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.This book is a selection of papers presented at the 11th International Conference on Middle English (ICOME11), held at the University of Florence, Italy from 5 to 8 February 2019. The papers, organised under three headings “Textual Interlacing,” “Borrowing and the Lexicon,” and “Language at Different Levels,” interface different fields of linguistics, literature and philology in the context of Medieval England and offer a holistic view of current research within Middle English studies. The contributors employ a wealth of different new and traditional approaches and methodologies, and deal with materials ranging from canonical literary works to scientific and practical texts, including electronic corpora and databases.
English language --- English literature --- Middle English --- Middle English --- French influences
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Anchorites and their texts, such as Ancrene Wisse, have recently undergone a reevaluation based on material circumstances, not just theological import. The articles here address a variety of anchoritic or anchoritic-adjacent texts, encompassing guidance literature, hagiographies, miracle narratives, medical discourse, and mystic prose, and spanning in date from the eighth through the fourteenth centuries. Exploring reclusion and materiality, the collection addresses a series of overlapping themes, including the importance of touch, the limits of religious authority, and the role of the senses. Objects, metaphorical and real, embodied and spiritual, populate the pages. These categories are permeable, with flexible and porous boundaries, demonstrating the conflation of ideas, concepts, and manifestations in medieval materiality. In fact, the permeability of these categories demonstrates how materiality can reshape our approach to medieval texts. It leaves room for directions for future study, including the application of material analysis to previously unstudied objects, spaces, and literary artifacts.
Material culture in literature. --- Christian literature, English (Middle) --- History and criticism. --- Christian literature, English --- Christian literature, Middle English --- English Christian literature, Middle --- Middle English Christian literature --- English literature --- Middle English literature. --- anchorites. --- ancrenne wisse. --- embodiment. --- medieval materiality. --- medieval relics. --- reclusion.
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Geoffrey Chaucer is widely acknowledged as the greatest English poet of the Middle Ages. His texts are studied extensively but, in order to be fully appreciated, they demand a nuanced understanding of the medieval period. This volume provides freshly illuminated access to Chaucer's writing through an unrivalled repertoire of contextual information and perspectives designed to enhance the independence and critical capacities of his modern readers. The featured essays are written not only by distinguished literary scholars but also by leading international historians. Geoffrey Chaucer in Context is an essential reference tool for anyone studying Chaucer and will help readers to identify his different voices and engage with the complexity and colour of his times with new awareness.
English literature --- English literature --- History and criticism --- Middle English. --- Chaucer, Geoffrey, --- Chaucer, Geoffrey, --- Criticism and interpretation. --- 1100-1500.
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First recent full-length analysis of a major medieval poem.
Debate poetry, English (Middle) --- Poetry, Medieval --- History and criticism. --- Wynnere and Wastoure --- Criticism, Textual. --- Great Britain --- History --- Debate poetry, Middle English --- English debate poetry, Middle --- Middle English debate poetry --- English poetry --- Winner and Waster --- Wynnere and Wastoure (Middle English Poem) --- Wynnere and Wastoure. --- 1327-1377 --- Great Britain.
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"In Sir Isumbras, one of the most enduringly popular late medieval romances, the penitential experience of its eponymous hero (modeled off of the evergreen St. Eustace tales) is grounded in a careful exploration of hillside ironmines and the communities of smiths that rely upon them. Such an interest in natural resource management and industrial development derives from the notable focus on charting topography that distinguishes the central third of the romance - marking Isumbras's transition from secular to divine systems of values, and his geographical movement from Christian to Saracen lands. Similarly, in the fourteenth-century Middle English version of William of Palerne (hereafter William), the eponymous protagonist flees with his lover, Melior, through a world of forests and bays that overflows with topographical details. I will also consider how sympathetic portrayals of laborers and other low-class harvesters of natural resources suggest that romances, particularly around the turn of the fifteenth century, reflect the shifting nature of their bourgeois-gentry audience by engaging with the environmental experiences of merchants, household clerks, reeves, franklins, and gentry farmers in addition to those of the higher aristocracy"-- These intricate explanations of quarry pits, hollow oaks, roadside groves, seaside caves, and war-torn estates together compose a perspective on landscape defined by networks of economic exchange. In this regard, the predominant view of the natural world presented in William ties it to earlier romances such as Havelok the Dane, a text interested in the systems of exchange that knit seaside fishermen to urban markets; and to later texts such as the Middle English versions of Partonope of Blois, which demonstrates in its depictions of estates the mercantile and agricultural uses of natural spaces that underlie the successful maintenance of a noble identity. This chapter, then, will discuss how Middle English romances' attention to the management and harvest of natural resources often reveals the link between country and urban spaces created by the exchange of such goods.
English literature --- Landscapes in literature. --- Romances, English --- Romances, English. --- Seashore in literature. --- History and criticism --- Middle English. --- History and criticism. --- 1100-1500.
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Medieval England had a thriving culture of rewriting the Bible in art, drama, and literature in Latin, French and English. Middle English biblical poetry was central to this culture, and although these poems have suffered from critical neglect, sometimes dismissed as mere 'paraphrase', they are rich, innovative and politically engaged. Read in the same gentry and noble households as secular romance, biblical poems borrow and adapt romance plots and motifs, present romance-inflected exotic settings, and share similar concerns: reputation, order, family and marriage.
This book explores six poems from the thirteenth and fourteenth centuries that retell episodes from the Old Testament: the ballad-like 'Iacob and Iosep', two lives of 'Adam and Eve'; an alliterative version of the Susanna story, the 'Pistel of Susan'; and the Gawain-poet's 'Patience' and 'Cleanness'. Each chapter identifies new sources and influences for the poems, including from biblical glosses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.
