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geschiedenis --- Goya y Lucientes, Francisco José de --- Velázquez, Diego Rodriguez de Silva y --- El Greco --- 18de eeuw --- 19de eeuw --- Spanje --- Frankrijk
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Japonisme --- briefwisseling --- Manet, Édouard --- Astruc, Zacharie --- Bracquemond, Félix --- Velázquez, Diego Rodriguez de Silva y --- El Greco --- Goya y Lucientes, Francisco José de --- 17de eeuw --- 18de eeuw --- 19de eeuw --- Frankrijk --- Spanje
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This book presents the first focused investigation of Francisco Goya's (1746-1828) graphic output. Spanning six decades, Goya's works on paper reflect the transformation and turmoil of the Enlightenment, the Inquisition, and Spain's years of constitutional government. Two essays, a detailed chronology, and more than 100 featured artworks illuminate the remarkable breadth and power of Goya's drawings and prints, situating the artist within his historical moment. The selected pieces document the various phases and qualities of Goya's graphic work-from his early etchings after Velazquez through print series such as the Caprichos and The Disasters of War to his late lithographs, The Bulls of Bordeaux, and including albums of drawings that reveal the artist's nightmares, dreams, and visions.
76 GOYA Y LUCIENTES, FRANCISCO JOSE --- 76 <064> --- 76 <064> Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- 76 GOYA Y LUCIENTES, FRANCISCO JOSE Grafische kunsten. Grafiek. Prentkunst--GOYA Y LUCIENTES, FRANCISCO JOSE --- Grafische kunsten. Grafiek. Prentkunst--GOYA Y LUCIENTES, FRANCISCO JOSE --- Exhibitions --- verbeelding --- oorlogen --- Goya y Lucientes, Francisco José de --- Goya, Francisco --- de Goya y Lucientes, Francisco --- verbeelding. --- oorlogen. --- Goya y Lucientes, Francisco José de.
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Driven by a growing interest in collecting and multiplying drawings, artists and amateurs in the eighteenth century sought a new technique capable of replicating the subtlety of ink, wash, and watercolor. They devised an innovative and versatile new medium—aquatint—which would spread in use across Europe within a few decades, its distinctive dark tones making possible a remarkable variety of ingenious imagery. In this illuminating book, Rena M. Hoisington traces how the aquatint technique flourished as a cross-cultural and cosmopolitan phenomenon that contributed to the rise of art publishing, connoisseurship, leisure travel, drawing instruction, and the popularity of neoclassicism. She offers new insights into sophisticated experiments by artists such as Francisco Goya, Maria Catharina Prestel, Paul Sandby, and Jean-Baptiste Le Prince. Marvelously illustrated with rare works from the National Gallery of Art’s collection of early aquatints, this engaging book provides a fresh look at how printmaking contributed to a vibrant exchange of information and ideas in Europe during the Enlightenment. --Princeton University Press
Graphic arts --- aquatint [printing process] --- David, Giovanni --- Goya, Francisco --- Cozens, Alexander --- Sandby, Paul --- 762 --- 76 <064> --- 76 <064> Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- 762 Diepdruktechnieken in de grafische kunst --- Diepdruktechnieken in de grafische kunst --- aquatint --- prenten --- kunstenaarsboeken --- National Gallery of Art (Washington) --- Lagrenée, Jean-Jacques (II) --- Jukes, Francis --- Goya y Lucientes, Francisco José de --- 18de eeuw --- 19de eeuw --- aquatint. --- prenten. --- kunstenaarsboeken. --- National Gallery of Art (Washington). --- Sandby, Paul. --- David, Giovanni. --- Lagrenée, Jean-Jacques (II). --- Jukes, Francis. --- Cozens, Alexander. --- Goya y Lucientes, Francisco José de. --- 18de eeuw. --- 19de eeuw. --- grafische technieken
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