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Art --- fine arts [discipline] --- Venice
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Art --- fine arts [discipline] --- self-portraits
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Iconography --- fine arts [discipline] --- iconography --- spring [season] --- iconografie --- lente
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An exclusive insight into the finest hundred masterpieces from the permanent collection of the renewed KMSKA The Royal Museum of Fine Arts Antwerp (KMSKA) has reopened after several years of major renovation. It is home to an especially varied collection of art that runs to more than 9,000 items: paintings, sculptures, assemblages, drawings and prints from the 14th to the 21st century. Old Flemish masters like Jan van Eyck, Quinten Massys and Peter Paul Rubens feature alongside internationally renowned artists such as Jean Fouquet, Titian, Auguste Rodin and Amedeo Modigliani. The KMSKA also has the world's largest collections of work by James Ensor and Rik Wouters. This richly illustrated book highlights seven centuries of art, from the Flemish Primitives to conceptual artists. A hundred masterpieces from the permanent collection are presented in detail and discussed in lucid articles that draw on the very latest research by KMSKA's own in-house scholars.
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Art --- fine arts [discipline] --- trees [woody plants] --- theme
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A close ally of Camille Pissarro, Berthe Morisot and Edgar Degas, Mary Cassatt was the only American painter at the heart of the Impressionist group in Paris. Highly respected on both sides of the Atlantic, Cassatt was a forthright advocate for women's intellectual, creative and political emancipation. She brought her discerning gaze and compositional inventiveness across many media to the subtle social interactions of women in public and private spaces, such as at the theatre, and in moments of intimacy with children, where she was one of the most attentive and unsentimental analysts of the infant body and the child's emerging personality. Tracing key moments in Cassatt's long career, art historian Griselda Pollock highlights Cassatt's extensive artistic training across Europe, analysing her profound study of Old Masters while revealing her intelligent understanding of both Manet and Courbet. Pollock also provides close readings of Cassatt's paintings and her singular vision of women in modernity. Now revised with a new preface, updates to the bibliography and colour illustrations throughout, this book offers a rich perspective on the core concerns of a major Impressionist artist through the frames of class, gender, space and difference.
Cassatt, Mary, --- Fine arts --- Individual artists --- Women's studies
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Art styles --- fine arts [discipline] --- Art Nouveau --- Mucha, Alfons Maria --- Paris --- Exhibitions
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