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Von der Antike bis in die Gegenwart wird erzählerisches Handeln immer wieder durch bildhafte Ausdrücke veranschaulicht, die den Erzähler in logikwidrigem Kontakt mit der erzählten Welt darstellen und sich damit narratologisch als Metalepsen beschreiben lassen. Dieses Buch behandelt zwei sachlich entgegengesetzte, aber dennoch verwandte metaleptische Bilder des Erzählens: Im einen erscheint der Erzähler als anwesender Beobachter ("wir finden unseren Helden in x"), im anderen als unmittelbarer Urheber der Handlung ("wir haben unseren Helden nach x gebracht"). Beide Bilder werden anhand aussagekräftiger Beispiele von den Anfängen in der frühgriechischen Dichtung über Verwendungen in Mittelalter und Früher Neuzeit bis zu Weiterentwicklungen im modernen Roman verfolgt. Besonderes Augenmerk gilt dabei den impliziten Konzepten des Erzählens, die in den jeweiligen Verwendungen greifbar werden. Tatsächlich zeigen sich hinter den formalen Konstanten teils tiefgreifende Unterschiede, die einen Einblick in epochenspezifische Erzählverständnisse ermöglichen. Damit leistet das Buch nicht nur einen Beitrag zu einer Geschichte abendländischen Erzählens, sondern führt exemplarisch den Nutzen der Diachronen Narratologie vor Augen. What is narration? This book sheds light on two figurative responses that, in narratology, can be qualified as metalepses (the overlapping of narrative layers): narration as present observing and narration as the immediate production of action. This book pursues both ideas from antiquity to the present, with some far-reaching differences coming to light behind the formal constants.
Fiction --- LITERARY CRITICISM / Semiotics & Theory. --- Diachronic narratology. --- figurative language. --- metalepsis. --- narrator.
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"Geschichte wird erzählt" lässt sich als Konsens in der geschichtstheoretischen Diskussion über die Darstellung von Geschichte festhalten. Darüber, wie Geschichte erzählt wird, besteht erkennbarer Dissens. Der vorliegende Band überführt die Analyse nationalhistoriografischer Narrative in eine erzähltheoretische Systematik und macht diese Texte in ihrer ästhetisch-literarischen Repräsentation, Erzählhaltung und -konvention als Konstrukt sichtbar. Das erarbeitete textstrukturelle Werkzeug zeigt auf, wie eine historiografisch-erzähltheoretische Analyse nationaler "Meisternarrative" entlang analytischer Kategorien funktionieren kann, um Geschichte(n) systematisch dekonstruierbar zu machen. Indem analytische Kategorien der Erzähltextanalyse für diese besondere Form des Erzähltextes adaptiert und/oder (neu) definiert und direkt auf das Korpus (Nipperdey, Wehler, Winkler) angewendet werden, kann gezeigt werden, wie Historiker:innen historiografisch erzählen. Die hier vorgelegte Narratologie historiografischer "Meisternarrative" liefert somit einen formal erweiterten Werkzeugkasten, der die theoretische Diskussion um die Frage, wie Geschichte erzählt wird, kategorial perspektiviert. "History is told" is largely the consensus in discussions of history theory about the representation of history. There is, however, a discernible disagreement about how history is told. This volume transfers selected national historiographical narratives into a narrative-theoretical systematics and makes these texts visible in their aesthetic-literary representation, narrative attitude and convention as a construct.
German National History. --- Historiography. --- Literary Theory. --- Narratology. --- LITERARY CRITICISM / Semiotics & Theory.
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How do physical things differ from non-things—human subjects, animals, abstract ideas, or processes? Those questions, which are as old as philosophy itself, have inspired contemporary debates in ecocriticism, thing theory, and in the interdisciplinary field of new materialism. This book argues that contemporary narrative is well placed to map out and work through the spectrum of the material and the philosophical questions that underlie it. This is because narrative does not resolve the tensions at the heart of conceptions of materiality but rather reframes them, envisioning their implications and exploring their relevance to concrete contexts of human interaction. This monograph is structured around a number of novels, experimental fiction, films, and video games that imagine the inherent agency of things but also interrogate the affective and ethical significance of materiality in human terms. Its aim is to demonstrate the power of formal narrative analysis to foster conceptually and ethically sophisticated ways of thinking about thingness in times of ecological crisis—that is, times in which "stuff" can no longer be taken for granted.
