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Arno Hintjens (1949-2022) stond meer dan een halve eeuw op het podium. Vanaf 1970 als mondharmonicaspeler van de bluesgroep Freckle Face, daarna als zanger van Tjens Couter en T.C. Matic, waarmee hij in 1981 doorbrak met de hit 'O La La La'. Andere newwavehits volgden, zoals 'Que Pasa' en Putain, putain'. Vanaf 1986 ging Arno solo. Met zijn hoogstpersoonlijke stijl wist Arno verscheidene genres en talen te verweven: rock en new wave, blues en chanson, Engels, Frans, Nederlands en zelfs zijn Oostendse dialect. In totaal werkte Arno mee aan meer dan dertig studioalbums. Ontelbare nummers werden onvergetelijke klassiekers, zoals 'Les Yeux de ma mère', 'Elle adore le noir', 'Les Filles du bord de mer', 'Whoop That Thing', 'Vive ma liberté' en 'Solo Gigolo'. In België en Frankrijk werd Arno verscheidene keren bekroond voor zijn oeuvre.Deze unieke biografie over de monumentale carrière van Arno vertelt zijn hele levensverhaal, van zijn kinderjaren in Oostende tot zijn overlijden in 2022. Bron: flaptekst

Hintjens, Arno --- Zanger --- Biografie --- Rock --- New wave --- Blues --- Chanson

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The French New Wave is an essential anthology of writings by and about the critics and filmmakers of this revolutionary cinematic movement, which has had a radical impact on film practice and the way we think and write about film. The volume includes foundational writings such as Francois Truffaut's A Certain Tendency in French Cinema and Andre Bazin's La Politique des auteurs, as well writings by Jean-Luc Godard, Claude Chabrol and Alexandre Astruc.This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Françoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's À bout de souffle, the new edition includes a case study of the critical reception of two films by Agnès Varda: La Pointe Courte and Cléo de 5 à 7 .The articles have been specially translated for the volume by Peter Graham, and some are published for the first time in English. These classic writings are accompanied by contextualising introductions by Ginette Vincendeau, updated for this new edition, to form a unique resource on this key cinematic movement and its practitioners.

New wave films --- History and criticism. --- Motion pictures --- History --- Nouvelle Vague (cinéma) --- Histoire et critique