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The South African artist William Kentridge is internationally renowned for the expressionism of his work in numerous mediums, among them charcoal, printmaking, sculpture and film, as well as his acclaimed theatrical and operatic productions. As elusive as it is allusive, Kentridge’s art is shaped by apartheid and grounded in the politics of the post-apartheid era, and in science, literature and history, while always maintaining space for contradiction and uncertainty.

This volume presents early drawings and etchings from Ubu Tells the Truth; stills from Johannesburg, 2nd Greatest City after Paris and other films; six tapestry works; various drawing series, including Kentridge’s drawings of trees on various supports; a model theater; and more. These are punctuated by six meditations on the exhibition’s themes by Stephen Clingman: Drawn through Time; The Enigmas of Soho; Shadows of the Past, Shadows of the Present; Dualities, or How I Did Not Become; Timespaces, or Two Dancers; and Coda: Vanishings. Along the way, thought-collages, allusions and assemblages come together to create a connective, dimensional way of thinking inspired by Kentridge’s own habits of creation.

Art --- apartheid --- multimedia artists --- Kentridge, William

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anti-apartheid --- internationale solidariteit --- Zuid-Afrika.

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The distinguished South African scholar and critic Graham Pechey was one of the leading voices in the debates about literature's role in the apartheid state, and he continued to reflect influentially on its importance and function after the establishment of democracy. Pechey died in 2016 without putting the finishing touches on a book on South African literature and culture that had been some twenty years in the making. He wrote on a wide range of South African literature across the racial divide and across periods, combining an acute sense of the historical and geopolitical situation of South African writing with a sensitive ear to the workings of the literary; he was thus able to do justice to both the singular grain of individual works and their broad political and cultural implications. This collection brings together the most significant of these essays.

South African literature (English) --- History and criticism. --- Graham Pechey --- apartheid --- South African literature --- South African culture --- post-apartheid --- cultural struggle --- postcolonial

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Mike Burton's Tightrope is a gripping, personal account that transports the reader back to the liberation struggle of the 1980s and the educational issues that informed policy in the nascent democracy. The book will be of particular interest to those involved in education at the time as well anybody who observed or was engaged during that turbulent period of change.

Education --- School principals --- Segregation in education --- Apartheid --- History. --- All Saints College (South Africa)

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"Women in Solitary offers a new account based around the narratives of four women who experienced detention and torture in South Africa in the late 1960s when the regime tried to stage a trial to convict leading anti-apartheid activists. This timely book not only accords the four women and others their place in the history of the struggle for freedom in South Africa, but also weaves their experiences into the historical development of the anti-apartheid movement. The book draws on extended interviews with journalist Joyce Sikhakhane-Rankin, trade unionists Shanthie Naidoo and Rita Ndzanga and activist Nondwe Mankahla. Winnie Mandela's account of her time in detention is drawn from earlier published accounts. The narrative brings to light the unrelentingly brutal and comprehensive character of the attempt to silence resistance and break the spirit of the activists, both to disrupt organisation and to intimidate communities. It is testament to the triumph and strength of conviction that the women displayed. It also reflects the comprehensive nature of the resistance. The women fought not only as organisers, recruiters or couriers, but also in solitary confinement, resisting all its deprivations, the taunts by interrogators and anxieties about their children. And when they took the fight into the courtroom, they prevailed. The book weaves their experiences into the historical development of the struggle in a way that highlights broader issues, drawing out the particular ways in which women's experience of activism and repression differs from that of men, both in terms of the behaviour of the police and of the women's ties with community, family and children. The book's broad timespan underpins the psychological effects of sustained solitary confinement and its traumatic legacy, asking whether, by not attending more consistently to healing the trauma done to a generation by brutal repression, we allow it to contribute to social ills that worry us today. Women in Solitary is ideal reading for anyone interested in the history of apartheid, the criminalization of activism, and women's imprisonment, as well as scholars and students of penal and feminist studies"--

Solitary confinement --- Women anti-apartheid activists --- Women political prisoners --- South Africa --- Politics and government