Aesthetics in literature. --- Materialism in literature. --- Narratology. --- New Materialism. --- affect. --- objects in literature.
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This book looks at eight post Arab Spring novels in the context of Gilles Deleuze’s and Félix Guattari’s theory of minor literature. Ahdaf Soueif, Hisham Matar, Karim Alrawi, Youssef Rakha, Yasmine El Rashidi, Omar Rober Hamilton, Saleem Haddad, and Nada Awar Jarrar all focus on the Arab world in their work; on the lives of ordinary and minority peoples; and on the revolutions of their respective nations. This volume shows how these contemporary Anglo-Arab novelists exhibit linguistic experimentation akin to Deleuze’s and Guattari’s theory of ‘deterritorialization’, but in a way that is unique to Anglo-Arab writing. The selected novelists repudiate the use of metamorphosis, which is usually an essential part of the deterritorialization of a major language. Instead, their writings enact the minor practice of linguistic deterritorialization by using metaphor and by incorporating contemporary modes of protest like popular slogans, tweets, and chants. These authors challenge the conventions of minor literature and, by adopting this mode of deterritorialization, foreground the experiences of officially silenced voices. Abida Younas is a postgraduate tutor at the University of Glasgow, UK. She has contributed to a number of journals, including “Magical Realism and Metafiction in Post-Arab Spring Literature: Narratives of Discontent or Celebration?” for the British Journal of Middle Eastern Studies (2018).
Middle Eastern literature. --- Narration (Rhetoric). --- Postmodernism. --- Middle Eastern Literature. --- Narratology. --- Post-Modern Philosophy. --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Near Eastern literature
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This open access book examines how the form of the list features as a tool for meaning-making in the genre of detective fiction from the nineteenth to the twenty-first century. The book analyzes how both readers and detectives rely on listing as an ordering and structuring tool, and highlights the crucial role that lists assume in the reading process. It extends the boundaries of an emerging field dedicated to the study of lists in literature and caters to a newly revived interest in form and New Formalist approaches in narratological research. The central aim of this book is to show how detective fiction makes use of lists in order to frame various conceptions of knowledge. The frames created by these lists are crucial to decoding the texts, and they can be used to demonstrate how readers can be engaged in the act of detection or manipulated into accepting certain propositions in the text. Sarah J. Link is Postdoctoral Researcher at the University of Wuppertal, Germany.
Literature, Modern --- Narration (Rhetoric). --- Knowledge, Theory of. --- Twentieth-Century Literature. --- Contemporary Literature. --- Narratology. --- Epistemology. --- 20th century. --- 21st century. --- Epistemology --- Theory of knowledge --- Philosophy --- Psychology --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Literature
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This book proposes a model of reading called hyperobject reading that bridges the Anthropocene scale variance between humans and humanity by focusing on the large-scale problems and phenomena themselves. Hyperobject reading draws on narratology and reader-response theory, as well as newer developments such as the postcritical turn and object-oriented ontology. The theoretical introduction sets out the building blocks of hyperobject reading. Chapter 2 intervenes in critical disability studies and debates about the ecosomatic paradigm; Chapter 3 intervenes in debates about technological evolution, analogue vs. digital subjectivity, and affect theory; and Chapter 4 intervenes in debates about autofiction, contemporary metafiction, and the position and role of the narrator in first-person narratives where the narrator and protagonist can be distinguished. The analytical conclusion sketches the conceptual anatomy of the hyperobject and three possible responses. No part of the Earth today is free from human influence, but literary success suggests effective real-world strategies. Chingshun J. Sheu is Assistant Professor of Applied English at Ming Chuan University. His research focuses on contemporary American fiction, literary theory, narratology, and Alain Badiou. Having published essays on William Gaddis, Orson Scott Card, and Taiwanese author Chang Hsiu-ya, he is also the premier English-language film critic in Taiwan.
Literature, Modern—20th century. --- Literature, Modern—21st century. --- America—Literatures. --- Narration (Rhetoric). --- Ecocriticism. --- Contemporary Literature. --- North American Literature. --- Narratology. --- Ecological literary criticism --- Environmental literary criticism --- Criticism --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Literature, Modern --- America --- 20th century. --- 21st century. --- Literatures. --- Literature
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