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This book examines the correspondence between international relations (IR) theories of structural realism and constructivism and paintings, notably the artwork of Mark Rothko and Jackson Pollock, in a game theory setting. This interdisciplinary approach, through the lens of game theory and semiotics, permits different, enriched interpretations of structural realism and constructivism. These theories constitute an axis of debate between social and systemic approaches to international politics, as well as an axis of differentiation between scientific realism and positivism as philosophies of science. As such, the interpretations explored in this book contribute to what we know about international relations, how semiotics intersect with strategic uncertainty, and explains these interactions in the proposed games model. The book's use of game theory and semiotics generate 'visual semiotic games' (VSGs) that shed light on the debate axes through strategic uncertainty, interactions, and players' interactive belief systems. VSGs will contribute to literature on experimental semiotics in the sense of players' coordination behavior, beliefs, and artistic evaluations. The equilibria, interpreted through branches of philosophy of mind and theories of explanation, will reveal possibilities of agreement among players about which artwork representing the theory at hand is the best, opening innovative research perspectives for the discipline of IR theory.
Semiotics --- Philosophy of science --- Mathematics --- semiotiek --- wetenschapsfilosofie --- wiskunde
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Ruth Asawa (1926?2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa?s oeuvre throughout her career, featuring essays that examine the range of Asawa?s aesthetic maneuvers across materials and techniques; how Asawa?s drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers?s pedagogy and Asawa?s lifelong adoption of his type of paper folding. Tracing Asawa?s artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist?s drawings includes reproductions of more than one hundred works? many of which have never been published? organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear.Bron : https://www.copyrightbookshop.be/shop/ruth-asawa-through-line/
Drawing, American --- Asawa, Ruth --- Tekenkunst --- Semiotiek --- Criticism and interpretation.
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Semiotics --- Mass communications --- grafieken --- auteursrecht --- beeldtaal --- ethiek --- fotografie --- semiotiek --- typografie --- webdesign --- presenteren
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The Beatles and the Beatlesque address a paradox emanating from The Beatles' music through a cross-disciplinary hybrid of reflections, drawing from both, musical practice itself and academic research. Indeed, despite their extreme stylistic variety, The Beatles' songs seem to always bear a distinctive identity that emerges even more in similar works by other artists, whether they are merely inspired, derivative or explicitly paying homage. The authors, a musicologist and music producer, emphasize the importance of record production in The Beatles' music in a way that does justice not only to the final artifacts (the released songs) but also to the creative process itself (i.e., the songs "in the making"). Through an investigation into the work of George Martin and his team, as well as The Beatles themselves, this text sheds light on the role of the studio in shaping the group's eclectic but unique sound. The chapters address what makes a song "Beatlesque", to what extent production choices are responsible for developing a style, production being understood not as a mere set of technicalities, but also in a more conceptual way, as well as the aesthetics, semiotics and philosophy that animated studio activity. The outcome is a book that will appeal to both students and researchers, as well as, of course, musicophiles of all kinds.
Semiotics --- Aesthetics --- Audiovisual methods --- Vibrations --- Art --- Film --- akoestiek --- technische akoestiek --- geluidsisolatie --- elektro-akoestiek --- multimediakunst --- esthetica --- semiotiek
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Edmund Husserl's ideas, informed by Kant's Critiques, constituted a point of departure when rereading philosophical problems of subject and subjectivity. In his "Phänomenologie und Egologie" (1961/63), Jan Broekman revealed how Husserl analysed the "Split Ego" notion in Kant's vision, which became fundamental for his phenomenology. The form and function of subjectivity were likewise positioned in psychiatry and literature, as well as in aesthetics, as Jan Broekman's texts on 'cubism' demonstrated. Problems of 'language' unfolded in studies on topics ranging from the texts of Ezra Pound to the dialogic insights of Martin Buber, all of which were involved in the development of semiotics. Two themes accompanied these insights: the notion and later Parisian mainstream called structuralism, and the urgent need to arrive at deeper insights into the links between Marxism and phenomenology. Central language concepts also played a part: as early as 1986, Jan Broekman published on 'semiology and medical discourse', and in 1992 on 'neurosemiotics', before addressing the link between speech act and (legal as well as social) freedom in 1993. In all these works, the subject and the atmosphere of subjectivity were essential aspects. In addition to his writing, Jan Broekman gave courses on current philosophical issues, law and medicine until retiring in 1996, and in his "Intertwinements of Law and Medicine" revisited subjectivity aspects, while also offering a synthetic view. In this Festschrift in honour of Jan Broekman, the contributions address the analogue/digital dichotomy in semiotics, the multicultural self in language and semiotics, semiology and legal discourse, the legal subject and the atmosphere of subjectivity, intertwinements of law and medicine, the semiotics of law in legal education, signs in law and legal discourse, making meaning in law, and legal speech acts.
