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"Most of us know that the widespread use of robotics, particularly artificial intelligence robots, will most likely have an adverse effect on the workplace and that the new jobs that emerge will require new thinking skills that the current educational system does not provide. It is also becoming clear that communities seeking to attract and nurture those most qualified for the new jobs must also renew themselves if they are to be successful. Most important, the emerging workforce must be able to engage both right and left hemispheres of the brain in-order- to solve complex problems, in increasingly creative ways. This central imperative, has resulted in the increasing demand for both artistic and creative skills along with technological and science-based skills. This treatise makes those arguments for reinvention and while it is not yet known precisely what makes people creative, many ideas about fostering creative people and institutions are discussed. The future is now. The Covid-19 pandemic has greatly accelerated our use of technology and our responses to changes we must make in education, the workplace and the workforce that have been lying dormant for too long. At the heart of the changes we must make is the vital realization that art and technology are the new benchmarks of the global economy, an economy where creativity and innovation are shaping a new world order. We are entering a new era and we must act now to prepare for a very different future"--

Art and technology. --- Competition, International. --- Creative ability --- Labor supply --- Education and state --- Economic aspects. --- Effect of education on

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Communication. --- Computational intelligence. --- Art and technology. --- Communication, Primitive --- Mass communication --- Sociology --- Technology and art --- Technology --- Intelligence, Computational --- Artificial intelligence --- Soft computing

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Inconnu en Europe, Stan VanDerBeek (1927-1984) est pourtant l'un des pionniers de l'imagerie expérimentale américaine. Formé aux Cooper Union et Black Mountain Colleges, VanDerBeek combine d'abord dans l'esprit surréaliste et dadaïste les techniques du dessin, du collage et de la peinture animée, puis le mixed-media de la Beat Generation et du Psychédélisme. Dans les sixties, l'expérience visuelle se poursuit avec Claes Oldenburg et Allan Kaprow. En 1965, inspiré par les dômes hippies et fullériens, VanDerBeek érige un prototype de Movie-Drome déclinable et interconnectable à un réseau mondial décentralisé, « machine à expériences » susceptible de partager des flux audiovisuels d'artistes, d'étudiants ou de citoyens. Le message serait-il le médium ? Auteure d'une thèse sur l'artiste à l'UCLA (MIT Press, 2015), Gloria Sutton est professeure associée à l'Université Northeastern, à Boston.

Experimental films --- Arts --- Art and technology --- Films expérimentaux --- Art et technologie --- History --- Experiments --- Histoire --- Expériences --- Vanderbeek, Stan. --- Art multimédia --- Arts -- méthodes expérimentales --- Projection cinématographique --- Art et technologie. --- méthodes expérimentales --- Vanderbeek, Stan, --- Critique et interprétation. --- Black mountain college (1933-1956)

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Walter Benjamin est resté célèbre grâce à ses travaux en tant que philosophe, historien de l'art ou encore critique littéraire. Cet ouvrage présente un aspect méconnu de ses activités : entre 1927 et 1933, Benjamin a enregistré une centaine d’interventions au microphone sur les antennes de Berlin et Francfort et s’est efforcé de dépasser les formes journalistiques de pur divertissement. À travers ses chroniques littéraires ou ses contes radiophoniques pour enfants, le philosophe berlinois a souhaité repenser le matériau sonore diffusé sur les ondes. Ce livre original propose d’aller à la rencontre de Walter Benjamin par le prisme de sa voix. Les recherches de Philippe Baudouin à l’origine du présent ouvrage tendent à faire entendre l’écho du philosophe, en proposant de redécouvrir l’intérêt à la fois théorique et pratique dont il témoigna pour la radio. L’ouvrage comprend également des annexes sonores, avec d’une part les deux seuls témoignages sonores du philosophe connus à ce jour, extraits de la pièce radiophonique pour enfants Chahut autour de Kasperl, diffusée à la radio de Cologne le 9 septembre 1932, et d’autre part une interview de Stéphane Hessel réalisée par Philippe Baudouin pour France Culture, dans laquelle ce premier témoigne reconnaître la voix de Benjamin dans le personnage de Kasperl

Philosophie. --- À la radio --- Benjamin, Walter, --- Children's radio programs - Germany - Frankfurt am Main - History - 20th century --- Art and society --- Art and technology --- Art - Philosophy --- Radio - Philosophy --- Benjamin, Walter, - 1892-1940 --- Benjamin, Walter, - 1892-1940 - Knowledge - Communication --- Benjamin, Walter, - 1892-1940 - Criticism and interpretation --- Children's radio programs

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Although the global art market has often been resilient to international economic and political events, it has recently faced some of its biggest challenges under the influence of COVID-19. Among others, the pandemic and the accompanying restrictive administrative measures taken by world governments have significantly influenced such key economic indicators as gallery employment, art sales, and the organization of international art fairs. The Special Issue "Global Art Market in the Aftermath of COVID-19" studies various economic, social, and political impacts of the COVID-19 pandemic on the global art market’s current state and future evolution.

Humanities --- Social interaction --- Social & cultural anthropology, ethnography --- external shocks in the art markets --- primary art market --- gallerists --- artists --- COVID-19 --- Portugal --- Spain --- Brazil --- art galleries --- art market --- digital technology --- multi-channel strategy --- business model innovation --- forecasts --- valuation studies --- sociology of art --- artworks --- visual arts --- TikTok --- feminism --- female artists --- gatekeeper --- contemporary art --- social media --- Millennials --- Gen Z --- COVID --- pandemic --- ethnography --- United Arab Emirates (UAE) --- Art Dubai --- Alserkal Avenue --- Sotheby’s Dubai --- virtual exhibitions --- Abu Dhabi Art --- post-COVID-19 art market --- Patachitra --- scrolls --- Patuas --- folk art --- storytelling --- singing pictures --- living heritage --- cultural industries --- precariousness --- precariat --- precarity --- public auction --- auction house --- live auctions --- online auctions --- online only auctions --- 2008–2009 financial crisis --- 2016 crisis --- COVID-19 crisis --- coronavirus --- NFT --- non-fungible token --- crypto-currency --- online art market --- COVID-19 pandemic --- expertise --- value --- contemporary art market --- art economics --- art and politics --- Australian art market --- Asian art market --- inter-connected Asia --- art and technology --- emerging art market --- art exhibitions --- hub cities --- networks --- digitalization --- hybridization --- editorial