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La autora nos propone un recorrido por lad obra del escritor argentino Mauricio Kartun a fin de comprender el proceso que lo llevó a definir el tipo de teatro político que produce en la actualidad. Su teatro permite, por un lado, el estudio de una poética individual que sirve para pensar la historia del teatro nacional pero, a su vez, posibilita revisar la historia del país, pues la dramaturgia de Kartun dialoga de manera permanente con la serie social, política e histórica de su contexto de producción. De esta forma, la ficción teatral, en su vertiente de teatro político, se erige como contradiscurso disruptivo con un posicionamiento ideológico contundente. La articulación de metáforas poéticas, concebidas como un todo, construye, por refracción, un rompecabezas que alude a la constitución de un relato de identidad, que da cuenta de manera crítica de cierta idiosincrasia argentina.Podemos afirmar, sin temor a exagerar, que Kartun es ya hoy un autor clásico para el teatro nacional. Sin embargo, no existe todavía un estudio global que efectúe una periodización de su obra, observe sus marcas distintivas y desentrañe su concepción acerca del fenómeno dramático y su forma particular de construir un tipo de teatro político, como lo realiza este libro. Una publicación de este tipo contribuye, entonces, a cubrir un vacío prioritario para comprender una parte importante de la historia de la cultura nacional.
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Sofia von Ellrichshausen and Mauricio Pezo founded Pezo von Ellrichshausen in the southern Chilean city of Concepción in 2002. The two believe that architecture is a form of knowledge that provides “a tool to experience, read, and eventually understand the world in which we live.” They describe the sequence of design tools and methods that guide their work: “reading buildings by their ‘spatial structure’; replacing the notion of form by ‘format’; articulating rooms without interior; eroding the scale of things; doing austere buildings, hundreds of paintings, over and over again, ‘no more no less’.”For their Current Work lecture, Pezo and von Ellrichshausen will discuss several projects in Chile and beyond, including:Rode house in Chiloe Island, Chile, a curved, asymmetrical, unusual-shaped structure with a pitched roof built entirely of local timber.Vara Pavilion, a labyrinthine structure made of ten overlapping cylinders of different sizes built for the 2016 Venice Architecture Biennale.Cien house, a monolithic concrete tower that serves as the duo’s house and studio in Concepción, Chile. Sofia von Ellrichshausen received a degree in architecture from the Universidad de Buenos Aires.Mauricio Pezo holds an MArch from the Universidad Catolica de Chile and an architecture degree from the Universidad del Bio-Bio. He has been awarded the Young Architect Prize by the Chilean Architects Association. The studio is a recipient of the Mies Crown Hall Americas Emerge Prize, the Rice Design Alliance Prize, the Iberoamerican Architecture Biennial Award, and the Chilean Architecture Award. Pezo and von Ellrichshausen were the curators of the Chilean Pavilion in the 2008 Venice Architecture Biennale. A conversation with Michael Meredith will follow the lecture. Meredith is a principal of MOS, a New York-based architecture office, and an associate professor and director of graduate studies at Princeton University School of Architecture.
Pezo, Mauricio, --- Ellrichshausen, Sofía von, --- Pezo von Ellrichshausen (Firm) --- Architecture --- Architecture, Modern --- Ellrichshausen, Pezo von --- von Ellrichshausen, Pezo --- architectural firms --- architects --- Pezo von Ellrichshausen [Concepcion] --- Chile --- 72.071 --- architecten --- Sofía von Ellrichshausen --- Mauricio Pezo --- Chili --- buitenlandse architecten --- 72.07 --- Pezo von Ellrichshausen --- Von Ellrichshausen, Sofia °1976 (°Bariloche, Argentinië) --- Pezo, Mauricio °1973 (°Angol, Chili) --- El Croquis ; 214 ; Pezo von Ellrichshausen --- Architecten. Stedenbouwkundigen A - Z
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