Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"The first exclusive academic study of the aesthetic, cultural and historical significance of a landmark British animated film, Watership Down"-- Provided by publisher.

Animated films.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Animation in Europe provides a comprehensive review of the history and current situation of animation in over 20 European countries. It features numerous interviews with artists and producers, including rare documents and first-hand accounts that illustrate the rich history of animation"-- There is a lot one could say about animation in Europe, but above all, there is no consistent European animation. It is as disparate as the various countries involved. Audiences will certainly recognize American or Japanese animation, but in Europe, it can range from Czech, Polish, and Hungarian to Greek, Italian, Spanish, Portuguese, French, and British. Animation in Europe provides a comprehensive review of the history and current situation of animation in over 20 European countries. It features numerous interviews with artists and producers, including rare documents and firsthand accounts that illustrate the rich history of animation in Europe. Additional features include• An extensive chronology with key events in European animation• A Who’s Who of producers, directors, writers, and animators working in Europe• An examination of the origin of European animation and its influenceAnimation in Europe is the first book devoted entirely to this topic and, therefore, will be of value for animation buffs as well as practitioners and researchers.

Animated films --- Animation (Cinematography) --- Animators --- History. --- History.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"The Classical Animated Documentary and Its Contemporary Evolution is the first book to provide an historical insight into the animated documentary. Drawing on archival research and textual analysis, it shows how this form, usually believed to be strictly contemporaneous, instead took shape in the 1940s. Cristina Formenti integrates a theoretical and a historical approach in order to shed new light on the animated documentary as a form as well as on the work of renowned studios such as The Walt Disney Studios, Halas & Batchelor, National Film Board of Canada and never before addressed ones as Corona Cinematografica. She also highlights the differences and the similarities existing among the animated documentaries created between the 1940s and the mid 1980s and those produced today, so as to demonstrate how the latter do not represent a complete otherness in respect to the former, but rather an evolution."--

Animated films --- Documentary films --- History and criticism --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Récompensé au Festival de Cannes en 1973, La Planète sauvage est aujourd'hui une oeuvre culte. Née de la collaboration de René Laloux et Roland Topor, cette fable écologique et politique constitue l'une des toutes premières incursions du cinéma d'animation dans le domaine de la science-fiction.Ce livre, conçu comme une enquête, apporte de nouveaux éléments de compréhension touchant notamment la fabrication épique du film à Prague, la mise en scène de René Laloux, les séquences non tournées, etc. Riche de 200 illustrations en couleurs, il revient sur l'ensemble du processus créatif, à travers les témoignages de ses principaux protagonistes (René Laloux, Roland Topor, Stefan Wul, Alain Goraguer) et des archives inédites (dessins préparatoires, scénario, storyboard ...). Un livre-somme sur une oeuvre annonciatrice du cinéma d'animation contemporain, publié à l'occasion des 50 ans du film.

Science fiction films --- Animated films --- History and criticism. --- La Planète sauvage (Motion picture)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Walt Disney Feature Animation Florida opened in Orlando at the dawn of the Disney Renaissance. As a member of the crew, Mary E. Lescher witnessed the small studio's rise and fall during a transformative era in company and movie history. Her in-depth interviews with fellow artists, administrators, and support personnel reveal the human dimension of a technological revolution: the dramatic shift from hand-drawn cel animation to the digital format that eclipsed it in less than a decade. She also traces the Florida Studio's parallel existence as a part of The Magic of Disney Animation, a living theme park attraction where Lescher and her colleagues worked in full view of Walt Disney World guests eager to experience the magic of the company's legendary animation process.

Animation (Cinematography) --- Animated films --- Computer animation --- History --- History and criticism. --- History. --- Walt Disney Feature Animation Florida