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Find Out What Scott Really WroteGoing back to the original manuscripts, a team of scholars has uncovered what Scott originally wrote and intended his public to read before errors, misreadings and expurgations crept in during production.The Edinburgh Edition offers you:A clean, corrected textTextual historiesExplanatory notesVerbal changes from the first-edition textFull glossariesTitle DescriptionRob Roy is set in 1715, but it is less concerned with the Jacobite Rising than with the economic and political conditions which brought it about, and the remarkable entrepreneurial spirit of the new Hanoverian capitalists which resisted it. It celebrates the freebooting daring of the hero's father in the City of London and the robust balancing of generosity and selfish calculation which is required in successful enterprise, and which motivates one of Scott's most lively creations, the Glasgow merchant Baillie Nicol Jarvie.Rob Roy is nominally a retrospective autobiography written by Frank Osbaldistone and is suffused with a sense of loss both personal and cultural. The personal is the loss of his wife Diana; the cultural is epitomised in Rob Roy who is the hunted victim of a society richer and more powerful than his own.The text is based upon the first edition, corrected with readings from the manuscript, and is supported by comprehensive historical and explanatory annotation.
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Find Out What Scott Really WroteGoing back to the original manuscripts, a team of scholars has uncovered what Scott originally wrote and intended his public to read before errors, misreadings and expurgations crept in during production.The Edinburgh Edition offers you:A clean, corrected textTextual historiesExplanatory notesVerbal changes from the first-edition textFull glossariesTitle DescriptionThe Tale of Old Mortality describes the lives – and often violent deaths – the hopes, and the struggles, of the Covenanters in late seventeenth-century Scotland. A tale of extremism, bigotry and cruelty, it is redeemed by its characters' courage and loyalty, and their passionate belief in religious and civil liberty. Considered to be one of the greatest novels of the nineteenth century, its influence pervades European writing from Stendhal to Tolstoy.
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Find Out What Scott Really WroteGoing back to the original manuscripts, a team of scholars has uncovered what Scott originally wrote and intended his public to read before errors, misreadings and expurgations crept in during production.The Edinburgh Edition offers you:A clean, corrected textTextual historiesExplanatory notesVerbal changes from the first-edition textFull glossariesTitle DescriptionSet in south-west Scotland in the immediate aftermath of the 1707 Union, The Black Dwarf was intended to be a story about the first, abortive, Jacobite uprising of 1708. Instead it developed into a gothic tale of the supernatural. This new edition brings out the virtues in the story, long overlaid by Scott's embellishments in later editions.
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Find Out What Scott Really WroteGoing back to the original manuscripts, a team of scholars has uncovered what Scott originally wrote and intended his public to read before errors, misreadings and expurgations crept in during production.The Edinburgh Edition offers you:A clean, corrected textTextual historiesExplanatory notesVerbal changes from the first-edition textFull glossariesTitle DescriptionCount Robert of Paris, condemned by Scott’s printer as ‘altogether a failure’, was later prepared for publication by his son-in-law, J. G. Lockhart , and his publisher Robert Cadell. What appeared was a bowdlerised, tamed and tidied version of what Scott had written and dictated. This edition, the first to have returned to the manuscript and to the many surviving proofs, realises Scott’s original intentions. Scott’s last full novel has many roughnesses, but it also challenges the susceptibilities of his readers more directly than any other and in that lay its fault in the eyes of the lesser men who condemned it.
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