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The present volume is the result of a comprehensive investigation of 86 illuminated manuscripts and fragments that are now in the University Library in Graz. Produced between 1225 and 1300, the works almost all came to Graz from monasteries in Styria, Carinthia, and Slovenia, where they were held until the secularizations of the late 18th century.Manuscripts are among the most multifaceted forms of evidence from the Middle Ages, providing invaluable information on the time of their creation and on later periods. The present volume is the result of a comprehensive investigation of 86 illuminated manuscripts and fragments that are now in the University Library in Graz. Produced between 1225 and 1300, the works almost all came to Graz from monasteries in Styria, Carinthia, and Slovenia, where they were held until the secularizations of the late 18th century. The volume approaches this material from an art-historical perspective and sets it within its historical, cultural, and intellectual contexts. Stylistic analysis of the illuminations shows that only a relatively small proportion of the works was made locally, and that most of the manuscripts were imports from major centres of European book production – such as Bologna, Paris, or South France. Die vorliegende Publikation enthält eine wissenschaftliche Tiefenerschließung von 86 illuminierten Handschriften und Fragmenten (1225 bis 1300), die aus säkularisierten Klöstern der Steiermark, Kärntens und Sloweniens stammen und sich heute in der Grazer Universitätsbibliothek befinden.Handschriften gehören zu den vielschichtigsten Zeugnissen des Mittelalters und sind Quellen von unschätzbarem Wert, die wichtige Informationen sowohl zu dieser Epoche als auch zu ihrer Bedeutung für die Gegenwart liefern. Der vorliegende Band basiert auf der wissenschaftlichen Tiefenerschließung von 86 illuminierten Handschriften und Fragmenten, die aus säkularisierten Klöstern der Steiermark, Kärntens und Sloweniens stammen und sich heute in der Grazer Universitätsbibliothek befinden. Zwischen 1225 und 1300 entstanden, wurden die Werke aus kunsthistorischer Perspektive ausgewertet und in ihren historischen, kulturellen sowie intellektuellen Kontext eingebettet. Dabei ließ sich feststellen, dass es sich bei vielen Handschriften um Importe aus großen Buchproduktionszentren Europas, wie Bologna, Paris oder Südfrankreich, handelt und nur verhältnismäßig wenige Werke in den heimischen Konventen entstanden, aus denen sie überliefert wurden.

Kunstgeschichte, Illuminierte Handschriften, 13. Jahrhundert, Einbände, Klöster, Mittelalterliche Bibliotheken --- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunstgeschichte (604019) --- Art History, Illuminated Manuscripts, 13th Century, Bookbindings, Monasteries, Medieval Libraries --- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art history (604019)

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Dans les années 1510-1520, Tournai traverse une zone de turbulence. Sur le plan politique, elle n'est qu'un pion dans la grande partie d'échecs que se jouent François Ier, Charles Quint et Henri VIII : après avoir été une "bonne ville de France" pendant plusieurs centaines d'années, elle tombe à contre-cœur sous la coupe anglaise, avant de passer aux Habsbourg. Le monde intellectuel local est en ébullition lui aussi : l'humanisme, allié à la montée en puissance de l'imprimerie, pénètre les esprits et l'on songe même à doter Tournai d'une université. Sur le front religieux, le protestantisme gagne toutes les couches sociales, divise la population, fait éclater les liens familiaux. C'est dans ce contexte de crise qu'un enlumineur anonyme met la dernière main aux 'Heures de La Tramerie', un manuscrit de dévotion privée au destin étonnant, commencé à Paris vers 1430, puis laissé en friche pendant plus de trois quarts de siècle. Son nouveau propriétaire, un Tournaisien, l'adapte aux usages locaux : il le dote d'un calendrier et charge un enlumineur de compléter son illustration : treize grandes scènes à personnages et de somptueuses marges décorées, peintes sur chacune de ses cent cinquante pages. Quatre autres manuscrits ont pu être réunis autour de cette œuvre exceptionnelle, ainsi qu'un livre d'heures imprimé, tous décorés par la même main. Réalisés pour des commanditaires français - le dernier gouverneur de Tournai, un évêque amateur de lys, une dame issue d'une éminente famille poitevine - ces livres attestent la vitalité insoupçonnée de la création artistique à Tournai, à une période-clé de l'histoire européenne.

091.31 <44> --- 091:264-13*2 --- 091.31 <44> Verluchte handschriften--Frankrijk --- Verluchte handschriften--Frankrijk --- Handschriftenkunde. Handschriftencatalogi-:-Getijdenboeken --- Illumination of books and manuscripts, French --- Manuscripts, French --- Illumination of books and manuscripts, French. --- Manuscripts, French. --- History. --- Heures de La Tramerie. --- Belgium --- France --- Manuscripts. Epigraphy. Paleography --- History --- history [discipline] --- illuminated manuscripts --- anno 1400-1499 --- Paris --- Tournai

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Kalīla wa-Dimna est l'un des textes les plus célèbres de la littérature arabe médiévale et compte parmi les œuvres les plus illustrées du monde islamique. L'étendue du corpus et son parcours à travers les âges en font un extraordinaire matériau pour mener une réflexion sur l'image dans l'histoire des arts islamiques. Les études rassemblées dans ce volume dirigé par Eloïse Brac de la Perrière, Aïda El Khiari et Annie Vernay-Nouri, mettent en œuvre une grande diversité d'approches croisant investigation textuelle, codicologique, iconographique et analyses physico-chimiques. Elles explorent toutes des pistes nouvelles, soit en se consacrant à l'examen de manuscrits inédits ou très rarement étudiés, soit en proposant des lectures innovantes de cette œuvre extrêmement riche qu'est Kalīla wa-Dimna.

