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De vochtige boslucht, het geluid van bladeren en takjes die breken onder iedere voetstap, de blijdschap bij het zien van een eekhoorn. Een bos is de mooiste speeltuin ter wereld.
Didactics of biology --- buitenspelen --- lager onderwijs 3de graad (doelgroep) --- hutten bouwen --- natuureducatie --- bossen --- bomen --- samenwerking (themawoord fictie)
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In the wake of the Second World War, aiming to occupy the children rampaging streets and parks, the City of Amsterdam founded Jongensland, a space where boys (and the occasional, officially disallowed girl) could play, build, create, and destroy, largely without supervision. Located on an island accessible only by rowboat, Jongensland grew into a sprawling settlement built experimentally from scrap materials by its young inhabitants. Here, children would cook food, raise animals, build fires, and trade with each other. Without adult intervention, they relied on shared resourcefulness and collaborative ingenuity. In 1969, when the architectural photographer Ursula Schulz-Dornburg moved to Düsseldorf with her two young children, she discovered Jongensland the other side of the border from Germany’s strictly regulated playgrounds. Fascinated by the improvised buildings where her children would play, she made extensive photographs capturing them being constructed, used, demolished, and reshaped. Her images capture an intuitive architectural intelligence and capture a genre of vernacular construction with its own conventions and innovations, one which illuminates the role of imagination in defining a building’s identity and purpose. This book presents Schulz-Dornburg’s largely unseen series alongside an extended alongside an extended essay by architectural historian Tom Wilkinson reflecting on the architectural themes and lessons Jongensland continues to offer.
fotografie --- documentaire fotografie --- architectuurfotografie --- portretfotografie --- kinderen --- twintigste eeuw --- Nederland --- Schulz-Dornburg, Ursula --- 77.071 SCHULZ-DORNBURG --- Architectuurfotografie ; 20ste eeuw --- Cabines ; hutten ; barakken --- Architectuur ; Nederland ; Amsterdam ; 20ste eeuw ; Jongensland --- Speeltuinen; Nederland; Amsterdam --- Schulz-Dornburg, Ursula °1938 (°Berlijn, Duitsland) --- 711.558 --- 77.092.07 --- Stedenbouw. Ruimtelijke ordening ; recreatieterreinen --- Fotografen A - Z
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"Homelessness--the state of having no home--is a growing global problem that requires local discussions and solutions. In the face of the coronavirus pandemic, it has noticeably become a collective concern. However, in recent years, the official political discourse in many countries around the world implies that poverty is a personal fault, and that if people experience homelessness, it is because they have not tried hard enough to secure shelter and livelihood. Although architecture alone cannot solve the problem of homelessness, the question arises: What and which roles can it play? Or, to be more precise, how can architecture collaborate with other disciplines in developing ways to permanently house those who do not have a home?"--Page 4 of cover.
Urbanisme --- Errance --- Villes. --- Public housing --- Architecture, Domestic --- Homeless persons --- Homelessness --- Architecture and society --- 728.18 --- 711.13 --- Tijdelijke architectuur ; voor daklozen --- Daklozen ; woonomstandigheden --- Sociale huisvesting --- Sociale woningbouw ; volkshuisvesting --- Architecture --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Housing --- Poverty --- Homeless adults --- Homeless people --- Street people (Homeless persons) --- Persons --- Architecture, Rural --- Domestic architecture --- Home design --- Houses --- One-family houses --- Residences --- Rural architecture --- Villas --- Dwellings --- Government housing projects --- Social housing --- Low-income housing --- Woningbouw ; noodwoningen, hutten --- Stedenbouw. Ruimtelijke ordening ; sociale geografie ; socio-economische aspecten ; stadsgeografie --- Social aspects --- Human factors
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Making Home(s) in Displacement critically rethinks the relationship between home and displacement from a spatial, material, and architectural perspective. Recent scholarship in the social sciences has investigated how migrants and refugees create and reproduce home under new conditions, thereby unpacking the seemingly contradictory positions of making a home and overcoming its loss. Yet, making home(s) in displacement is also a spatial practice, one which intrinsically relates to the fabrication of the built environment worldwide. Conceptually the book is divided along four spatial sites, referred to as camp, shelter, city, and house, which are approached with a multitude of perspectives ranging from urban planning and architecture to anthropology, geography, philosophy, gender studies, and urban history, all with a common focus on space and spatiality. By articulating everyday homemaking experiences of migrants and refugees as spatial practices in a variety of geopolitical and historical contexts, this edited volume adds a novel perspective to the existing interdisciplinary scholarship at the intersection of home and displacement. It equally intends to broaden the canon of architectural histories and theories by including migrants' and refugees' spatial agencies and place-making practices to its annals. By highlighting the political in the spatial, and vice versa, this volume sets out to decentralise and decolonise current definitions of home and displacement, striving for a more pluralistic outlook on the idea of home.
Home.
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Immigrants
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City planning.
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Architecture.
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architecture
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emigration et immigration
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refugies
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sociologie
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Dwellings.
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histoire
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711
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72.01
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325
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