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Motion picture authorship --- Television authorship

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This book explores issues of identity, ethics and epistemology that arise around the writing and reception of creative nonfiction. It examines a range of different nonfiction forms -- including the personal essay and memoir -- and ethical questions that arise in relation to them, such as truth claims, the confessional mode, counter-narratives. Drawing on the ideas of Bakhtin, Nietzsche and Foucault; examples from creative non-fiction writers such as Strayed and Knausgaard; and the founding principles of the originators of the genre, Seneca, Augustine and Montaigne, Jensen argues that a limited conception of nonfiction leads to a limited view of its ethics. Writing about the truth in an authentic way is more important than ever before -- and essential to this is the creation of the ethical subject. George H. Jensen is Professor Emeritus with the Department of Rhetoric and Writing at the University of Arkansas at Little Rock, USA. His recent books include Some of the Words Are Theirs: A Memoir of an Alcoholic Family (2000), Storytelling in Alcoholics Anonymous: A Rhetorical Analysis (2000), and Identities Across Texts (2002).

Creative nonfiction --- Authorship --- Authorship. --- Moral and ethical aspects.

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"Four experienced narrative designers from different genres of game development have banded together to create this all-inclusive guide on what it's like to work as a writer and narrative designer in the videogame industry"--

Video games --- Design --- Programming --- Authorship

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"Bringing together the expertise of world-leading screenwriters and scholars, this book offers a comprehensive overview of how screen narratives work. Exploring a variety of mediums including feature films, television, animation, and video games, the volume provides a contextual overview of the form and applies this to the practice of screenwriting. Featuring over 20 contributions, the volume surveys the art of screen narrative, and allows students and screenwriters to draw on crucial insights to further improve their screenwriting craft. Editors Paul Taberham and Catalina Iricinschi have curated a volume that spans a range of disciplines including screenwriting, film theory, philosophy and psychology with experience and expertise in storytelling, modern blockbusters, puzzle films and art cinema. Screenwriters interviewed include: Josh Weinstein (The Simpsons, Gravity Falls), David Greenberg (Stomping Ground, Used to Love Her), Evan Skolnick and Ioana Uricaru. Ideal for students of Screenwriting and Screen Narrative as well as aspiring screenwriters wanting to provide theoretical context to their craft"--

Motion picture authorship. --- Narration (Rhetoric) --- Storytelling in mass media.

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Video games --- Video games --- Video games --- Design. --- Programming. --- Authorship.