Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The paper studies the editorial practice of Boccaccio in his copies of Dante's Vita Nuova, through a textual comparison between the two preserved transcriptions and the ones that are only hypothetically referable to his work, thanks to an examination of the varia lectio. What emerged for Vita Nuova from a new comprehensive collatio of the most important witnesses of Boccaccio's manuscript tradition, put together with what is known about the other Dante's works copied by Boccaccio himself (lyrics and Commedia), seem to converge in the hypothesis, already suggested by Michele Barbi, that around the interpositus b3 it is quite recognizable a third "authorial edition", originally conceived like the other two, and perhaps currently surviving in the manuscript Riccardiano 1035.

Manuscripts, Medieval. --- Manuscripts --- History.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The present article deals with the use that Boccaccio makes of diminutives in his Decameron. After a brief introduction on the lexicographic studies dedicated to the works of the author, an investigation carried out thanks to the corpus TLIO (Tesoro della Lingua Italiana delle Origini) is presented. The study is aimed at reporting the occurrences of -etto, -ello, -ino, -uccio and its variant ­-uzzo diminutives in their context of use in the Centonovelle. The results outline a diverse situation where these diminutives are used in a wide range of expressive situations, spanning from affective to humorous and making their use one of Boccaccio's key elements of writing style. The 'passion' for diminutives felt by the author is finally presented through a few examples of hapax legomena.

Manuscripts, Medieval. --- Manuscripts --- History.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Der vorliegende Sammelband zur Kolmarer Liederhandschrift (München, BSB, Cgm 4997) widmet sich der überlieferungs- und kulturgeschichtlichen Stellung dieser herausragendsten und umfangreichsten Meisterliederhandschrift sowie ihrem Verhältnis zu den übrigen Codices der rheinisch-schwäbischen Gruppe der Liederhandschriften. Der Band vereint verschiedene Aspekte aus den Bereichen der Überlieferungs- und Wirkungsgeschichte sowie der Kulturgeschichte des Meistergesangs. Im Fokus stehen die textuellen und melodischen Kunstformen der Kolmarer Liederhandschrift, die Textualität der überlieferten Lieder sowie das facettenreiche geistliche Liedgut der Handschrift." --

Music --- Manuscripts.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Der vorliegende Sammelband zur Kolmarer Liederhandschrift (München, BSB, Cgm 4997) widmet sich der überlieferungs- und kulturgeschichtlichen Stellung dieser herausragendsten und umfangreichsten Meisterliederhandschrift sowie ihrem Verhältnis zu den übrigen Codices der rheinisch-schwäbischen Gruppe der Liederhandschriften. Der Band vereint verschiedene Aspekte aus den Bereichen der Überlieferungs- und Wirkungsgeschichte sowie der Kulturgeschichte des Meistergesangs. Im Fokus stehen die textuellen und melodischen Kunstformen der Kolmarer Liederhandschrift, die Textualität der überlieferten Lieder sowie das facettenreiche geistliche Liedgut der Handschrift." --

Music --- Manuscripts.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This paper focuses on the figure of the graduate Francisco de Rojas, a minor playwright from the first half of the seventeenth century who is better known for copying several theatrical manuscripts and, above all, for the presence of his handwriting in dozens of other manuscripts. The objectives of this paper are to contextualize his activity as a copyist, to systematize the nature of his interventions in the dialogues of the plays, and to point out the-often silent-influence that Rojas' amendments have had in several editions of early modern Spanish plays for over a century.

Manuscripts --- History.