Art and history --- History --- Annals --- Auxiliary sciences of history --- History and art --- History in art --- Illumination of books and manuscripts --- Transmission of texts --- Kalīlah wa-Dimnah --- Manuscripts. --- Illustrations. --- Arabic literature --- Manuscripts. Epigraphy. Paleography --- illuminated manuscripts --- Art islamique. --- Manuscrits islamiques. --- Littérature islamique. --- Manuscrits à peintures islamiques. --- Manuscrits à peintures persans. --- Littérature arabe. --- Littérature islamique médiévale. --- Ibn al-Muqaffaʿ, ʿAbd Allāh (0720?-0756?). --- Kalīlaẗ wa Dimnaẗ --- Manuscrits.

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The book presents a collection of original scientific studies aimed at identifying the pigments and dyes in several archaeological or historical objects and artworks. The objects under investigation span from ancient Greek vases to modern paintings, and show the importance of scientific analysis not only to reveal the artists’ materials in different contexts, but also to support conservation and curatorial strategies for the preservation and display of cultural heritage.

Research & information: general --- Late Cycladic I --- brominated indigoids --- Muricidae --- murex --- purpurissum --- true purple --- microRaman --- FTIR --- HPLC–DAD --- weld lake pigments --- yellow lakes --- luteolin --- 19th century --- Winsor &amp --- Newton --- conservation --- Liu Kang --- SEM-EDS --- MA-XRF --- IRFC --- X-RAY --- RTI --- hidden paintings --- pigments --- synthetic organic pigments --- royal talens --- handheld raman spectroscopy --- microraman spectroscopy --- modern artist oil paint --- urolithin C --- brazilein --- brazilwood marker component --- historical textile --- alteration --- cadmium orange --- chlorine --- selenium --- terracotta --- maize stem --- New Spain --- computerized tomography --- Raman --- SEM-EDX --- Mexican sculpture --- polychrome sculpture --- Maria Sibylla Merian --- colored prints --- hyperspectral imaging --- X-ray fluorescence spectroscopy --- photometric stereo --- Prussian blue --- non-invasive pigment characterization --- textiles --- dyes --- Peru --- ambient ionization mass spectrometry --- DART-MS --- paper spray MS --- HPLC --- non-invasive techniques --- FORS --- XRF --- illuminated manuscripts --- brazilwood --- colourants --- Antoine de Lonhy --- Torino --- reflectance spectroscopy --- SERS --- synthetic dyes --- Tholu Bommalata --- puppets --- pigment identification --- Raman spectroscopy --- scanning electron microscopy-energy dispersive spectroscopy --- microstratigraphic analysis --- Viking Age --- dyestuff --- HPLC-DAD-MS --- aragonite --- Brunswick green --- clinochlore --- mortars --- ultramarine yellow --- vermilion --- wall paintings --- XRD --- Henri Matisse --- cut-outs --- gouache --- Pigment identification --- light sensitivity --- X-ray fluorescence spectroscopy (XRF) --- Fourier transform infrared spectroscopy (FTIR) --- microfaedometry (MFT) --- n/a --- HPLC-DAD

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The book presents a collection of original scientific studies aimed at identifying the pigments and dyes in several archaeological or historical objects and artworks. The objects under investigation span from ancient Greek vases to modern paintings, and show the importance of scientific analysis not only to reveal the artists’ materials in different contexts, but also to support conservation and curatorial strategies for the preservation and display of cultural heritage.

Late Cycladic I --- brominated indigoids --- Muricidae --- murex --- purpurissum --- true purple --- microRaman --- FTIR --- HPLC–DAD --- weld lake pigments --- yellow lakes --- luteolin --- 19th century --- Winsor &amp --- Newton --- conservation --- Liu Kang --- SEM-EDS --- MA-XRF --- IRFC --- X-RAY --- RTI --- hidden paintings --- pigments --- synthetic organic pigments --- royal talens --- handheld raman spectroscopy --- microraman spectroscopy --- modern artist oil paint --- urolithin C --- brazilein --- brazilwood marker component --- historical textile --- alteration --- cadmium orange --- chlorine --- selenium --- terracotta --- maize stem --- New Spain --- computerized tomography --- Raman --- SEM-EDX --- Mexican sculpture --- polychrome sculpture --- Maria Sibylla Merian --- colored prints --- hyperspectral imaging --- X-ray fluorescence spectroscopy --- photometric stereo --- Prussian blue --- non-invasive pigment characterization --- textiles --- dyes --- Peru --- ambient ionization mass spectrometry --- DART-MS --- paper spray MS --- HPLC --- non-invasive techniques --- FORS --- XRF --- illuminated manuscripts --- brazilwood --- colourants --- Antoine de Lonhy --- Torino --- reflectance spectroscopy --- SERS --- synthetic dyes --- Tholu Bommalata --- puppets --- pigment identification --- Raman spectroscopy --- scanning electron microscopy-energy dispersive spectroscopy --- microstratigraphic analysis --- Viking Age --- dyestuff --- HPLC-DAD-MS --- aragonite --- Brunswick green --- clinochlore --- mortars --- ultramarine yellow --- vermilion --- wall paintings --- XRD --- Henri Matisse --- cut-outs --- gouache --- Pigment identification --- light sensitivity --- X-ray fluorescence spectroscopy (XRF) --- Fourier transform infrared spectroscopy (FTIR) --- microfaedometry (MFT) --- n/a --- HPLC-DAD