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"Cosmology was central to many intellectual currents in late antiquity. Inspired by classical texts, notably Plato's Timaeus and Aristotle's Physics, thinkers of the period pondered questions about the world's origin and its physical constitution. This volume, with contributions from an interdisciplinary group of scholars, illustrates the range and diversity of these reflections. Fascination for cosmology connected Plato and Proclus with Origen and Gregory of Nyssa. For readers interested in ancient philosophy, early Christian theology, and the history of science, this volume provides a unique insight into a history that is still too often neglected. L'intérêt évident pour la cosmologie platonicienne, en particulier pour le Timée, et, en parallèle, l'attention renouvelée pour toute une tradition commentariste aristotélicienne, influencent profondément la façon de comprendre et de formuler certaines questions liées à l'origine du monde et à sa constitution physique à la fin de l'Antiquité. Grâce aux contributions d'un groupe interdisciplinaire d'universitaires, ce volume illustre la grande diversité de ces réflexions. Pour les lecteurs intéressés par la philosophie ancienne, la théologie paléochrétienne et l'histoire des sciences, ce volume offre un aperçu unique d'une histoire encore trop souvent négligée"--
Art. --- Art, Medieval --- Art and history. --- Historiography.
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This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world.Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking.Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.
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Nei primi secoli del medioevo Roma, dopo aver perduto il ruolo di capitale dell’antico impero mediterraneo, si trasforma nel cuore morale di una nuova realtà – l’Europa continentale uscita dalle invasioni barbariche – e recupera in forme inedite la centralità e il prestigio di una capitale. Vicende politiche, trasformazioni sociali, modi di vita, dibattiti teologici, grandi personalità di papi costituiscono l’oggetto di questo libro, che narra in modo limpido e appassionante lo svolgersi degli eventi, soffermandosi in particolare sulle straordinarie manifestazioni artistiche nelle quali si espresse lo spirito dell’epoca.
Art, Medieval --- Architecture --- Rome (Italy) --- History --- Roma --- Moyen Age
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Un panorama de l'histoire de l'art en Europe et sur le pourtour méditerranéen, entre le Ve et le XVe siècle.
Art islamique --- Art chrétien médiéval. --- Art médiéval. --- Art médiéval --- Moyen Âge
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Digital humanities. --- Historic sites --- Art, Medieval --- Architecture, Medieval --- Kingdom of the Two Sicilies --- History
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This Element covers the art produced in early medieval England from the departure of the Romans to the early twelfth century, an art that shows the input of multi-ethnic artists, patrons, and influences as it develops over the centuries. Art in early medieval England is an art of migrants and colonisers and the Element considers the way in which it was defined and developed by the different groups that travelled to or settled on the island. It also explores some of the key forms and images that define the art of the period and the role of both material and artist/patron in their creation. Art is an expression of identity, whether individual, regional, national, religious, or institutional, and this volume sheds light on the way art in early medieval England was and continues to be used to define particular identities, including that of the island on which it was produced.
Art, Medieval --- Art and society --- History --- Art --- Art and sociology --- Society and art --- Sociology and art --- Medieval art --- Social aspects
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This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from circa the seventh to the fourteenth-century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass.
Art, Medieval --- Buddhist art --- Hindu art --- Art, Hindu --- Art --- Art, Buddhist --- Art, Lamaist --- Buddhism and art --- Medieval art --- History.
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This volume is a contribution to the ongoing scholarly dialogue on a crucial topic, viz. the relations between East and West and their reflection in art and culture in late medieval Greece.00Based on the evidence of artistic production and material culture this collective volume aims at exploring cross-cultural relations and interaction between Greeks and Latins in late medieval Greece in the aftermath of the Fourth Crusade. Fourteen essays discuss mostly new and unpublished archaeological and artistic material, including architecture, sculpture, wall-paintings and icons, pottery and other small finds, but also the evidence of music and poetry. Through the surviving material of these artistic activities this volume explores the way Byzantines and Latins lived side by side on the Greek mainland and the Aegean islands from the thirteenth to the fifteenth centuries and traces the mechanisms that led to the emergence of the new, composite world of the Latin East. Issues of identity, patronage, papal policy, the missionary activities of the Latin religious orders and the reactions and responses of the Byzantines are also re-considered, offering fresh insights into and a better understanding of the various manifestations of the interrelationship between the two ethnicities, confessions and cultures.
Art, Byzantine --- Art, Medieval --- Christian art and symbolism --- Material culture --- History --- Byzantine Empire --- Greece --- Relations. --- Art byzantin --- Art médiéval --- Art, Byzantine. --- Art, Medieval. --- Civilization --- International relations. --- Material culture. --- Medieval. --- European influences. --- To 1500. --- Byzantine Empire. --- Empire latin, 1204-1261 --- Europe --- Greece. --- Grèce --- Latin Empire, 1204-1261 --- Histoire
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