Religious poetry, English (Middle) --- History and criticism. --- Bible --- In literature. --- Biblical poetry. --- Middle English literature. --- Old Testament. --- biblical retelling. --- cultural functions. --- literary analysis. --- medieval England. --- medieval narrative. --- romance.
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The old speaker in Middle English literature often claims to be impaired because of age. This admission is often followed by narratives that directly contradict it, as speakers, such as the Reeve in Chaucer's Canterbury Tales or Amans in Gower's Confessio Amantis, proceed to perform even as they claim debility. More than the modesty topos, this contradiction exists, the book argues, as prosthesis: old age brings with it debility, but discussing age-related impairments augments the old, impaired body, while simultaneously undercutting and emphasizing bodily impairments. This language of prosthesis becomes a metaphor for the works these speakers use to fashion narrative, which exist as incomplete yet powerful sources.
English literature --- Old age in literature. --- History and criticism. --- Older people in literature --- ld age in literature. --- Caxton. --- Chaucer. --- Disability. --- Hamlet. --- Hoccleve. --- John Gower. --- Middle English literature. --- Polonius. --- prosthesis. --- rhetoric.
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This New Companion to Critical Thinking on Chaucer brings together preeminent scholars from around the world and adopts a novel approaching, beginning with the basics: Chaucer's words. Each chapter explores a single word from the Chaucerian corpus to develop readings that extend across the author's works. Without being limited to a particular text or theoretical approach, contributors model scholarly thinking in action, posing questions and offering analyses from textual, theoretical, historical, and material approaches. The result is a comprehensive collection of essays that illuminates Chaucer's aesthetics, philosophical complexity, and continued relevance. Part innovative scholarship, part how-to manual, the volume includes apparatus to help less experienced readers of Chaucer negotiate its contents. In addition to fourteen main essays, the volume also includes three response essays, each modelling how a seasoned scholar uses the chapters to develop his or her own thinking about Chaucer. Thus, the companion offers something to audiences of all levels who wish to read, research, and enjoy Chaucer, his language, and his works.
Chaucer, Geoffrey, --- Criticism and interpretation. --- Chaucer, Jeffrey, --- Chʻiao-sou, Chieh-fu-lei, --- Chieh-fu-lei Chʻiao-sou, --- Choser, Dzheffri, --- Choser, Zheoffreĭ, --- Cosvr, Jvoffrvi, --- Tishūsar, Zhiyūfrī, --- LITERARY CRITICISM / Medieval. --- Canterbury Tales. --- Chaucer. --- language. --- literary criticism. --- medieval. --- middle English.
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This is the first volume to focus on the diverse permutations of international surrealist cinema after the canonical interwar period. The collection features eleven original contributions by prominent scholars such as Tom Gunning, Michael Löwy, Gavin Parkinson and Michael Richardson, alongside other leading and emerging researchers. An introductory chapter offers a historical overview as well as a theoretical framework for specific methodological approaches. The collection demonstrates that renowned figures such as Leonora Carrington, Maya Deren, Alejandro Jodorowsky and Jan Švankmajer took part in shaping a vibrant and distinctive surrealist film culture following the Second World War. Addressing highly influential films and directors related to international surrealism during the second half of the twentieth century, it expands the purview of both surrealism and film studies by situating surrealism as a major force in postwar cinema.
Surrealism in motion pictures --- Chaucer. --- Middle English. --- dreams. --- emotions. --- ethics. --- literature. --- medieval. --- romance. --- sleep. --- space. --- Shakespeare, william, 1564-1616 --- Literature, medieval --- Literary criticism --- Alejandro Jodorowsky. --- André Breton. --- Cinema. --- Film. --- Jan Švankmajer. --- Joseph Cornell. --- Luis Buñuel. --- Maya Deren. --- Post-war. --- Surrealism.
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"In England, as well as on the continent, the early fifteenth century saw a slackening of rigorous academic work in theology and at the same time a stronger interest in biblical and devotional approaches and practices. This book addresses the question of whether, and if so in what way, such a change may also have occurred in preaching by investigating the form in which sermons were constructed, to determine whether a new development or innovation replaced the scholastic sermon, or sermo modernus, in use from the later thirteenth century on. The volume concludes with editions of sermons drawn from major works created in England between the final years of the fourteenth and the middle of the fifteenth century."--
Preaching --- Sermons, Latin --- Sermons, English (Middle) --- Sermons, Medieval --- 251 <420> --- 251 <09> --- 27 <420> "12/14" --- English sermons, Middle --- Middle English sermons --- Sermons, English --- Sermons, Middle English --- English prose literature --- 27 <420> "12/14" Histoire de l'Eglise--Engeland--?"12/14" --- 27 <420> "12/14" Kerkgeschiedenis--Engeland--?"12/14" --- Histoire de l'Eglise--Engeland--?"12/14" --- Kerkgeschiedenis--Engeland--?"12/14" --- 251 <420> Homiletiek. Verkondiging. Prediking--Engeland --- 251 <420> Homiletique. Predication--Engeland --- Homiletiek. Verkondiging. Prediking--Engeland --- Homiletique. Predication--Engeland --- Latin sermons --- History --- History and criticism --- Manuscripts --- Homiletiek. Verkondiging. Prediking--Geschiedenis van --- England --- Church history --- Religious life and customs --- Medieval sermons
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