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Conservation. Restoration --- cleaning --- cultural property --- preservation [function] --- plasma
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Conservators and other museum professionals face a large number of issues involving the mechanical behavior of materials, including questions on craquelure, restoring physically damaged objects, art in transport, or the selection of adhesives. However, science in conservation and museum studies curricula focusses mostly on chemistry. This book fills this important gap in conservation training. It is the first such book written specifically for the conservation community and professionals with little or no background in (mechanical) engineering. It introduces the basics of mechanical properties and behavior of materials and objects with examples and exercises based on conservation practice. More complex issues of mechanical loading and advanced solutions are also introduced.
Artists' materials --- Art --- Mechanical properties. --- Conservation and restoration. --- Conservation. Restoration --- preservation [function] --- objets d'art
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Organic chemistry --- Environmental protection. Environmental technology --- Conservation. Restoration --- preservation [function] --- sustainability --- organic solvent --- solvent
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This book constitutes the refereed post-conference proceedings of the 8th International Conference on Digital Heritage, EuroMed 2020, held virtually in November 2020. The 37 revised project papers and 30 revised short papers presented were carefully reviewed and selected from 326 submissions. The papers are on topics such as digital data acquisition technologies in CH/2D and 3D data capture methodologies and data processing; remote sensing for archaeology and cultural heritage management and monitoring; interactive environments and applications; reproduction techniques and rapid prototyping in CH; e-Libraries and e-Archives in cultural heritage; virtual museum applications (e-Museums and e-Exhibitions); visualisation techniques (desktop, virtual and augmented reality); storytelling and authoring tools; tools for education; 2D and 3D GIS in cultural heritage; and on-site and remotely sensed data collection.
Information systems --- Artificial intelligence. Robotics. Simulation. Graphics --- Archivistics --- preservation [function] --- cultural heritage --- digital preservation --- computervisie --- applicatiebeheer --- apps --- informatica --- sociale wetenschappen --- informatiesystemen --- KI (kunstmatige intelligentie) --- architectuur (informatica)
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Information retrieval --- Social sciences (general) --- Programming --- Computer architecture. Operating systems --- Information systems --- Artificial intelligence. Robotics. Simulation. Graphics --- Computer. Automation --- computervisie --- applicatiebeheer --- apps --- informatica --- sociale wetenschappen --- informatiesystemen --- KI (kunstmatige intelligentie) --- architectuur (informatica) --- Archivistics --- preservation [function] --- cultural heritage --- digital preservation
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Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art–in both his works and writings–that challenged many of modernism’s core tenets by resisting the categories of painting and sculpture. Judd described this work as “specific objects.” Critics labeled it minimalism. Perhaps because Judd’s own critical writings provide a discursive framework for his work, some of the monographic essays on his work are not widely known. This volume collects critical and scholarly writings on Judd, examining his work as both artist and critic.
Art --- art [fine art] --- preservation [function] --- art criticism --- Judd, Donald --- Geschriften ; kunstkritiek ; 1959-1975 ; D. Judd --- Beeldhouwkunst ; 20ste eeuw ; D. Judd --- Architectuur ; interieurarchitectuur ; 20ste eeuw ; D. Judd --- Judd, Donald 1928-1994 (°Excelsior Springs, Missouri, Verenigde Staten) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- art [discipline]
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