Semiotics --- Legal theory and methods. Philosophy of law --- Law --- History --- geschiedenis --- semiotiek
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Semiotics --- Legal theory and methods. Philosophy of law --- Law --- History --- geschiedenis --- semiotiek --- Subjectivity --- Subjectivism --- Knowledge, Theory of --- Relativity
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Semiotics --- Legal theory and methods. Philosophy of law --- Industrial and intellectual property --- Law --- History --- geschiedenis --- semiotiek --- intellectueel eigendomsrecht --- Semiotics (Law) --- Philosophy --- Language
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“More than any other living scholar of medieval philosophy, Gyula Klima has influenced the way we read and understand philosophical texts by showing how the questions they ask can be placed in a modern context without loss or distortion. The key to his approach is a respect for medieval authors coupled with a commitment to regarding their texts as a genuine source of insight on questions in metaphysics, theology, psychology, logic, and the philosophy of language—as opposed to assimilating what they say to modern doctrines, or using medieval discussions as a foil for ‘new and improved’ conceptual schemes.” Jack Zupko, University of Alberta “Gyula Klima is widely recognized as one of the world’s leading experts on thirteenth and fourteenth-century Latin philosophy, with his own, distinctive analytic approach, which brings out both the similarities and differences between medieval and contemporary logic and semantics.” John Marenbon, Trinity College, University of Cambridge “Gyula Klima has been a towering figure in the field of medieval philosophy for decades. His influence comprises not only the scholarly results of his work, but also intense and generous mentorship of students and junior colleagues. This volume is a perfect reflection of the esteem that he enjoys around the world, collecting excellent pieces by established as well as up-and-coming scholars of medieval philosophy.” Catarina Dutilh Novaes, Vrije Universiteit Amsterdam “For four decades now, Gyula Klima has been setting the standard among medievalists for philosophical sophistication and historical rigor. This collection of wide-ranging studies from leading scholars in the field offers a worthy tribute to that legacy.” Robert Pasnau, University of Colorado Boulder Gyula Klima is Professor of Philosophy at Fordham University, and Senior Research Fellow, Consultant, and the Director of Institute for the History of Ideas of the Hungarian Research Institute in Budapest. In 2022, the President of Hungary awarded him the Knight’s Cross of the Hungarian Order of Merit, “in recognition of his outstanding academic career, significant research work and exemplary leadership.” In this volume, colleagues, collaborators, and students celebrate Klima’s project with new essays on Plotinus, Anselm, Aquinas, Buridan, Ockham and others, exploring specific questions in philosophy of mind, philosophy of language, metaphysics, and logic. No contemporary surpasses Kripke and Klima in semantics and metaphysics, but only Gyula Klima’s thought ranges flawlessly over classical philosophy as well. The volume is a fitting tribute to the master. David Twetten, Marquette University.
Semiotics --- Philosophy --- Metaphysics --- Logic --- History of philosophy --- filosofie --- geschiedenis --- semiotiek --- metafysica --- logica --- middeleeuwen --- Philosophy, Medieval. --- Semiotics. --- Logic. --- Metaphysics. --- Cognition. --- Medieval Philosophy. --- History of Philosophy. --- History.
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All knowledge is always a matter of change, as this book underlines. All knowledge links You and Me to Reality. This process of positioning cognition has become heavily influenced by conversion. Its cultural background is in this book named 'the New Plural': a worldview based on combinations of Analog, Digital, AI and Quantum understandings of reality. The New Plural, combined with in-depth observations on the Subject in new forms of knowledge formation, forms the background theme of the book. To understand the Subject as defined in past centuries, like Kant's so-called 'split ego' or Voegelin's 'flow', are outlined together with Husserl's 'phenomenology of ego-positions'. Today, one encounters the Subject transformed into a Self with other forms that replace the traditional Subject and its position. The dynamics of the Self are therefore broader than any Selfie can picture. What the book calls 'the Self in digital culture' and for what it introduces the name Self-E, is therefore essential for a semiotic observation of all actual patterns and practices of communication. The decentering of the Subject changed human cognition. The book introduces 'The 3-S Triad' (composed of the 'Subject-Self-Self-E'), which has taken the place and functions of the classical Subject and its dynamics. Cognition has assumed a different position in the heart and mind of every human being. At the same time, the influence of 'The New Plural' has grown, making digital thought formation the leading pattern and foundation of today's knowledge. That different view on human identity made knowledge as understanding and its traditional grasping disappear. All fragments of planetary life were subjected to a newly conceived and often digitally anchored fitting. That forms one of the most powerful and global challenges to the human mind. What if we conclude about climate change that our knowledge fits the problems concerned? The book's final pages outline an epistemological path through such complex zones of knowledge! But its broad and encompassing background question remains, what the concept of change really means when it is challenged to clarify the topic we name climate change.
Semiotics --- Legal theory and methods. Philosophy of law --- Industrial and intellectual property --- Law --- History --- geschiedenis --- semiotiek --- intellectueel eigendomsrecht --- Semiotics (Law) --- Philosophy --- Language
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Semiotics --- Philosophy and psychology of culture --- Sociology of culture --- Legal theory and methods. Philosophy of law --- Human rights --- Law --- History --- mensenrechten --- cultuur --- geschiedenis --- semiotiek --- Culture and law. --- Philosophy. --- Language.
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