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Saint André Kim Taegon, né le 21 août 1821 et mort exécuté en 1846, est le premier prêtre catholique coréen. Il est mort pour la foi durant les années de persécutions du XIXe siècle qui frappèrent les catholiques de son pays. Aujourd'hui, la Corée du Sud compte environ 5,6 millions de catholiques pour 51 millions d'habitants. André Kim a été canonisé le 6 mai 1984, en compagnie d'un groupe de 103 catholiques, prêtres et laïcs (parmi lesquels son père), français et coréens.La cérémonie a eu lieu à Séoul, lors de la visite pastorale de Jean-Paul II en Corée. Avec les autres martyrs coréens de la même époque, il est liturgiquement commémoré le 20 septembre. Le 29 novembre 2020, le cardinal Andrew Yeon Son-Jung, archevêque de Seoul a inauguré une année jubilaire dédiée à Saint André Kim Taegon en l'honneur du 200e anniversaire de sa naissance.

Kim, André

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Kim Dae-geon, Andrew

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Kim Buck uses well-known jewellery motifs such as hearts, signet rings and crosses as a point of departure, but the materials can be anything from precious metals to found objects and ready-mades. With surprising combinations, wordplay and a touch of irony, he questions the conventions of the jewellery business as well as the way national and religious symbols are used and abused.

The issues raised by his jewellery and objects reach far beyond the jewellery field itself, disrupting our cultural habits and understanding of the self.

Applied arts. Arts and crafts --- symbols --- ready-mades [found objects] --- Conceptual --- juweelkunst --- Buck, Kim

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"This book considers the history of North Korea's foreign relations with the Third World and the ways in which the regime in Pyongyang established ideological, military, and diplomatic ties with postcolonial African, southern Asian, and Latin American nations"--

Korea (North) --- Developing countries --- Foreign relations --- Authoritarianism. --- Bandung. --- Cold War. --- Communism. --- Decolonization. --- Global South. --- Juche. --- Kim Il Sung. --- North Korea. --- Socialism. --- Third World.

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Whitewashing the Movies addresses the popular practice of excluding Asian actors from playing Asian characters in film. Media activists and critics have denounced contemporary decisions to cast White actors to play Asians and Asian Americans in movies such as Ghost in the Shell and Aloha. The purpose of this book is to apply the concept of “whitewashing” in stories that privilege White identities at the expense of Asian/American stories and characters. To understand whitewashing across various contexts, the book analyzes films produced in Hollywood, Asian American independent production, and US-China co-productions. Through the analysis, the book examines the ways in which whitewashing matters in the project of Whiteness and White racial hegemony. The book contributes to contemporary understanding of mediated representations of race by theorizing whitewashing, contributing to studies of Whiteness in media studies, and producing a counter-imagination of Asian/American representation in Asian-centered stories.

Asian Americans in motion pictures. --- White people in motion pictures. --- film, films, movies, movie, white, whitewashing, Asian actors, asian, asian characters, asian actresses, media, activist, activism, white actors, Asian Americans, Ghost in the Shell, Aloha, privilege, White identities, AsianAmerican stories, China, US-China co-productions, Whiteness, media studies, White racial hegemony, AsianAmerican representation, Hawai’i, White China, Kim Jong Un, Whitewashing anime, Transnational, White masculine heroism, The Great Wall, Outcast, Enter the Warrior’s Gate, 47 Ronin, The Interview, The Impossible.