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Unmaking Angas Downs traces a history of colonisation in Central Australia by tracking the rise and demise of a rural enterprise across half a century, as well as the complex and creative practices that transformed a cattle station into Country. It grapples with the question of how people experience profound dislocation and come to make a place for themselves in the wake of rupture. Angas Downs emerges as a place of dynamic interaction and social life - not only lived in, but also made by Anangu - back cover.
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Aboriginal Australians --- Education, Bilingual. --- Education. --- Bilingualism --- Multilingual education
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Brings together both Australian and international work on Indigenous music and dance, with chapters centred around practices from Arnhem Land, Western Australia, the Tiwi Islands, the Torres Strait, Taiwan, Aotearoa/New Zealand and North America, and Indigenous scholars authoring or co-authoring more than half of the book. Combines practice-led scholarship with research-informed creative practice. Considers music and dance together as often inseparable parts of performance practices, an approach achieved through the interdisciplinarity of its contributing authors. Music, Dance and the Archive interrogates historical access and responses to archives by showing how Indigenous performing artists and community members, and academic researchers (Indigenous and non-Indigenous) are collaborating to bring life to objects that have been stored in archives. It highlights the relationship between music and dance, as embodied forms of culture, and records in archives, bringing together interdisciplinary research from musicologists, dance historians, linguists, Indigenous Studies scholars and practitioners. The volume examines how music and dance are recorded in audio-visual records, what uses are made of these records (in renewal of cultural practice or in revitalising performances that have fallen out of use), and the relationship between the live body and historical objects. While this book focuses on Aboriginal and Torres Strait Islander music and dance, it also features research on Indigenous music and dance from beyond Australia, including New Zealand, Taiwan and North America. Music, Dance and the Archive is an insightful culmination of original, previously unpublished research from a diverse selection of scholars in Indigenous history, musicology, linguistics, archival science and dance history.
Libraries and minorities --- Aboriginal Australians --- Music libraries --- Collection management.
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In Remote as Ever, David Scrimgeour tells the story of his working life as a doctor in isolated communities in Australia's Western Desert in the late 1970s. Being involved in the Homelands movement and the Aboriginal community-controlled health campaign gave him significant insight into the strength of the Aboriginal struggle for autonomy - a struggle too often undermined by government policy. In an account replete with strong controversies and stronger personalities, Scrimgeour demonstrates that the future of these communities, and indeed the health of its individual members, remain in the balance.
Aboriginal Australians --- Autonomy. --- Physicians --- Government relations. --- Social conditions. --- Scrimgeour, David.
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Aboriginal Australians --- Education, Bilingual. --- Education. --- Bilingualism --- Multilingual education --- Aborígens australians --- Ensenyament bilingüe --- Educació bilingüe --- Bilingüisme --- Llengua d'ensenyament --- Aprenentatge integrat de continguts i llengües estrangeres --- Bilingüisme en els infants --- Ensenyament de llengües estrangeres --- Australians (Poble nadiu) --- Indígenes australians --- Koori --- Kooris --- Pobles aborígens d'Austràlia --- Antropologia cultural --- Arunta (Poble australià) --- Noongar (Poble australià)
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Trauma, Australia and Gail Jones's Fiction (1996-2007) offers a groundbreaking study of Gail Jones's narratives. It examines Jones's literary questioning of Australia's victimology narratives, and offers an enlightening explanation of Jones's transmedia, transnational and multidirectional approach to personal and international collective traumas.
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The story of an urban-based high achieving Wiradyuri woman working to break down stereotypes and build bridges between black and white Australia.I'm Aboriginal. I'm just not the Aboriginal person a lot of people want or expect me to be.What does it mean to be Aboriginal? Why is Australia so obsessed with notions of identity? Anita Heiss, successful author and passionate advocate for Aboriginal literacy, rights and representation, was born a member of the Wiradyuri nation of central New South Wales but was raised in the suburbs of Sydney and educated at the local Catholic school.In this heartfelt and revealing memoir, told in her distinctive, wry style, with large doses of humour, Anita Heiss gives a firsthand account of her experiences as a woman with a Wiradyuri mother and Austrian father. Anita explains the development of her activist consciousness, how she strives to be happy and healthy, and the work she undertakes every day to ensure the world she leaves behind will be more equitable and understanding than it is today.
Aborigènes d'Australie --- Femmes aborigènes d'Australie --- Aboriginal Australians --- Women, Aboriginal Australian --- Heiss, Anita
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Brings together both Australian and international work on Indigenous music and dance, with chapters centred around practices from Arnhem Land, Western Australia, the Tiwi Islands, the Torres Strait, Taiwan, Aotearoa/New Zealand and North America, and Indigenous scholars authoring or co-authoring more than half of the book. Combines practice-led scholarship with research-informed creative practice. Considers music and dance together as often inseparable parts of performance practices, an approach achieved through the interdisciplinarity of its contributing authors. Music, Dance and the Archive interrogates historical access and responses to archives by showing how Indigenous performing artists and community members, and academic researchers (Indigenous and non-Indigenous) are collaborating to bring life to objects that have been stored in archives. It highlights the relationship between music and dance, as embodied forms of culture, and records in archives, bringing together interdisciplinary research from musicologists, dance historians, linguists, Indigenous Studies scholars and practitioners. The volume examines how music and dance are recorded in audio-visual records, what uses are made of these records (in renewal of cultural practice or in revitalising performances that have fallen out of use), and the relationship between the live body and historical objects. While this book focuses on Aboriginal and Torres Strait Islander music and dance, it also features research on Indigenous music and dance from beyond Australia, including New Zealand, Taiwan and North America. Music, Dance and the Archive is an insightful culmination of original, previously unpublished research from a diverse selection of scholars in Indigenous history, musicology, linguistics, archival science and dance history.
Libraries and minorities --- Aboriginal Australians --- Music libraries --- Collection management. --- Special libraries --- Libraries --- Library services to minorities --- Minorities and libraries --- Public libraries --- Minorities --- Services to minorities
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Featuring contributions from leading lawyers, historians and social scientists, this path-breaking volume explores encounters of laws, people, and places in Australia since 1788. Its chapters address three major themes: the development of Australian settler law in the shadow of the British Empire; the interaction between settler law and First Nations people; and the possibility of meaningful encounter between First laws and settler legal regimes in Australia. Several chapters explore the limited space provided by Australian settler law for respectful encounters, particularly in light of the High Court's particular concerns about the fragility of Australian sovereignty. Tracing the development of a uniquely Australian law and the various contexts that shaped it, this volume is concerned with the complexity, plurality, and ambiguity of Australia's legal history.
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