it conservative or revolutionary? Feminist or misogynist?) Edelman’s learned and cogent exposition of this unexpected biological context will engage not only students of the Gothic tradition, but also the growing audience discovering the material and scientific roots of Romanticism.” —Anne Williams, Professor of English Emeritus, University of Georgia, USA, and author of Art of Darkness: A Poetics of Gothic (1995) This book argues that embryology and the reproductive sciences played a key role in the rise of the Gothic novel in the eighteenth and nineteenth centuries. Diana Pérez Edelman dissects Horace Walpole’s use of embryological concepts in the development of his Gothic imagination and provides an overview of the conflict between preformation and epigenesis in the scientific community. The book then explores the ways in which Gothic literature can be read as epigenetic in its focus on internally sourced modes of identity, monstrosity, and endless narration. The chapters analyze Horace Walpole’s The Castle of Otranto; Ann Radcliffe’s A Sicilian Romance, The Italian, and The Mysteries of Udolpho; Mary Shelley’s Frankenstein; Charles Robert Maturin’s Melmoth the Wanderer; and James Hogg’s Confessions of a Justified Sinner, arguing that these touchstones of the Gothic register why the Gothic emerged at that time and why it continues today: the mysteries of reproduction remain unsolved. Diana Pérez Edelman is Associate Professor of English at the University of North Georgia, Gainesville, USA.
Gothic fiction (Literary genre), English --- English literature --- History and criticism. --- English gothic fiction (Literary genre) --- English fiction --- Literature, Modern --- Fiction. --- Literature --- Feminism and literature. --- Goth culture (Subculture). --- Science --- Medicine and the humanities. --- Nineteenth-Century Literature. --- Fiction Literature. --- Feminist Literary Theory. --- Gothic Studies. --- History of Science. --- Medical Humanities. --- Humanities and medicine --- Humanities --- Gothic culture (Subculture) --- Subculture --- Literature and feminism --- Literature and philosophy --- Philosophy and literature --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- 19th century. --- Philosophy. --- History. --- Women authors --- Theory --- Philosophy
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This book aims to establish the position of the sidekick character in the crime and detective fiction literary genres. It re-evaluates the traditional view that the sidekick character in these genres is often overlooked as having a small, generic or singular role—either to act as the foil to the detective in order to accentuate their own abilities at solving crimes, or else to simply tell the story to the reader. Instead, essays in the collection explore the representations and functions of the detective’s sidekick across a range of forms and subgenres of crime fiction. By incorporating forms such as children’s detective fiction, comics and graphic novels and film and television alongside the more traditional fare of novels and short stories, this book aims to break down the boundaries that sometimes exist between these forms, using the sidekick as a defining thread to link them together into a wider conceptual argument that covers a broad range of crime narratives.
Detective and mystery stories --- Sidekicks in literature. --- Crime in literature. --- History and criticism. --- Fiction. --- Literature, Modern --- Motion pictures --- Motion pictures, American. --- Fiction Literature. --- Nineteenth-Century Literature. --- Twentieth-Century Literature. --- Contemporary Literature. --- British Film and TV. --- American Film and TV. --- American motion pictures --- Moving-pictures, American --- Foreign films --- Literature --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- 19th century. --- 20th century. --- 21st century. --- Great Britain. --- Philosophy
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The Emergence of Neuroscience and the German Novel: Poetics of the Brain revises the dominant narrative about the distinctive psychological inwardness and introspective depth of the German novel by reinterpreting the novel’s development from the perspective of the nascent discipline of neuroscience, the emergence of which is coterminous with the rise of the novel form. In particular, it asks how the novel’s formal properties—stylistic, narrative, rhetorical, and figurative—correlate with the formation of a neuroscientific discourse, and how the former may have assisted, disrupted, and/or intensified the medical articulation of neurological concepts. This study poses the question: how does this rapidly evolving field emerge in the context of nineteenth century cultural practices and what were the conditions for its emergence in the German-speaking world specifically? Where did neuroscience begin and how did it broaden in scope? And most crucially, to what degree does it owe its existence to literature?
Literature and science --- Neurosciences --- History --- Neural sciences --- Neurological sciences --- Neuroscience --- Medical sciences --- Nervous system --- Poetry and science --- Science and literature --- Science and poetry --- Science and the humanities --- Literature, Modern --- Fiction. --- European literature. --- Medicine and the humanities. --- Communication in science. --- Science --- Nineteenth-Century Literature. --- Fiction Literature. --- European Literature. --- Medical Humanities. --- Science Communication. --- History of Science. --- Communication in research --- Science communication --- Science information --- Scientific communications --- Humanities and medicine --- Humanities --- European literature --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- 19th century. --- History. --- Philosophy
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